Continuing our series of publications aimed at broadening access to academic research from the country's universities, today we present the master's thesis of Ana Luzia Ribeiro Mello from the Institute of Arts at UNESP - Universidade Estadual Paulista Júlio de Mesquita Filho, titled “O brinquedo do parque: um conceito lúdico como arte do reaproveitamento” (The Park Toy: A Playful Concept as the Art of Repurposing) and advised by Prof. Dr. Clice de T. Sanjar Mazzilli. The study highlights the figure of architect and designer Elvira de Almeida and her career in designing and building play sculptures.

Through March 10, Chilean architect Pilar Pinchart presents her exhibition “Sección” at Galería PanAm.

The exhibition is divided into two parts showcasing the interests that have shaped Pinchart's work over the last ten years, synthesized in a conceptual installation on high-rise housing.

The first part of the exhibition features a study of Le Corbusier's 1992 sketch for the City of Three Million Inhabitants, understood as the section of an envisioned city—the starting point for the exhibition #100andesfrommywindow, presented in Aarhus, Denmark, in May 2017. It comprises 15 pop-up models and fragments of balcony facades built in Santiago, Chile, between 1940 and 2015, which show the evolution from the balcony to the terrace and to the concept of the high-rise garden. This gives rise to the centerpiece of the exhibition, a complex installation displaying five built structures designed to be read through the information provided by their sections in relation to vegetation and use.

On April 19, Argentina's first sustainable public school was officially inaugurated in the town of Mar Chiquita.

The project was realized under the Una Escuela Sustentable program, an initiative by the Uruguayan organization Tagma that aims to build a symbolic regional network—with a sustainable public school in every Latin American country—in partnership with Garbage Warrior Michael Reynolds and his team at Earthship Biotecture.

Below, the organizers outline the seven core principles and the construction process of this project.

Bogotá is well-known for its diverse public markets, which not only host the sale of meat, grains, fruits, and vegetables, but also serve as spatial representations of Colombian culture.

These traditional establishments have grown alongside the city's population, undergoing significant spatial transformations over time. For locals, they remain the essential place for grocery shopping, while for tourists, they are major attractions offering a sensory exploration of Colombia's diverse flavors, aromas, and textures.

Opened last Saturday (16) at the Museu da Casa Brasileira in São Paulo, the exhibition “Experimenting Le Corbusier – Contemporary interpretations of modernism”—curated by Pierre Colnet and Hadrien Lelong of design publisher Cremme, with exhibition design by the São Paulo-based office MNMA Studio—seeks to foster a reflection on the implications of the Franco-Swiss architect's work for the architectural, urban, ideological, and social development of Brazilian modernism.

Featuring 20 guest artists—architects, designers, and visual artists—who developed various works and research based on the canons of the architect's work, the exhibition seeks to operate through the “transdisciplinarity of art,” as noted by Mariana Schmidt, the partner-architect responsible for the exhibition design.

Architect Rafael Pina Lupiáñez, writing for the ARKRIT Collective, reflects on the single-family house as an experimental manifesto of the modern architect—a space where the designer's theories, trends, and concerns materialize through a close, collaborative relationship with the client. By comparing two houses built in Quito, Ecuador, by architects Daniel Moreno and Sebastián Calero, this article illustrates how housing can serve as the perfect stage to unify design experience, client participation, environmental awareness, the reuse of waste materials, and other contemporary ethical approaches.

2018 was a busy year for ArchDaily Brasil. We had the opportunity to publish a wide range of content—articles, news, and projects—specially curated for you, our daily reader. Beyond our platform, our Instagram account served as a daily hub for sharing content through stories, IGTV, and, above all, the dozens of photographs shared each week.

With nearly 150,000 followers on our Brazilian profile (@archdailybr) who follow us daily and show their support for the best architectural photography of projects by Brazilian and Portuguese architects, we decided to put together a year-end roundup of the 15 most-liked photos. Check out the list below!

According to the Madrid City Council, the proportion of homes dedicated to tourist use in the Spanish capital is 0.54%. However, this figure rises to 6% in the Centro district, meaning that 23 times more tourists overnight in this area than in Madrid's other 20 districts combined.

To address this, last January the Governing Board of the City of Madrid approved the drafting of a Special Plan for the Regulation of Tourism in the City of Madrid (PEOTMad), alongside a one-year moratorium on licensing for all forms of tourist accommodation in properties currently used as residential housing across all neighborhoods in the Centro district.

Prompted by the invitation of the upcoming OH! Stgo 2018—taking place this September 8 and 9—architect Sebastián Gray uses striking data to launch a reflection on the challenges facing contemporary Santiago. For this edition, various figures were called upon to think about the city currently being built, the role that individuals and communities assume in this construction, the major urban issues of the past year, and the challenges projected for the future.

The video captures conversations that reflect the life and dynamics of our cities today. Other participants include architect Jorge Lobos, who addresses current migration processes and how they shape the urban landscape; journalist Soledad Onetto, who highlights the high costs affecting residents; and Paola Jirón, who delves into mobility systems, among others.

Architecture and urban planning is a field that constantly evolves in tandem with technological advancements. This is true for heavy machinery used in construction, building materials, and design tools alike. Today, this evolution is closely tied to BIM technology.

BIM stands for Building Information Modeling. It is a workflow that gathers, through digital tools, all information regarding the construction of a building. 

Jointly organized by the Cámara de la Madera, Mueble y Equipamiento de Córdoba (CAMMEC) and the Faculty of Architecture, Urbanism, and Design at the Universidad Nacional de Córdoba, the 'Toco Madera XL' workshop emerged within the framework of the Second Design Biennial in Córdoba, Argentina, with the primary goal of promoting the use of wood.

Nine teams made up of more than 200 students and 50 professors designed installations using this material exclusively, which were then placed in various public spaces across the city. The initiative sought to showcase and highlight the regional timber industry, positioning the city as a benchmark for local and international design.

+ 49

On December 13, 1943, a law established the regulatory framework for the National Antituberculosis Board (Patronato Nacional Antituberculoso), created to combat and help eradicate tuberculosis—one of the worst diseases afflicting Spanish and global populations during the 20th century. "The National Antituberculosis Board is dedicated to preventing the spread of a disease that represents the leading cause of mortality in Spain, as well as the most significant threat to the race," the text of the law began.

Following the end of the Civil War in 1939, the situation in Spain and for its population was precarious. This was reflected in the country falling behind other Western nations in its number of tuberculosis sanatoriums. Indeed, in 1934, with only 66 sanatoriums, Spain had the lowest ratio of facilities per capita in Europe—one for every 357,000 inhabitants.

+ 27

More than a decade ago, I decided to study contemporary architecture while simultaneously teaching history and criticism, with an emphasis on the last century. The thrilling trajectory of architecture during this period is as surprising and prolific as it undoubtedly was during the Renaissance. Names like Gropius, Jeanneret, Mies, Wright, Costa, Niemeyer, Tange, Bonet, Williams, Scharoun, Terragni, or Aalto represent a group of brilliant architects, much like historical figures such as Leonardo, Raphael, Michelangelo, Brunelleschi, Bramante, Tintoretto, Titian, Masaccio, Botticelli, Palladio, Alberti, and Vignola were to their art starting in the fifteenth century. Modernity in architecture and art undoubtedly possesses the character of a revolutionary period, one of monumental contributions and a turning point in history.

A few months ago, architect Filipe Vasconcelos shared his digital collages with us, exploring the similarities between architecture and objects. He creates scenes in which buildings are recontextualized in situations completely removed from their original contexts and uses.

In late November, we published the winners of the second call for Colombian graduation projects—also known as undergraduate theses—for which we received 70 submissions from 14 cities and 29 universities. Ultimately, nine projects advanced through three rounds of evaluation, standing out for addressing pressing issues, conducting in-depth research, and raising challenges in both urban and rural contexts, just as in 2016.

Here, we take an in-depth look at Sustainable Rural Settlement Model in Yopal, Casanare, a proposal selected for the 2017 edition of Archiprix International and developed by Daniel Vanegas and Tatiana Cantor, both graduates of the Universidad Piloto de Colombia.

Between September 8 and 9, the annual Open House architecture festival—which began in London and is now held in more than 40 cities worldwide—will host its second edition in Santiago, Chile.

Aimed at anyone interested in exploring the city's architecture and urban design under the slogan "TENGO GANAS DE CONOCER SANTIAGO" (I Want to Get to Know Santiago), this free, weekend-long open-door festival offers access to spaces normally closed to the public or hidden within the city, showcasing their outstanding architectural, engineering, environmental, urban, social, and cultural value.

Explore a selection of participating venues for Open House Santiago 2018 below.

Today, the construction industry faces growing demand for environmentally friendly projects, such as green building certifications and energy efficiency standards. Consequently, raising awareness about the ecological value of timber is essential, as it serves as a renewable alternative to other materials that are more energy-intensive and generate high CO2 emissions.

+ 6

Active cities are those where the population can make healthier, more sustainable choices. To make this possible, cities must provide access to high-quality public spaces and services for everyone, ensuring they can walk, rest, play, and exercise in plazas, parks, and public facilities. Active cities are also compact, where the proximity between housing and work, school, services, and leisure makes walking, cycling, and public transit networks more efficient and better distributed across the territory. Consequently, opting for walking or cycling for daily commutes becomes viable. For this reason, active cities are, inherently, more walkable.

+ 11

Luken is a designer furniture brand –created and produced in Mexico by architect Paola Calzada Prats–, characterized by its use of recycled or eco-friendly materials. The collection consists of indoor and outdoor furniture that is easily assembled and resistant to sun, water, and heavy use.

Two different materials are used: recycled plastic for outdoor furniture and valchromat for indoor pieces, the latter being a 12 mm thick Portuguese wood fiber panel that, while not rainproof, is resistant to moderate humidity. No glue or nails are required for assembly. Meanwhile, the outdoor recycled plastic is made of 100% melted plastic with no added chemicals in the process. It performs exceptionally outdoors due to its resistance to direct sunlight, sea air, rain, and even heavy daily use by children.

The IAB played a key initial role in consolidating the profession of architects and urban planners as an autonomous activity from engineering back in the 1940s and 1950s. It was organized as a representative institution, a voluntary association of architects, and a platform for the field's public policies. This applied both to guiding legitimate practices concerning the built environment, the landscape, and the city, and to educating both architects and society about an activity so fundamental to citizenship. Action across these diverse areas began with support for the regulation of architecture as a profession in Brazil (the creation of Crea/Confea in 1933), followed by the organization of the 1945 congress, and, in the case of São Paulo, support for the founding of the Faculty of Architecture and Urban Planning of the University of São Paulo (FAUUSP) in 1948.

Fitting a ramp into a layout can be a designer's nightmare. But anyone who has ever had to climb a steep ramp in a wheelchair or push someone else knows firsthand how much of a difference a well-designed ramp makes. NBR 9050, from 2015, establishes the technical criteria and parameters to be observed in the design, construction, installation, and adaptation of buildings, furniture, spaces, and urban equipment to ensure accessibility.

Aiming to offer low-income households genuine flexibility for expansion and adaptation during their housing process, the Robotic Timber Framing group at the Department of Architecture of the Universidad Técnica Federico Santa María, led by Luis Felipe González and Francisco Quitral, is developing timber housing structures that can be freely assembled and transformed by their occupants.

Without the need for metal fasteners, the components are joined using mortise and tenon joints, a process carried out by an industrial robot equipped with cutting tools.

+ 16

In the constant ebb and flow of those moving through the city of São Paulo, you have likely noticed the distinctive graphic pattern repeated across various sidewalks. The classic pattern behind the modules that graphically form the map of the state of São Paulo was created in 1966 by architect and artist Mirthes dos Santos Pinto. It all began in the 1960s when then-mayor João Vicente Faria Lima launched a competition to design the city's new pavement. Mirthes, who at the time worked as a drafter for the São Paulo Municipal Works Department, created a stylized map of the State of São Paulo. Using square modules of black and white geometric tiles, the design alternated between solid colors and diagonally split tiles to create a continuous pattern.

There are now more than 350 Colombian projects published on ArchDaily. To celebrate this milestone, we have curated a selection that highlights the invaluable role of architectural models in conceptualizing, designing, and constructing contemporary Colombian architecture.

Far from the photorealism now achieved by 3D rendering specialists, the physical model endures as a critical tool for conceptual, spatial, structural, and constructive exploration, as showcased in the following selection: