Ascension Paysagère, designed by Dutch office MVRDV, is a mixed-use development that combines residential, commercial, and community spaces in the French city of Rennes. It stands out from its surroundings through a series of stepped terraces inspired by geological formations such as gorges and mountain ranges, with terraces designed to provide a variety of living and communal spaces, as well as tree-lined gardens and public squares. To amplify the effects desired by the designers, the chosen ceramic tile resembles the rock colors of the region, and changes its appearance with every change in climate, reflecting the environment and the light.
Although there is no exact record of the specific moment in which Puerto Escondido began to become a reference of contemporary Mexican architecture, various waves have been experienced. Perhaps the first one started in 2016 when the construction of Casa Wabi began, a Tadao Ando project where the Mexican office BAAQ´ collaborated as associates to develop the executive project and coordinate its construction. However, in 2019 another wave was experienced that was later reinforced by the beginning of the COVID-19 pandemic and remote work, which radically aroused interest in returning to the provinces and costs where there was less population and overcrowding.
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House in Restelo / Pedro Domingos Arquitectos. Image Courtesy of FritsJurgens
The third and final part of "Stories of Lisbon's Light" focuses on a robust and daringly contrasting family home between the seven rolling hills of ‘the city of light’, Lisbon. Discover how architect Pedro Domingos designed a home where daylight and the river Tagus play the leading roles. With the residence facing the south, radical architectural choices had to be made to allow the light to flow through the entire residence.
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Jenny Holzer, installation at Guggenheim New York. Image: fluido & franz, CC BY-NC-SA 2.0 via Flickr
Light has been present in art for centuries. To think of the Baroque or Gothic without this element would be impossible. However, in the 20th century, artists began to explore light qualities and transformed them into a means of materializing art. Sculptures, immersive installations, and ways of shaping the environment through light, its colors and intensities brought new spatial perceptions by establishing a unique relationship with architecture.
"Biodomes" in the mountains of the United Arab Emirates seek to promote ecotourism. Courtesy of Baharash Architecture
Buckminster Fuller's obsession with geodesic shapes placed them in architectural history. The spherical appearance and the complex structural framework gained different appropriations and scales over the years, one of the most iconic works being the Montreal Biosphere, the US pavilion for the 1967 World Expo, designed by him. These structures emerged from his interests in material efficiency, structural integrity and modularity. Back in the 60s, he understood these features as essential for a sustainable and easily replicable intervention
Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.
Luis Barragán’s legacy lies in the way he uses light and color. Tadao Ando's sensitive approach to natural light established his own architectural language. James Turrell's dramatic interior transformations explore a unique perception of visual experiences where "light is not a tool to enable vision but rather something to look at itself". Olafur Eliasson's immersive installations play with the psychology of viewers using just light, water, and air. These architects and designers, among others, have reimagined how light is perceived, inspiring generations of architects to follow suit with the way they understand and employ light.
Bathroom accessories serve various functions, especially when it comes to hygiene, organization and practicality. Previously thought of as purely functional components, designed only to perform their intended use, today they are seen as compositional tools that contribute to the overall aesthetics of a bathroom. Careful consideration in the choice of pieces makes it possible to create a functional and pleasant space. As bathroom accessories have become more advanced and complex, designers have begun to explore the potential of incorporating aesthetic elements into their design, resulting in creating smarter, safer, and more beautiful accessories.
Moving away from the decorative and ornate approaches of the past, contemporary designs now seek minimalism and more simplified aesthetics –clean lines, essential elements, with a focus on geometric shapes and a well thought out color palette. This approach has been particularly successful in creating sophisticated spaces, but also in providing a sense of space and openness in smaller bathrooms, where the absence of clutter and unnecessary decoration can make the room seem more spacious.
Although the circular economy involves other principles such as the regeneration of natural systems, the reuse or recycling of materials plays an important role in contributing to the reduction of waste generation by giving a second useful life to elements that could be considered waste. Wood, metal sheets, bricks, and stones, among others, can be reused, bringing sustainability and efficiency criteria to the projects, helping to consolidate this concept that still has a long way to go.
Within the Latin American territory, many architecture professionals have proposed to apply in their design and construction processes the implementation of strategies that collaborate with the use of resources, either by reusing, recycling, or restoring different materials and elements in search of satisfying the needs and concerns of those who inhabit the spaces.
A rising number of studies suggest that well-considered lighting affects and boosts consumer behavior. Add to that the new Instagramability and promotional requirements, and the role of lighting becomes pivotal to achieving a filtered and commercially appealing visual. The latter has encouraged the implementation of new technology lighting panels and fixtures that offer a range of colors and dimmability, modifying the mood and even the overall color palette of a space. The results are some fun, sometimes almost cartoonish, settings that suggest the best backdrops and inviting venues.
Arquitectonica has refuted Koolhaas’ accusation that “Modern architecture had never achieved the promised alchemy of quantity and quality,” and Alistair Gordon’s enormous compendium of the firm’s work certainly disproves it.
But what of Rossi’s backhanded praise: “In America … quantity is quality!”? Although absolutely deserving of praise, the quantity of the work is not the basis for Arquitectonica’s achievement—even when associated with the virtuosity of design. The importance of Arquitectonica derives from certain specific contributions to modern architecture in the United States.
The simple activity of taking a walk in the evening can easily turn from a relaxing leisurely activity to a dangerous endeavor by removing just one element from the streetscape: public lighting. While not often recognized as defining aspect of urban environments, artificial illumination has played an essential role in defining the character of modern cities. Crime control, the appeal of nightlife, the rise of the shop window, revolutionary movements, utopias, and ideals of social equity are all concepts whose development is tightly linked to the history of public lighting. Technological advancements over the past centuries have continuously shaped the appearance and symbolism of streetlamps. Still, the this element has remains a constant throughout its history.
INES Centro de innovación / Pezo von Ellrichshausen. Image Cortesía de Pezo von Ellrichshausen
While colors can accentuate architectural designs, there is no single color that is "best". The choice depends on the style and purpose of the architecture, as well as the effect you want to create. However, colors that contrast with predominant tones can help highlight important details - and yes: red tones here can create an intense visual contrast.
Acoustic Divider Vario / Création Baumann. Image Courtesy of Création Baumann
Beyond their features in the world of fashion, fabrics can also be an essential part of an interior design’s creative possibilities. While enhancing the aesthetic appeal of a space, these versatile materials –made from fibers or yarn that have been interlaced, knitted, or bonded together– also provide functionality to space. As part of a holistic architectural strategy, these natural and synthetic elements are essential for designing upholstery for furniture, curtains and drapes, space divisions and wall coverings. Changing the traditional notion of fabrics –known as stain collectors, bug homes and easily catching fire– the latest design innovations are exploring properties which take the use of fabrics one step further. Diving into Architonic’s fabric catalog, we take a look at different products with distinctive acoustic, fireproof and repellent properties.
Besides providing external protection, natural ventilation, insulation and energy efficiency, the presence of façades enhances the building’s personality and character. Among the different types of façade systems, cladding strategies stand out for their variety of materials and textures –such as metal, glass, stone, wood and composite– all of which build durable, low-maintenance and visually appealing structures. Innovating with textures, forms and technologies, BŌK Modern has developed different metal panels for creating functional and aesthetic façade cladding systems. Showcasing six architectural projects, we delve into the practical and visual attributes of rainscreens and wallscreens.
Following two exciting weeks of nominations, ArchDaily’s readers have evaluated over 700 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.
Hidden in plain sight, ceilings are often the final surface interior designers and architects think about, but the expansive plane of unobstructed plaster or concrete offers mar more creative freedom than we realize. Modern design rules demand that the ceiling is kept clean. Not with a telescopic mop attachment, but by stripping off the popcorn spray, wood-chip wallpaper, or plaster patterning that haunt my own memories of ceilings-past.
While many clients greet this contemporary need for clean lines with acquiescence, choosing smooth, skimmed plaster finishes with unobtrusive yet forgetful recessed spots, other bolder clients recognize the ceiling’s potential for the creative outlet it is.
Lake House, Hudson Valley, New York. Image Courtesy of RS Mannino
This week’s curated selection of Best Unbuilt Architecture highlights visionary villas submitted by the ArchDaily community. From a modern lake house weekend retreat in New York, a Mediterranean Villa in Portugal that blends outdoor and indoor, and a rammed earth residential complex of five villas that fold into the Balinese landscape, this round-up of unbuilt projects showcases how architects are moving forward from conventional residential architecture, pushing the boundary of luxury.
Each project has a different vision, generated by unique site conditions, and has been designed specifically for the future users of the villa. Moreover, firms like Bittoni Architects, Lipman Architects, RS Mannino Architects have all presented work that plays with materiality, giving the houses unique characteristics.
