This article was originally published by Common Edge as "What We Talk About When We Don’t Talk About Buildings."

One of the last programs I attended as part of the Chicago Architecture Biennial was a panel titled “Making/Writing/Teaching Contested Histories” at the Chicago Cultural Center. The panel, organized by the Feminist Art and Architecture Collaborative (FAAC), aimed to “foreground issues of class, race, and gender, interrogating how they partake in the production of the built environment.”

The panelists, all academics in fields related to the built environment, were asked to bring in an object central to their practice or their teaching method. The objects on display were a painting, a pier, a refugee camp, and a living room.

Three or four decades ago, this array would’ve scandalized an audience of architects and architectural scholars, who might’ve been expecting, I don’t know, a photo of the Pantheon, or a plan of it, or even a piece of wood or a brick. Maybe even the choice of a piece of furniture would’ve induced some surprised gasps or confused looks.

Rolex has announced four new mentors and protégés for the prestigious Rolex Arts Initiative. In the architecture category, Sir David Adjaye was selected as mentor and Niger-based architect Mariam Kamara will be his protégée in 2018-2019.

Located on a hill in Mauer, on the outskirts of Vienna, the Wotruba Church was the culmination of sculptor Fritz Wotruba’s life (the project’s architect, Fritz G. Mayr, is often forgotten). Constructed in the mid-1970s, Mayr completed the project one year after Wotruba’s death, enlarging the artist’s clay model to create a functional walk-in concrete sculpture. As can be seen in these images by Denis Esakov, the result is a chaotic brutalist ensemble that toys with the boundaries between art and architecture.

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Spread the love! These 75 architecture valentines—handmade by ArchDaily readers from around the world—were chosen out of nearly 400 submissions. 

The message that we wrote last year is so important that we'll say it again: ArchDaily's mission is to improve the quality of life of the world's inhabitants by publishing content for architects, designers, and decision-makers. We also realize how important tolerance, acceptance, and love are to the process of building a better world. So, from us to you, and from your fellow readers to the world, may you feel a wealth of love on this Valentine's Day. <3

We live in a world that spends more time online than outside. And as architects and designers, we invest in creating a more engaging world by means of enhancing life through our buildings. However, through a perhaps unique form of tunnel vision, we are missing an incredible opportunity to leverage alternative mediums to impact more people through our design businesses.

Here are 5 ways to utilize your creativity to produce unique content that will help enhance your impact on the world of design, and in turn, push you and your design business forward:

This article was originally published by The Architect's Newspaper as "A wave of affordable and market-rate housing could soon wash ashore in California."

In recent months, legislators in California have begun a concerted effort to use state law to address the state’s ongoing housing crisis. The moves come amid worsening regional inequality that has pushed housing affordability outside the reach of many populations. Facing mounting pressure from a growing cohort of pro-housing YIMBY activists and increasingly grim economic and social impacts—including a sharp increase in the number of rent-burdened households and the number of individuals and families experiencing homelessness—state-level legislators have begun to take action where municipal leaders have thus far stopped short.

A post shared by H.Nakamura (@toilets_a_go_go) on May 25, 2017 at 12:44am PDT

When looking back on the rich history of Japanese architecture, some of the things that immediately come to mind are complex wood joinery, hipped roofs and intimate experiences with water. Today, Japan is on the cutting edge of architectural innovation in many different buildling types—skyscrapers, office buildings and micro-housing to name a few. However, this Instagram account chooses to highlight an extremely unappreciated building type—public restrooms.

Cheekily named @toilets_a_go_go, the account promises its followers the "discovery of Japanese toilets," covering everything from bathroom pavilions inspired by traditional Japanese architecture to metabolist-like toilet pods—with a few novelty structures thrown in for good measure. If the name of the account did not already reveal the identity of the structures, one might even mistake many of them for something else. We typically overlook public restrooms or even see them in a negative light, but this account showcases the power of architecture to improve a neglected building type, showing that even a trip to the toilet can (and should) be beautiful.

David Chipperfield Architects has won a competition to design the Elbtower, a 230-meter tall building in Hamburg that will be the city's tallest. Located on the eastern edge of the Hafencity, the sculptural building has a strong presence on the riverfront, forming a counterpoint to Herzog & de Meuron's Elbphilharmonie to the West. The building hosts office space in the tower, over a podium containing a bar, hotel, restaurant, retail and exhibition areas.

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The Scottish liberal economist and philosopher Adam Smith once argued: “To feel much for others and little for ourselves, to restrain our selfishness and exercise our benevolent affections, constitute the perfection of human nature.” While we may have come some way since the 1700s, selfishness is still viewed by many as one of humanity’s ugliest traits.

Yet with the rise of mindfulness and the burgeoning self-help and life-coach industry, the view towards selfishness—more palatably referred to as "self-care"—is changing, which isn’t necessarily a bad thing.

When you’re talking about a total of 151 million Americans, it’s tricky to make sweeping but accurate generalizations. And yet, that’s how many Americans fit into just two widely-recognized demographic groups: Baby Boomers, the 75 million people born between 1946 and 1964 and Millennials, the 76 million who came along between 1981 and 1997. Just as we can tell an LP record from an iPod, we’ve likely recognized common differences between Boomers and Millennials: How they typically work, communicate, balance job tasks and personal life, and what they expect for mentoring and promotions.

How can Boomers and Millennials work together without driving each other nuts? We recently turned to two New York architects to discuss their experience, proposed solutions, and general observations. This discussion resonates far beyond the design industry as it is applicable to the workforce of today and has implications for the workplace of tomorrow.

London's Serpentine Gallery has announced Mexican architect Frida Escobedo as the designer for the 2018 Serpentine Gallery Pavilion in Hyde Park. Escobedo, known for her work in activating public spaces, will be the youngest architect to have participated in the Serpentine Pavilion program since it began in 2000. Her design features an enclosed courtyard created by two rectangular volumes positioned at an angle. With its interplay of light and water, the design is intended to evoke the sensation of Mexican domestic architecture, while using British materials and containing references to its London context.

Fans of absurd architecture, over-the-top action, and wrestling-stars-turned-beloved-actors are in for a treat this summer thanks to the recently-announced film Skyscraper. The movie’s central character is “The Pearl,” an imagined 1,067-meter-tall skyscraper in Hong Kong—although apparently some guy named “Dwayne ‘The Rock’ Johnson” also plays a pretty big role with his character Will Sawyer, a former FBI Hostage Rescue operative who lost a leg in the line of duty and now reviews building security for a living.

The plot, as revealed in the trailer and a single-paragraph synopsis on the official website, sees Will Sawyer criticizing the security of the “vertical city” billed as the tallest, most advanced, and safest building in the world. His concerns are immediately shown to be well-founded, as a group of (what are presumably) terrorists set fire to the 96th floor of the building, trapping Sawyer’s family and somehow framing Sawyer for the whole thing. As a result, Sawyer must save his family while running from the law, with the trailer showing a climactic leap from an adjacent crane (we can only assume that Dwayne Johnson doesn’t fit into a ventilation duct). The film has come in for some good-natured ribbing already, with internet jokesters questioning how a 260-pound amputee makes a 15-meter jump off the end of a crane. But of course, closer inspection reveals that these concerns are just the start of the entertaining wackiness of this movie.

2018 should prove to be a pivotal moment in how the design community uses virtual reality to deliver work. With leading firms exploring the introduction of mult capabilities, the technology will experience a breakthrough shift from purely enabling new modes of consumption to one that empowers design.

Today, VR essentially allows designers, clients, and stakeholders to consume models in dynamic new virtual environments. One by one, individuals can put on VR goggles and experience spaces that only exist digitally as others watch, listen to their reactions, and wait their turn. This implementation of VR technology has already strengthened design outcomes by enhancing strong communication throughout the design process, translating to less risk and stronger confidence in the eventual built product for clients.

A new National Geographic documentary is set to reveal a newly discovered Mayan "Megalopolis" in what is being called a “major breakthrough” in Mayan history. Over 60,000 homes, infrastructure systems, and man-made features that were once hidden underneath the dense jungles of Guatemala are now being revealed to the world, painting a picture of ancient cities that were both much larger and much denser than previously thought.

The tenth Case Study House wasn’t actually intended for the Arts & Architecture programme. It was added on its completion in 1947, to fill out the roster, as many houses remained unbuilt. Clearly, the Nomland design earned its place on the list, having many features in common with other Case Study homes and, most importantly, meeting the stated aims of economy, simplicity, new materials and techniques, and indoor/outdoor integration. The different departure point, however, can be seen in the layout. Whereas Case Study homes were designed primarily for families, this plan is for “a family of adults”—which is to say, a childless couple.

Architecture is a collaborative discipline, where a day’s work often involves sharing files, emails, and information in the process of completing a project. Whether you are entering competitions, applying for jobs or getting your work published, being tech-savvy when sharing files is a crucial skill to have—while failing to be tech-savvy can lead to frustrated colleagues, wasted time, and even missed career opportunities.

To help you ensure you're not making any mistakes, we’ve put together a few pointers you can use to share work online more efficiently and effectively.

For a lot of architects, models hold a special place in our hearts. Whereas a building can take years to construct and usually can't be drastically altered as it nears completion, a model provides architects with the immediacy and flexibility we crave as designers while also allowing us to feel like we're really making something—a feeling that digital modeling software can rarely provide.

Models have even played decisive roles in the careers of many world-famous architects. Peter Zumthor, for example, is known to prefer the tactility of models over other forms of representation, while early in his career Steven Holl gained recognition for his visionary "Bridge of Houses" proposal for the Highline in New York, presented through a series of provocative models. And, physical models have even been key in some of the great advancements of the profession: In the 1990s, Frank Gehry's pioneering work in digital design involved tracing the forms of his digital models into CATIA software, whereas Frei Otto's models using soap films from the 1960s were key in his research into tensile structures.

There is something incredibly satisfying about 3D maps that make you want to follow the streets and rivers with your fingers, navigating your way through the urban landscape. Almost like contours, the CityWood’s minimalist maps are built up through plywood layers, laser cut with precision to one-hundredth of a millimeter and hand assembled for high-quality craftsmanship.

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