CF Møller’s Storkeengen (Stork Meadow) is a landscape solution, bringing the town of Randers closer to the longest river in Denmark, the Gudenå River to prevent the threat of flooding. The storm protection uses the wetland meadows as an attractive nature park to handle the raised stormwater level, whilst a recreational pathway increases accessibility with the nature areas across the river.
At ArchDaily, we're lucky enough to know a fantastic network of architecture professionals, allowing us to share the world's best architecture with our audience. But our articles wouldn't be the same without the many photographers who dedicate themselves to making incredible, inspiring images. For that reason, here we present the 50 most popular architecture images of 2017.
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In the rapidly burgeoning city of Beirut, the post-war building boom is far from over. Much like its middle-eastern neighbors, it boasts of a plump share of designer architecture—as critic Oliver Wainwright refers to it, “a diverse shopping list”. It is here that the Beirut Terraces, a residential complex designed by Herzog & De Meuron, rises up to 119 meters, occupying a prominent place in the city’s skyline. In this collection of photographs by Bahaa Ghoussainy, one sees the Beirut Terraces from within, getting a glimpse of both the interior, as well as the multiple, unique views offered from inside the building.
These are interesting times. There is in the English language a curse, purported to have been translated from the Chinese, but most likely of British origin: “May you live in interesting times.” The meaning, of course, is that it is better to live in uninteresting times of peace and stability than to experience the curse of living in “interesting” times of conflict and flux. Such a fate would only be wished on one’s enemies. So, yes, it might indeed seem that we have had the misfortune to live in very interesting times. We are confronted with multiple, intertwined crises of great complexity: climate change, political instability, mass migrations, hunger, and social polarization, just to name a few.
There are no easy solutions to these complex problems, but there are many energetic, talented, and intelligent people trying to address them, from a range of academic backgrounds. Architects, however, have largely been excluded from the conversation, or have, in fact, chosen to exclude themselves. The general public cannot be expected to turn to architects for solutions to today’s complex problems if we, ourselves, do not insert ourselves into the conversation. Following the examples of heroic figures in architecture, both past and present, we often understand the legitimate path of the architect to be a narrow one, limited to the built environment. After all, one might reason, that is what we’ve been trained to do. Isn’t it?
This article originally appeared on Archipreneur as "5 Amazing Tiny Houses and Their Financing Models."
The tiny house movement is taking the housing market by storm, with small homes appearing all over rural and urban areas across the world. They are an affordable and eco-conscious solution to the narrowing housing supply and can offer mobility to an increasing population of young professionals. Tiny houses come in many forms and sizes—from micro-apartments and office spaces, to cabins on wheels and trailers. Similarly, the financing models vary, depending on function, local building codes, size requirements and whether they’re made as commercial products or private housing solutions.
The best option is to design and build the house yourself, using savings instead of worrying about interest rates and debt. Some tiny house manufacturers offer in-house payment solutions to their customers. Other options are RV loans, peer-to-peer lending and crowdfunding. We assembled a list of 5 beautiful tiny houses built for different purposes.
The second edition of the workshop organized by the School of Architecture (EA) of Universidad San Sebastián (Chile) had as main guest the Spanish architect Alberto Veiga, founding partner of Barozzi / Veiga and author of projects such as the Philharmonic Hall in Szczecin and Ribera del Duero Headquarters. In addition to engaging in a series of debates with the participants of the workshop, Veiga had a public conversation with the Chilean architect Pedro Alonso (winner of the Silver Lion at the Venice Biennale 2014) and shared the studio’s work and reflections on architecture in a master lecture.
A total of 10 teams from different schools of architecture in the country came together for the 2017 version of this initiative, reaching a total of 67 participants among students and instructors. Seeking to favor the production of projects capable of promoting debate, each day of the workshop dealt with a different topic featuring guest scholars: Ernesto Silva, director of the School of Architecture (strategies), Pedro Alonso, renowned professor and researcher (arguments) and Albert Tidy, dean of the Faculty of Architecture (materialization of the project). For the closing day, on Friday, October 13, there was a joint display with the final projects produced by the different teams (which remained open to the public for the next couple of weeks), and a camaraderie activity to celebrate both the gathering of the schools and the quality of the experience and its results.
Even with tech like virtual reality, augmented reality, 3D printing, computational design and robotics already reshaping architecture practice, the design community is just scratching the surface of the potential of new technologies. Designers who recognize this and invest in building skills and expertise to maximize the use of these tools in the future will inherently become better architects, and position themselves for entirely new career paths as our profession evolves. It is a uniquely exciting moment for architecture to advance through innovative use of technology. Even just a decade ago, designers with interests in both architecture and technology were essentially required to pursue one or the other. Now, with architecture beginning to harness the power of cutting-edge technologies, these fields are no longer mutually exclusive. Rather than choose a preferred path, today’s architects are encouraged to embrace technology to become sought-out talent.
With much written about how technology is changing the way architects work and the products we can deliver to clients during a project’s lifecycle, there has been less focus on how technology is changing career opportunities in the profession. Architecture companies are now hiring roles that didn’t exist even three years ago. Here’s a look at five emerging career paths design technology will make possible in 2018 and the immediate future.
For those who want to become a citizen of the UK, they must fulfill all the citizenship process requirements which include passing the seemingly difficult Life in the UK Test. Many of the British population themselves would struggle with some of the questions posed despite living in the UK from birth as they demand historical, geographical and literary knowledge.
The test contains 24 multiple choice questions that can cover anything from the British political system all the way to Glastonbury and a roast beef dinner. As architecture and art take up a large part of British culture, knowledge of such topics is considered necessary for anyone who wants to become a UK citizen. Have a go yourself, and see how well you know British architecture:
Across the world, homelessness in fast-paced metropolises such as New York City is at a record high since the Great Depression of the 1930s, more than 60,000 people are in shelters every night while many others must find a place to sleep on the streets, the subway or other public spaces. The real estate industry has caused the increasing rents and a high demand for any remaining plots; many of the new builds are luxury apartments, rather than the low-cost housing that is so desperately needed. As a result, thousands of people are forced onto the streets and charities struggle to provide adequate help for everyone.
Amongst other placemaking-related news this year, the Boston Society of Architects’ Placemaking Network celebrated its 10-year anniversary by launching the Placemaking Manifesto in November. Co-authored by Christina Lanzl, Robert Tullis, and Anne-Catrin Schultz, the document set down six key ideas: “quality of life,” “sense of place,” “community identification,” “collaboration and communication” between “individuals of all backgrounds, interests and talents,” “inclusivity” and “greater civic engagement,” and “awareness of tradition with an embracing of new and emerging technologies.” While the basic principles that placemaking espouses are often hard to question, this manifesto in particular begs one question: Is placemaking understood and defined clearly enough for it to be a useful tool for urbanists?
In the past decade or so, placemaking has gained considerable momentum, spewing forth an array of approaches, countless lists of best practices (including, in essence, this new manifesto), and complicated sub-categorizations. It is simultaneously a much-lauded global movement, an academic discipline, a field, discourse, process, and tool, but is also, among other charges, heavily criticized for being an “ill-defined buzzword.”
For the past two years, we have found ourselves wanting to highlight what is the foundation of architectural practice: the architectural drawing. We realized that even after almost a decade of publishing the best projects from around the world, we should take on the task of singling out the exceptional cases of representation, taking into account all varieties and species of drawings. Following up on the criteria used in the previous edition, all the architectural drawings we have selected this year have a sensitive expression— whether it be artistic, technical or conceptual—and they all aim to express and explain the respective project using simplicity, detail, textures, 3D and color as main tools.
Below you will see the selection of drawings arranged under eight categories: Architectural Drawings, Axonometrics, Context, Diagrams, Sketches, Animated Gifs, Details and Other Techniques.
Letters of recommendations are strange in that we all know what they are, but save for the people who are actually using them to evaluate a candidate, what happens with the letter is shrouded in mystery. Can a stellar recommendation letter make up for a less-than-stellar transcript? Are you going to be removed from consideration because your recommender didn't make you sound like Captain Awesome? It all depends—but as long as these letters are required for admissions processes and grants and other things, we'll shed some light on how to ask for (and/or write) a letter of recommendation.
Whether you're on the asking end or the writing end, there are some basic tips and rules that should be followed. (Why should you trust me? Because I've asked for letters and written letters and things have worked out pretty well for all involved parties.)
A discipline like accounting might seem very different from the world of architecture. In architecture, creativity is revered, but in accounting, it usually entails fraud. Still, you can’t work if your firm is failing, and accounting is vital to success. Beyond the upkeep of your business, though, there are other ways that accounting can affect your work in a meaningful way.
“Will you look at that? St. Mark’s Square is flooded!” An Australian day tripper is astonished. “This place is actually sinking,” her friend casually exclaims. They, like so many I’ve overheard on the vaporetti, are convinced that the Venetian islands exist on a precipice between the fragility of their current condition and nothing short of imminent submersion. With catastrophe always around the corner a short break in Venice is more of an extreme adventure trip than a European city-break. If it were true, that is.
The inclusion of cars in photographs of architecture is an interesting tool that can help the viewer to understand the scale of a building. The addition of an automobile to a scene can not only help to transmit a notion of the size of the photographed elements, it can also be used to generate interesting compositional relationships to benefit the photograph as a whole. Below, we've highlighted a selection of 10 images from prominent photographers such as Rafael Gamo, Michael Sinclair and Bruno Candiotto which make effective use of this technique.
In this collaboration, the Spanish office Ecosistema Urbano analyzes the rise and fall of the shopping centers as an authentically American typology of the twentieth century and with commercial success in the rest of the world, although it does not undergo significant changes in "its spaces, solutions, and elements."
According to the authors, this typology is currently undergoing an inflection due to the new economic and urban paradigms that force them to reinvent themselves or die. They plan a series of revitalization strategies in a mall in the outskirts of Barcelona (Spain) that seeks their "reconfiguration through the introduction of new programs in an attempt to convert it into a much more public space, being able to attract users who would otherwise not come."
Full article after the break.
Douglas Barnhard, the owner of the home decor company Sourgrassbuilt, designs and builds birdhouses. Built out of repurposed materials, his designs are inspired by mid-century modernism and pay homage to the likes of Frank Lloyd Wright, Joseph Eichler and the Bauhaus School in Germany yet mix with Barnhard's experience of the rich surf and skate scene in Santa Cruz.
This article was originally published by Common Edge as "Africa’s Undeclared War on the Disabled."
Recently I spent part of a week in the company of a multidisciplinary group of academics and researchers from Europe, the US, and Africa, at a workshop entitled “The Practice and Politics of DIY Urbanism in Africa.” Jonathan Makuwira, a professor from the Malawi University of Technology, delivered a compelling paper on “Disability and Urbanism in Malawi,” highlighting the many challenges of the continent’s disabled population, using that city as a case study.
The lecture reaffirmed my sentiments on the gross inadequacies of urban public spaces for the disabled. It’s an issue that formed the basis for my 2016 entry for the Richard Rogers Fellowship at the Harvard Graduate School of Design (GSD), where I had proposed to use the fellowship to develop a prescriptive accessible design blueprint for public spaces in the city of Abuja.
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