
The Museum of Popular Art in Recife (MAP), opened in 1955, was one of the first museums dedicated to the genre in the country. It was organized and conceived by Recife-born lawyer and collector Abelardo Rodrigues (1908–1971) and designed by Rio de Janeiro architect Acácio Gil Borsoi (1924–2009). Although now defunct, the museum project adapted a former kindergarten into a space with modern features for the exhibition of popular art, located at the entrance of the Dois Irmãos Zoobotanical Park. The only records of this space were captured by French photographer Marcel Gautherot (1910–1996) in the year of the museum's inauguration. Despite their individual perspectives, these three figures shared a particular interest in the popular aspect of modern narratives; for this reason, analyzing the perspectives that fueled interest in the applications of this concept is essential.




























