Urban densification and the demand for urban land have, among other things, led to a reduction in lot sizes in cities. Large parcels of land once destined for single-family homes have made way for multi-family buildings that, depending on their location, feature commercial establishments and services on their ground floors. Building a house in major urban centers is no easy task, largely due to the scarcity of available plots, or their reduced dimensions when they can be found.
Focusing on the different typologies of houses, this week’s curated selection of Best Unbuilt Architecture highlights conceptual projects submitted by the ArchDaily Community. From urban developments to tiny homes, this article explores the topic of residential architecture and presents approaches from all over the world.
Featuring a cabin amidst the verdant forested region of northern Iran, a development in Georgia that offers an 80% recreational space to 20% housing ratio, and a project in Paris that re-questions our urban reality, and rethinks traditional forms of housing, this roundup tackles a multitude of scales. In addition, it underlines a collection of beach houses in Greece, Italy, Argentina, and Latvia each responding to a different landscape and topography. Other ideas underlined include the renovation of existing developments in Moscow, a residential-led transformation of a former factory in Manchester, and a family of blocks grouped around an elevated communal garden in the Netherlands.
Now recall the last time you meet a client. Preparing a whole bunch of presentation materials including renderings, diagrams, floor plans, elevation plans and section plans is simply not enough. The hard part starts when the client got stuck with one or two renderings and simply wouldn’t let go.
American 19th-century sanitation engineer George E. Waring, Jr. was a miasmaist. He believed in the miasma theory, which holds that toxic vapors traveled through damp soil, rotted vegetation, and pools of standing water. These toxic vapors were understood to emanate from the Earth and interact with the atmosphere and cause disease in American cities.
According to Catherine Seavitt Nordenson, ASLA, a professor of landscape architecture at the Bernard & Anne Spitzer School of Architecture at the City College of New York, Waring was a “marginal figure,” but he had interesting ideas about how to “modify the climate to improve health.” In a virtual lecture hosted by the Harvard Graduate School of Design, Seavitt Nordenson said Waring was incorrect about the mechanisms for spreading disease —he didn’t understand the concept of vectors, like mosquitoes— but his drainage and sanitation solutions were “surprisingly successful.” A year into the coronavirus pandemic, it’s worth revisiting Waring’s ideas about the connections between the Earth, atmosphere, disease — and the maintenance of public spaces.
Merging traditional, artisanal craftsmanship with versatile, modern materials, FAP Ceramiche presents a new nature-inspired porcelain-stoneware tile collection that channels the archetypal Italian summer.
Along with concerns about our environment, new movements, words, concepts, and terms related to these issues constantly emerge, which require us to always remain up to date. The word sustainability itself faced some resistance until it was incorporated into common vocabulary and used widely in the most diverse contexts. Currently, much discussion surrounds the terms circular economy, resilience, the 4 Rs, urban mining, and others. In addition, there are some sustainability-related movements that have been incorporated from activism in other fields, showing the fluidity of such issues. One such initiative is the 0 kilometer materials movement, which has been featured in manifestos and some projects, albeit timidly, in recent times.
Natural disasters, whether or not compounded by human activity, are becoming increasingly frequent in today's world.
Chile has a long history of natural disasters, many of which have occurred in recent years, underscoring the dramatic and disheartening toll on its population. It is as if the country lives in a permanent state of reconstruction.
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When designing a space, architects across the board tout the importance, and even necessity, of incorporating natural light into interiors. This means taking measures to control the quantity of light being let in and its distribution throughout the space.
In the case of residential spaces, where privacy plays a larger role than in public spaces like offices, restaurants, and stores, opaque materials like screens, tinted glass, and other barriers are the go-tos for providing protection and privacy from the outside; however, the privacy that these methods provide often comes at the cost of the space's natural lighting, forcing designers to seek alternative materials that allow for both light and privacy.
The following text is excerpted from John S. Chase — The Chase Residence (Tower Books, 2020) by architect and University of Texas professor David Heymann and historian and Rice University lecturer Stephen Fox. Richly illustrated with archival materials and new drawings, the book is the first devoted to Chase, who was the first Black licensed architect in Texas. The study is divided into two parts, with Heymann examining the personal, social, and architectural significance of Chase’s own Houston house and Fox describing Chase’s architectural career.
This excerpt draws on Heymann’s analysis and highlights the first incarnation of the Chase Residence (Chase substantially altered its architecture in 1968). It places great emphasis on the house’s remarkable courtyard, a modernist innovation, and a singular statement about domestic living at the time. New section, elevation, and perspective drawings prepared for the book help illustrate the ingenuity of the house’s configuration. Finally, the excerpt was selected in part to honor Drucie (Rucker) Chase, who passed away in January of 2021.
Along the waters of Lago di Alserio, in Como, Italy is a contemporary private residence designed by architect Annalisa Mauri which contrasts the interlacing of sleek, sharp lines with the delicate beauty of the lake and the softly rolling hills of Brianza which surround it. The geography of the site has undoubtedly influenced the flow of the building, which is expressed through well-defined geometric spaces featuring large sliding glass windows and glass spandrels that offer seamless visual continuity between indoor and outdoor.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. The third article of the series presents the ideas and visions of Yona Friedman, Oana Bogdan, and Leo Van Broeck from Bogdan & Van Broeck, Ma Yansong from MAD Architects, and Alessandra Cianchetta from AWP Architecture.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Alex Proba, Multi-Disciplinary Designer and Creative Director of Studio Proba to discuss her design process, finding her own style, the limitation and possibilities of a design style, blurring 2D and 3D works, spatial design, and much more. Enjoy!
The processes of city planning and development are part of complex networks, often requiring the coordination of diverse tools addressing not only physical, but also social, economic, and political planning. The Master Plan is one of the primary instruments for this purpose, playing a fundamental role in regulating a city's territory.
According to the definition in NBR 12267, which establishes the standards for preparing Master Plans, they are the “basic instrument of a municipal planning process for the implementation of urban development policy, guiding the actions of public and private agents.”
This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Marianne Gast: una artista no reconocida de la modernidad" written by David Lozano Díaz.
The founding of Guadalajara's first School of Architecture is a story often told as an almost ‘heroic’ feat, brought to fruition after years of effort. Once a series of fortunate events aligned, the capital of Jalisco finally achieved creative, architectural, and urban independence, fostering its own professionals to build a better Guadalajara.
This video explores how the settings and spaces in the first season of HBO’s Westworld contribute to the overall interpretation of the show. From the lawless town of Sweetwater, to the tightly controlled offices of Delos, Westworld uses architecture precisely to establish its intricate worlds. While the show is set within a theme park of the near future, books like Michael Sorkin’s Variation on a Theme Park argue that we are already treating the cities we live in — in real life — as theme parks. So, while Westworld shares a number of architectural strategies with places like Disneyland, it is also not too far away from places like Chicago, New York, or London. After all, it was the architect Charles Moore that declared Disneyland the most influential urban environment built after World War 2. Getting to the bottom of this rabbit hole includes lots of train rides and an introduction to Michel Foucault’s concept of heterotopia, which helps explain what happens when worlds collide.
In an ideal world, architects would have free reign to design whatever they imagined. But the reality of the profession is that it comes with strings attached, and our visions are limited by clients, budgets, and perhaps the most dominating force, building codes. These codes have restricted and reshaped architecture so much, that it has forged a new type of building- the “stick frame over podium”, or “five over two” design. The result is a very distinct aesthetic of buildings and a notable monotony that has nearly redefined mid-rise residential architecture across the country.
Did you know that, in almost every part of the world, people build their homes every day without the help of architects and engineers?
Common in Brazil's peripheral areas, self-construction is an option for those who want their own customized home without facing unwanted bureaucracy or long-term debt. However, the choice to build one's own residence without the technical support of engineers and architects is often accompanied by a lack of information, which can lead to irregularities, poor construction quality, and risks for the residents.
While some aspects of comfort and well-being in an indoor environment are related to external factors, such as natural lighting and ventilation, others are directly associated with the interior layout and the sensations created by architecture in the people living in that space.
It is always challenging to balance all of the elements that can provide greater comfort and well-being in interior design, particularly in small environments that must be fully optimized since it is not always possible to create large openings to the outside or even to accommodate the whole architectural program in a conventional manner.
.jpg?1547216045 "Pirajá House / Estúdio BRA. Photo: © Maíra Acayaba")
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