The team led by Schmidt Hammer Lassen Architects has been selected as the winners of a competition to design a significant new Sports and Culture Campus in the Gellerup neighborhood of Aarhus, Denmark. Covering an area of 10,000 square meters (107,640 square feet), the new complex will contain a wide variety of athletic and leisure facilities aimed at becoming “an inspiring, welcoming and open destination for city residents and visitors.”

Apple has unveiled plans for their latest global flagship town square retail concept, to be located in Melbourne’s Federation Square. A product of a partnership between Apple, Federation Square and the Victorian Government, the store is envisioned as a shared resource that will increase the amount of public space in the square and will offer daily programs to “inspire and educate the community.”

To design the structure, Apple has again gone to Foster + Partners, architects of many of the tech company’s most innovative structures of the past few years, including Apple Michigan Avenue in Chicago (Apple’s first town square concept), Apple Dubai Mall, upcoming retail stores in Milan and Washington D.C., and the company’s new corporate headquarters, Apple Park.

The Oslo Architecture Triennale has announced the winner of the open call for Chief Curator of their 2019 event: Architecture and Engineering practice Interrobang (Maria Smith and Matthew Dalziel), with critic Phineas Harper and urban researcher Cecilie Sachs Olsen.

The winning team’s proposal, entitled Common Futures, seeks to acknowledge and investigate the “need to revise the pace and scale of extraction, production, consumption, development, and building that has driven the growth of industrialized societies and economies throughout the 20th century.”

Great buildings blatantly express their true essence to the world

In this interview from the Louisiana Channel, Bjarke Ingels shares the personal moments of his life that have influenced the graphic, playful and humanistic architectural style for which he is now world renowned.

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The Zaha Hadid Architects-designed Bee’ah Headquarters has topped out in Sharjah, UAE, as its structural steelwork and centerpiece concrete dome have been put in place.

With a design inspired by the form of sand dunes and oriented to optimize prevailing winds, the complex is striving for the highest standards of renewable energy and sustainable future targets, an appropriate goal for the new headquarters of the UAE's leading integrated environmental & waste management company.

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Construction has begun on one of the centerpiece structures at the upcoming Expo 2020 Dubai, the Santiago Calatrava-designed UAE Pavilion.

Inspired by the shape of a flying falcon, the UAE Pavilion covers more than 15,000 square meters and four floors, including a 1,717-square-meter top-story hospitality lounge. A 588-square-meter mezzanine will house support functions, with the remaining two floors containing 12,000 square meters will of exhibition space showcasing displays that respond to the Expo theme of “Connecting Minds, Creating the Future.”

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A month after its critically-lauded run came to a close, Francis Kéré’s 2017 Serpentine Gallery Pavilion has found a permanent home halfway across the globe.

As reported by the Star, the structure has been purchased by Kuala Lumpur-based Ilham Gallery, who are now searching for a permanent site of the pavilion in Malaysia.

Reiulf Ramstad Arkitekter has unveiled plans for a copper-clad residential tower to be built in a new green neighborhood located on the site of a former military settlement, in Ski Vest, Norway.

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Construction on the transformation of Eero Saarinen’s iconic TWA Flight Center into the new TWA Hotel has hit major milestone, as the project has now topped out.

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Rogers Stirk Harbour + Partners has broken ground on a new conservation and storage facility for the Louvre in Liévin, France. Capable of housing conservation and storage facilities for as many as 250,000 works, the building will is aiming to become of one of the world’s most advanced research and study facilities.

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New renderings have revealed of Adjaye Associate’s first New York City residential tower, 130 William, as foundational work on the project is underway. Located in the Financial District not far from the World Trade Center complex, 130 William will rise 66 stories to contain 244 luxury condominiums.

The curators of the U.S. Pavilion exhibition at the 2018 Venice Biennale have revealed five film and video works that will be featured within their Dimensions of Citizenship exhibition at next year’s Venice Biennale.

Entitled “Transit Screening Lounge,” the collection of videos will explore narrative, speculative and impressionistic perspectives on the spatial conditions of citizenship.

AMO, the research and think tank wing of OMA, has completed a flexible new exhibition space for the permanent collection of the Stedelijk Museum in Amsterdam. Named Stedelijk BASE, the bespoke display system is constructed from “very thin yet solid” free-standing steel partitions that interlock like puzzle-pieces to create an open-ended flow for viewing art from the late 19th and 20th centuries.

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2017 was another banner year for skyscraper construction.

According to the 2017 Tall Building Year in Review, the annual web report from The Council on Tall Buildings and Urban Habitat (CTBUH), a record-breaking 144 buildings 200 meters tall (656 feet tall) or higher were completed in 2017, led by the 599-meter-tall Ping An Finance Center and 555-meter-tall Lotte World Tower.

In the report, CTBUH outlines this year’s trends in tall building design. Notably, 2017 proved to be the most geographically diverse year in history for tall buildings, with 69 cities across 23 countries completing new towers, an significant increase from 54 cities and 18 countries in 2016. Of those numbers, 28 cities and 8 countries completed their new tallest building.

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The Royal Institute of British Architects (RIBA) has revealed the 2018 RIBA International List, the longlist of buildings in the running for one of the world’s most prestigious architecture awards, the RIBA International Prize.

The biennial award considers the world’s best new buildings completed in the past two years that exemplify “design excellence, architectural ambition and delivering meaningful social impact.” This year’s longlist features 62 projects from around the world, more than double the number selected for the longlist of the inaugural prize in 2016.

The Aarhus School of Architecture has revealed the winners of their drawing competition, Drawing of the Year 2017, which asked architecture students around the globe to submit their best digital, hand-drawn or hybrid drawings under the theme of “Everyday Utopia.”

More than 230 submissions were evaluated by an esteemed jury of architects, which consisted of Moon Hoon, founder of Moon Hoon Architects; Trine Berthold, associate partner at schmidt hammer lassen; and Torben Nielsen, professor at Aarhus School of Architecture.

The jury was impressed by the “overwhelming burst of creativity and clever concepts demonstrated in the drawings,” calling out the high level of craft and experimental approaches to drawing.

Three winners were selected:

The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.

In the latest video in their Daily 360 series, The New York Times takes us inside Heatherwick Studio’s “Vessel” at Hudson Yards. After topping out last week, the full 154 flights of stairs that make up the unique public structure are now in place, offering some pretty extraordinary views of the Hudson River and west Manhattan.

Construction on the Santiago Calatrava-designed St. Nicholas National Shrine at the World Trade Center has halted, after the church failed to make a series of payments over a several month period to contractor Skanska.

As revealed by the Pappas Post, last week the construction company distributed a letter to its subcontractors informing them that the building contract had been terminated after The Greek Orthodox Archdiocese of America defaulted on making payment. In the letter, Skanska directed subcontractors to stop all work and to remove all tools and materials from the site, or risk not being able to recover them.