This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Accessibility is often approached as a field related to disability, whether physical or mental. When it comes to architectural design, it always comes up as a peripheral consideration of the project and not as something fundamental. However, there are other barriers.

In this edition of Editor's Talk, editors from ArchDaily Brazil share their thoughts on what they understand as accessibility and whether it's possible to create a neutral architecture.

Brasília has always been a subject of interest for architects worldwide. Proof of this is the vast volume of literature published on Brazil's new capital over the nearly six decades since its inauguration.

Regarding Brasília, several questions emerge[1]: Who spoke about the city? Who criticized its construction? How did Brazilians interpret the idea of a new capital? Surveying those who participated in these debates helps clarify the “state of the art” of architectural interpretation in Brazil. Looking ahead, this historiographical perspective aims to raise new questions and foster a critical stance toward the most common readings of Brazilian modern architecture.

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Finnish practice JKMM’s newest project, The Dance House Helsinki, is set to become Finland’s first venue dedicated primarily to dance and the performing arts. Offering rehearsal and performance spaces for artists, Dance House forms an extension to Cable Factory, the largest existing cultural center in Finland.

The transformations in the civil construction production model historically proposed by housing movements through self-managed *mutirões* (mutual-aid efforts) in Brazil, compared to market-driven production modes, are not limited to the labor force responsible for undertaking construction. That is, it is not merely a swap of wage labor for decommodified mutual-aid work. Instead, these innovations span various spheres, from architectural design—conceived from a collective perspective and as a common good that positions the mutual-aid builder as "author, producer, and future user"—to the production mode itself. Unlike the traditional model, in this framework "it is not possible to increase productivity through increased exploitation, precarization, overtime, and layoffs, but only through the invention of new procedures and construction techniques." This theme is a subject of debate for many architects, both in the theoretical arena and in practice and experimentation, where the construction site becomes the stage for efforts toward rationalization, optimization, and horizontal processes.

The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week Dana Cuff, Founding Director of cityLAB, Professor of architecture and urbanism at UCLA, and winner of Architectural Record’s 2019 Women in Architecture Activist Award joins hosts David Lee and Marina Bourderonnet to discuss the founding cityLAB, doubling the density of Los Angeles, changing planning policies, urban thinking and social missions in architecture, convincing constituents of projects, career paths, smart cities, living in Sweden, and more. Call the hotline to leave feedback and questions by voicemail at 213-222-6950.

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This article was originally published on Metropolismag.com.

Maria Semple’s 2012 novel, Where’d You Go, Bernadette?, is an addictive, high-octane, hilarious summer read about a retired architect in Seattle entering the next phase of her career. Perhaps unsurprisingly, it has resonated with women architects. One texted me hours after picking up the book recently: “I’ve read about ⅓ of Bernadette in one sitting. I’ve squealed out loud with laughter. I’ve bitten my lip. I am currently reading about Bernadette on the job site getting disrespected by a subcontractor. Someone IS seeing me/us. It’s buried in this book.”

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The “New Créteil” was an urbanization program carried out in the seventies. It was intended to provide the city of Créteil, which is located around 6 km southeast of Paris, new apartment buildings and public facilities such as a town hall, prefecture, hospital, and courthouse. In a series called “See the New Créteil,” photographer Robin Leroy documents a city considered transcendent of the traditional clichés of modern architecture.

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On September 8, 2019, Austrian’s largest public art installation to date opened to the public. Titled FOR FOREST – The Unending Attraction of Nature, the artwork transforms the Wörthersee Football Stadium in Klagenfurt into a native central European forest. Conceived by Swiss curator Klaus Littmann and inspired by a dystopian drawing by Austrian artist and architect Max Peintner, the installation advocates for pressing contemporary issues such as climate change and deforestation. Through the structural containment of this massive forest, it suggests that nature may someday only be found in specially designated spaces, as animals are today in zoos. Landscape architecture was supervised by Enea Landscape Architecture.

By introducing terms associated with quilombos in two of its articles, the 1988 Federal Constitution paved the way for social peasant movements, mobilized and organized around ethnic identity, to appropriate this category. This was an unforeseen outcome for legislators, who had approached the quilombo category from a past-oriented perspective, relying on an archaeological and exoticizing view of cultural heritage associated with non-Luso-Brazilian cultural roots.

It is essential that offices, workshops, and studios are attractive not only to clients but also to employees, who spend an average of one-third of their day in these environments. A poorly designed workspace can make the workday exhausting and discouraging. To prevent this, architectural design decisions can energize the space and promote team integration, even when the footprint is limited.

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On Thursday, September 5, ArchDaily México celebrated its seventh anniversary. This year, Proyecto Público Prim was chosen as the venue—an early 20th-century building of great architectural value featuring interventions by architect Alberto Kalach and the firm PRODUCTORA. The venue served as the backdrop for some of the most influential figures on the contemporary scene to connect with the ArchDaily México team.

Four episodes of the third season of “By Design”, GRAPHISOFT’s multi-award-winning digital content series have led viewers on a path of discovery. By Design: Metamorphosis, takes an unflinching look at the fear many firms have when it comes to technological change, and what it takes to overcome it to unlock their true potential, elevate their role and better ensure their future.

Everyone wants to travel the world, whether it's to meet new people, taste new food, or visit new places. Travel is consequently an extremely lucrative industry, but tourist destinations are getting more crowded than ever and associated pollution emissions are only worsening the climate emergency.

Why do we travel? In this edition of Editor's Talk, four editors from ArchDaily based in Lebanon, the United States, and Chile share their thoughts on the meaning of travel, and why tourists enjoying a beach in a location like Brazil should also care about the cities they visit.

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Since its founding in 1984 by architect Richard Saul Wurman, TED has been a powerful force in the fields of technology, entertainment, design, and beyond. Architects are among the millions of people around the world who frequently tune into TED's “ideas worth spreading” including talks by architects such as Bjarke Ingels and Jeanne Gang. With over 2500 talks to choose from, we have followed on from our previous lists to provide you with 20 talks to help you work better as an architect.

Urban Brazil is deeply ugly. Why did this happen? Some blame "the absence of urban planning and zoning, manipulated height limits, and the nefarious power of contractors and builders influencing the drafting of master plans."

In the 25th addition of Mercer's ranking for the cost of living for cities, Hong Kong again took the first place spot, continuing the trend of Asian cities as being the most expensive places to live for foreign workers.

The factors determining the cost of living in this edition are food, housing, living and personal care expenses, alcohol and tobacco, clothing, housing maintenance, public services, transportation, recreation, and entertainment. 

Check out the ranking of the top 10 most expensive cities in the world for cost of living and the top 5 most expensive by region: North America, South America, Asia, Pacific, Eastern Europe, Western Europe, the Middle East, and Africa.

The independent juries will evaluate entries in the 6th International LafargeHolcim Awards for Sustainable Construction in five regions of the world. Each jury consists of nine experts in sustainable design and construction. The Awards seek real projects as well as bold ideas that combine sustainable construction solutions with architectural excellence. The competition offers a total of USD 2 million in prize money and is open for entries until February 25, 2020.

Contemporary architectural production in São Paulo is as diverse as one would expect from one of the most populous cities in the world. While architecture also encompasses the outcomes of urban disorder and population growth — buildings born out of the necessity of people who, with scarce resources, build their own homes — architectural discourse often focuses on production whose genesis lies in deliberate design.

Fire doors are doors that meet fire resistance standards and can prevent fire (or smoke) from spreading through the floors or living spaces of a building, allowing people to evacuate safely from a fire.

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Reflecting on the everyday. This is the premise of the 12th São Paulo International Architecture Biennial, which opens this September in the capital. Under the theme “Everyday” (“Todo dia”), the biennial aims to address the “most trivial dimension of reality,” shedding light on the production of ordinary, common space—which is, for this very reason, fundamental to the quality of the environment we inhabit daily. Curators Vanessa Grossman and Ciro Miguel join us for a conversation about this key event, which plays a crucial role in bridging academic research, architectural practice, and society at large.

Once restricted to luxury or super-tech buildings, home automation is proving to be an increasingly fundamental and affordable addition to architectural projects, whether to new buildings or renovations. While understanding how they operate can be extremely complex, the primary purpose of technology is to make life simpler, safer, and easier. By definition, home automation seeks to be globally intelligent, functioning as a system that facilitates processes without unnecessarily complicating the user's life. The idea is to connect devices, which in turn connect and talk through a centralized control unit, accessible by computers, tablets, and mobile phones. These include lights, appliances, electrical outlets, and heating and cooling systems, but also alarms, doors, windows, smoke detectors, surveillance cameras, and many other sensors and devices.

In all religions, prayer halls and religious buildings aim to separate the visitor from the chaos of daily life and provide serenity and peace, even for the brief moment in time when visitors are performing their prayers. In the Turkish city of Şanlıurfa, BeOffice Architects designed a circular, unbound mosque with a focus on nature, tranquility, and accessibility.

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The Kharkiv School of Architecture is celebrating a prosperous year of academic and international achievements. In addition to hosting the nominated projects of the 2019 EU Mies Awards, the school has completed its first year of BA in Architecture. To celebrate these milestones, the school has organized a double exhibition showcasing the works of first-year students, as well as displaying the projects of Europe's most innovative architects.

By bringing together these two exhibitions, the school built a link between two generations of architects: The Mies Award, where the best works of the current European architects and designers are displayed, and the school's “Open/Work” exhibition, a glimpse into the innovations of future Ukrainian architecture.

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The relationship between the human body and architecture has always been a fundamental element of architectural design and practice, yet it was only in recent history that this connection was formally documented, let alone fully accepted. The question today is: how is the human body interpreted in the contemporary era, and how do these perceptions shape the way we design buildings and spaces? Ergonomics is often viewed as a discipline that highlights the separation between body and object; in reality, however, it not only bridges the two, but also serves as a blueprint designed to maximize and synchronize efficiency between them. At its core, ergonomics is a technical discourse concerning an increasingly mechanized human habitat.