Winning entry "Circus for Construction" by Ann Lui, Ashley Mendelsohn, Larisa Ovalles, Craig Reschke, and Benjamin Widger. Image Courtesy of Storefront for Art and Architecture
Starting September 19th, the ten winners of WorldWide Storefront (WWSf) - an initiative by Storefront for Art and Architecture to create alternative spaces for the expression/exchange of art/architecture - will open across the globe for the next two months. While one winning proposal invites artists to travel the world on commercial freight ships, another will host exhibits and events out of a traveling semi-truck in the United States. For the full list of winners and more information, click here.
"Plastic is an extremely durable material, taking 500 years to biodegrade, yet it's designed to be used for an average of 5 minutes, and so it's thrown away. Few know where this mass of junk will end up ... in the oceans, killing and silently destroying everything, even us."
Cristian Ehrmantraut has developed a prototype for a floating platform that filters the ocean and absorbs plastic. Located 4 km from the coast of Easter Island, close to the center of the mega-vortex of plastic located in the South Pacific, the tetrahedral platform performs a kind of dialysis, allowing the natural environment to be recovered as well as energy and food to be produced.
Although construction was never completed, El Helicoide (The Helix) in Caracas remains one of the most important relics of the Modern movement in Venezuela. The 73,000-square-meter project, designed in 1955 by Jorge Romero Gutiérrez, Peter Neuberger, and Dirk Bornhorst, takes the form of a double spiral topped by a large geodesic dome designed by Buckminster Fuller. It is characterized by a series of ascending and descending ramps intended to carry visitors to its variety of programmatic spaces, including 320 shops, a 5-star hotel, offices, a playground, a television studio, and a space for events and conventions.
Today, Proyecto Helicoide aims to rescue the urban history and memory of the building through a series of exhibitions, publications, and educational activities.
While other cities in the United States are shrinking, the world's largest retirement community - The Villages - is booming. Completely devoid of crime, traffic, pollution, as well as children, the fastest growing metropolitan area in the country raises serious questions about the concentrated demographic's future infrastructural needs. After all, by 2050, the over-60 set is expected to almost triple to 2 billion. To learn more, check out this fascinating article on Bloomberg.
Julia Morgan is the eighth posthumous winner of the Gold Medal, which has been issued since 1907. Image Courtesy of The Chronicle
Considering Julia Morgan was overlooked for over 100 years and has been dead for over 50, naysayers may consider her recent accolade as the first woman to receive the AIA Gold Medal something of an empty gesture. However, the prestigious group of supporters who compiled her nomination package - among them Michael Graves, Frank Gehry, and Denise Scott Brown - would beg to differ. To find out how and why the trio championed Morgan's case, check out this article on SFGate.
Urban farming is nothing new, but Aprilli Design Studio's proposal for a completely open-air skyscraper does put a novel spin on the sustainable ideal. Instead of tacking greenery onto roofs and balconies, they incorporate agriculture into cities by dedicating entire buildings to the cause. To learn more about the tree-like design, check out Fast Company's article here.
If there is a universal truth, it is that nobody likes spending time in an airport. This article from the Financial Times corroborates this fact, pointing out that, no matter how well-designed a terminal is, people make every effort to leave it as soon as possible. While the novelty of air travel has worn off since its inception in the 20th century, the work devoted to designing airports has only increased. We’ve collected some of our favorite terminals we'd actually love to get stuck in, including works by Eero Sarinen, SOM, Fentress, J. Mayer H., KCAP, Paul Andreu, bblur architecture and 3DReid, Corgan Associates, De Bever, and Studio Fuksas. Enjoy!
Render of the National Stadium of Brazil, based on a photograph by Tomás Faquini
In these hypothetical designs entitled "Casa Futebol", Architects Axel de Stampa and Sylvain Macaux of 1Week1Project have proposed a reappropriation of Brazil's World Cup venues by inserting housing units of approximately 105 square meters into the existing structures. The designs are tailored to each stadium, allowing them to continue to operate smoothly, with part of the money raised by ticket revenue used to finance the construction and maintenance of dwellings. By either replacing part of the stands with the prefabricated units or by occupying the external facade, Casa Futebol adds a human scale to these monumental buildings.
Los Angeles Mayor Eric Garcetti proudly displays his pro-Lucas Twitter hastag. Image Courtesy of City of Los Angeles
Before George Lucas found a home for his museum in Chicago, the mayors of other cities were desperately vying for the honor (see Los Angeles Mayor Eric Garcetti above). If they are still disappointed about losing out, a new study about the aftermath of building cultural centers might offer some consolation. To learn about the planning fallacies and negative outcomes often associated with these building types, check out CityLab's recap.
Jason Lamb, a recent graduate from London's Bartlett School of Architecture, has developed a project which centres around the legacy of hydraulic fracturing in the British coastal city of Blackpool. The theoretical thesis, which employs the possibility of Chinese investment prompting the transitory integration of hydraulic fracturing within the city for the exploitation of shale gas, features a number of interesting explanatory illustrations.
Unable to afford architectural services, many abortion clinics in the US constantly struggle to create a buffer between themselves and the often radical anti-abortion protesters outside their walls (indeed, physical barriers - such as sprinkler systems - are often the only things that make clinic workers and their patients feel safe). To learn more about how architecture can help protect them, head over to Fast CoDesign for their fascinating article.
Every month, INTERIORS Journal analyzes and diagrams the spaces in various films, producing detailed plans for our viewing pleasure. But have you ever wondered just how they do it? If you have, check out their short video on making the plan from Spike Jonze's feature film Her above.
"The Indian poor live in perpetual darkness, while the Indian rich live in perpetual light." This fact is obviously embedded in Mumbai, where luxury condominiums rise in the middle of slums. Many of these extravagant buildings were designed by India's most commercially successful architect, Hafeez Contractor, who believes his arrestive work is the beginning of slum redevelopment. Learn about his crusade and how he's been criticized in this New York Times article by Daniel Brook.
A Rose Fellow working on a community design project. Image Courtesy of Enterprise Community Partners
Shelter is a basic human need, but over 11 million families cannot afford a safe and stable place to live. In a crusade to change this sad fact, the Enterprise Rose Fellowship gives socially-minded architects the tools they need to pursue careers in affordable housing and community development. For more on the learning opportunity, head over to Next City and click here.
In celebration of the Brazil World Cup, architect and illustrator André Chiote has created a series of illustrations featuring the tournament's most iconic stadiums. Comparing the social importance of these stadiums to cathedrals, Chiote believes that "the new architectural objects are landmarks in the cities that will perpetuate in the future as a cultural and social legacy," and there are few better ways to envision this legacy than to treat the structures with his abstracted, colorful aesthetic - in Brazilian green and yellow, of course. Check out the full illustration set after the break.
Radio Broadcasting Station, Detroit by Knud Lonberg-Holm. Image Courtesy of Metropolis Magazine
In one of his final interviews, Knud Lonberg-Holm quipped, "I've always been annoyed by rummaging through the past; the future interests me much more." Not one to promote himself, the modernist architect all but disappeared after retirement, seemingly taking his contributions to architecture with him. After years of neglect, investigative research has finally unearthed just how influential Lonberg-Holm was. To learn about how he shaped information design (among many other things), continue reading Paul Makovsky's exclusive article on Metropolis Magazine.