All architects desire recognition of their built work; for their signature design style to be identified, or for the quality of materials and details to outshine those around it. Unfortunately, if every new architectural structure was to insert itself into its context looking to be the star, soon it would become impossible to gauge the civic relevance of the area. Some buildings, such as Daniel Libeskind's Jewish Museum, appear dislocated with due cause, but others stand out for the sake of standing out, turning their back on their rich historical setting.
While there can be no singular strategy for contextual integration, Kurt Kohlstedt argues that a consideration of historical context, whether eventually chosen to acquiesce with or deny, will result in richer and more engaging built environment. In his latest essay for 99% Invisible, Kohlstedt unpacks the myriad ways in which a new building can engage with what was there before, highlighting examples which successfully and unsuccessfully take up the challenge. He acknowledges the difficulty of finding the sweet spot, as many designs are unable to navigate the "fine line between contextual and contemporary."