This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Many architects work in a variety of areas, designing everything from the layout of a city block to the most minute details of a building. A common trend among these projects is that the furnishings, the very things that make a structure usable and livable, are often afterthoughts for the project's creators and only become important when the structure is already built.

With the promising news of a potential vaccine that could soon return the world to a semi-normal way of life, questions are being raised about what the future of public transit might look like. While some predict that it will be years before we revert back to the muscle memory ways of packing like sardines into crowded subway cars during rush hour commutes, it’s not just about how individuals feel being within close proximity of one another while moving about the city. It has more to do with how our other daily habits, which have been reshaped as a result of the pandemic, might change the overall goals for public transit systems around the globe. What strategies might be implemented to bring ridership back to normal levels and to bring the mobility landscape back to where it once was as society continues to undergo major fundamental shifts?

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Rich in symbolism and tradition, religious architecture has always been marked by the grandiosity and extravagance of its interior spaces. For the architects and designers who created these spaces, everything from the scale, to the materials, to the lighting were tools to be used in optimizing their form and function and creating a place for users to connect with their faith.

This June, the Global Cities program of the University of São Paulo (USP) carried out the research Emoções Momentâneas (lit. Momentary Emotions) to measure how the pandemic was changing the relationship of individuals with public spaces in São Paulo. Among the collected data, there was one that caught the attention of the group of researchers: 86% of the surveyed people wanted to spend time in green environments such as parks and squares.

"The research indicates a desire for reconciliation with the public space," explains architect Deize Sanches, one of the people involved in the research. "A desire to see the potential of green spaces to improve the quality of life in a way that was not being experienced before the pandemic."

Few cities combine architecture and culture like Montréal. Canada’s second largest metropolis, the City of Saints has become a leading center for design, technology, and international events. With close ties to its natural context, the island city was named after the triple-peaked hill located at its heart, Mount Royal. Today, contemporary designs continue to emerge, new structures that are transforming the cityscape and its urban fabric.

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In his book Breve Historia del Urbanismo (Brief History of Urbanism), Fernando Chueca Goitia states that the medieval city appeared at the beginning of the 11th century and flourished only between the 12th and 13th centuries. According to the author, this growth was closely linked to the development of commerce that allowed permanent occupations, resulting in a city no longer composed mainly of travelers. In other words, the bourgeoisie was formed thanks to the most diverse activities - craftsmen, tradesmen, blacksmiths, longshoremen - which stimulated the development of the medieval city.

In the 1960s, Cristiano Toraldo di Francia and Adolfo Natalini, two Florence-based architecture students in their twenties, decided to undertake the substantial task of designing a new way for the citizens of the globe to inhabit the earth. Driven by the possibilities laid out in science fiction novels and the desire to prescribe design to solve the problems of their era, the duo, who dubbed themselves as Superstudio, sought to continuously reinvent their role in what it means to be an architect. Their solution was the creation of an “anti-design” culture as a means to provide commentary on politics, capitalism, and urbanism, by creating ideas in which everyone is given a functional space that frees itself of time, place, and the need for excessive objects.

In the introduction of Cities for People, Jan Gehl stated clearly that most cities have neglected the human aspect when planning the built space. While technologies have allowed us to build large, our focus shifted from creating architecture for humans to erecting structures that look like they are meant for a different kind of species. Top-down urban planning decisions have ignored scales adapted to the senses and organic growth, and new ideologies prioritized speed, functionality, and profitability.

Dictating our city experience, scale, this major spatial component related to the human dimension, stimulates our senses, and influences our well-being. In this article, we lay down historical changes and underline scientific facts to highlight how scale can impact our daily city life, guided by Eden of the Orient, a series of photos by Belgian photographer Kris Provoost, portraying a battle of scale in Hong Kong.

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Architecture is defined by its context. This holds especially true when buildings are located in harsh climates and must respond to natural conditions. This week’s curated selection of the Best Unbuilt Architecture focuses on designs located at the intersection of nature and the built environment. Drawn from all over the world, they represent proposals submitted by our readers.

The article features a range of building types and locations, including many coastal proposals, from a regeneration plan on the South Coast of England and a proposal to link the famous Turku archipelago, to a dockside timber tower in Dublin. Also included are more extreme ideas, from an overlook on the Algarve coast to a vertical city with greenhouses located along a cliff on Mars.

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Videos

As the forces shaping our built environment have shifted, engaging technology, networks, and complex systems, architects need to envision more than the physical space but produce narratives on how to best operate within this new societal landscape. In this context, speculative architecture seems to have never been more critical; therefore this article takes a closer look at the mediums that currently question the existing conditions of the built environment and explore new architectural possibilities.

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Videos

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LIFE CERSUDS (which stands for Ceramic Sustainable Urban Drainage System) is a proposal developed within the framework of the LIFE program—the European Union's funding instrument for the environment and climate action. It is a sustainable urban drainage system (SUDS) that utilizes low commercial value ceramic material as a filtering paving system to improve cities' adaptive capacity to the climate crisis.

This initiative was implemented as a demonstrator project in the town of Benicàssim, Spain, by architects Eduardo de Miguel and Enrique Fernández-Vivancos of the Valencia Ceramic Chair. They present the project in detail below.

"What Are We Talking About When We Talk about Contemporary Cuban Architecture?" is the title of the article written by Fernando Martirena in Rialta Magazine that delves into the reality of architecture within Cuban society. Essentially, it receives so little attention that it might as well not exist. This prompted the birth of the Cuban Architecture Studios Group (Grupo de Estudios Cubanos de Arquitectura), of which Martirena is a member, a collective that aims to give modern Cuban architecture a platform and a voice.

ArchDaily sat down with Martirena to talk about the group and the state of architecture today in his native Cuba. 

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When we study Amancio Williams' work, it almost always centers on his emblematic Bridge House, built for his father in Mar del Plata between 1943 and 1946, or his technical role in Le Corbusier's Casa Curutchet. Of course, to study Williams is to confront several questions: Did he not design any other residential projects? What modernist ideas and concepts can we glimpse into his work? How did his work impact the development of Argentine architecture?

Architecture school is a place of experiment and a testing ground for innovative ideas. The academic work and student projects can bring to light the focus of an entire career, shape the backbone for an architectural theory, and crystalize values. How do their studies and formative years reflect on the later work of different architects? Taking a journey along decades, we explore the transition from architecture school to practice, the reverberance of academic explorations and early projects in the work of several architects and practices, highlighting the different pivotal steps that have shaped the beginning of their architectural journey.

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The human scale can best be described as the relationship between a body and its surroundings and a body is nothing if not the undeniable connection between our sensorial experience within the material world and how we perceive it within our own minds.  

During the first days of the quarantine, we noticed a drastic change throughout the world's cities—streets, plazas, and parks deserted and devoid of life, putting into perspective the powerful effect that humans have on urban spaces. Here, we have compiled a list of projects and spaces that show just how humans bring life to the places they inhabit.

In cities across the United States, an address is more than just a street name or a building number- but a brand that translates directly into a symbol of wealth and prestige. Take the tallest residential tower in the country, 432 Park Avenue in New York City, which doesn't actually sit quite on park avenue. Instead, it’s neighboring lot to the east sits on Park Avenue, and this mega structure actually faces 56th avenue- a significantly less iconic street. However, this inflated valuation doesn’t happen everywhere. Cities in other countries don't place the same weight on an address and refer to buildings or locations as landmarks or by their appearances, which doesn't force a high monetary value based on an address or a marketing scheme alone. How do places in the world differ in how they brand buildings and streets in cities, and what does that tell us about their urban culture?

Recent years have prompted a rediscovery and a re-framing of some of the more controversial architectural phenomenons of the past century, with Brutalist architecture coagulating significant interest through its sheer scale, powerful expression and purist forms. Brutalist architecture across the former Eastern Bloc is inextricably associated with the totalitarian regimes that marked the history of this part of Europe during the last half of the 20th century. Following in line with the architecture of the Eastern Bloc, Poland’s urban landscape is dotted with large-scale prefab housing estates and stark brutalist public buildings constructed during the country’s Communist rule.

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