As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

As a response to the 15th International Architecture Exhibition’s challenging theme, Portugal presents a “site-specific” pavilion, occupying an urban front in physical and social regeneration on the island of Giudecca: Campo di Marte. In actual fact, the installation of the pavilion on-site triggered the completion of Campo di Marte’s urban project designed by the Portuguese architect Álvaro Siza thirty years ago.

+ 11

Professors Felix Raspall and Carlos Bañón from SUTD Singapore have designed a 14.5-meter-long fibrous mesh made out of metal and nylon 3D printed nodes and aluminum bars for the SUTD Open House 2016.

Rather than utilizing 3D printing to create a scaled model, the pavilion project applied 3D printing technology directly to functional architectural components at a large scale.

In a short film exploring some of the National Participations at this year's Venice Biennale, Monocle Films take a considered look at how different countries have responded to the Biennale theme, Reporting From the Front in both explicit and more indirect ways. Visiting the Austrian Pavilion, the Nordic Pavilion, the Turkish Pavilion, the British Pavilion, the Irish Pavilion, the Australian Pavilion and the Romanian Pavilion, the film studies what discourses are being waged in the compressed geo-political world of the Giardini di Biennale.

Update 9/20/16: The opening date for the museum has been pushed back to 2017.

Earlier this week, the temporary sea wall that had been separating the Louvre Abu Dhabi from the seawater of the Persian Gulf was removed, creating a new harmony between site and structure as envisioned in the original project renderings. The building, which was conceived in 2007 and designed by Jean Nouvel, is set to open later this year.

In a recent interview with the BBC, Rem Koolhaas (OMA) has spoken out against the campaign seeking to remove the United Kingdom from the European Union, upon which the British people will vote in a referendum next week. Reflecting on his time spent at London's Architectural Association (AA) in the 1960s and '70s, Koolhaas fears that advocates for withdrawal may be looking at the past through rose-colored glasses.

If you look at the arguments to leave you can see this is a movement of people who want to fundamentally change England back into the way it supposedly was before.

Urban design and landscape firm West 8 has released images of a newly designed sculpture park for Duke University. To be known as Three Valleys Sculpture Park, the 140 acre design will be set within the sprawling Duke Forest, alongside the Olmsted Brothers’ designed Campus Drive, and will help to strengthen the link between Duke’s east and west campuses.

Spanish, New York-based architect Andrés Jaque (Office for Political Innovation) has been awarded the 10th Kiesler Architecture and Art Prize by the Mayor of Vienna, citing Jaque’s "capacity to go beyond assumptions about traditional practice and urban life." In 2015 Jaque was declared the MoMA PS1 YAP (Young Architects Programme) winner for COSMO – a complex, and beautiful, water purifying prototype that has been installed in Brooklyn. He and his office are also collaborating with Mark Wigley and Beatriz Colomina on the design for the upcoming Istanbul Design Biennial, Are We Human?

The University of Southern California's American Academy in China (AAC) has announced the seven winning designs for the international Napavilion Competition. Entrants had to design prefabricated wood structures with the sole function of providing space for guests to nap in. The winning designs will be built at Jade Valley Winery outside of Xi’an in western China, with three to be completed in time for the Napavilion Festival in July.

+ 10

The Australian Institute of Architects has announced the winners of the 2016 International Chapter Architecture Awards, which honor Australian architects working on projects abroad.

Chosen from a field of 16 entries across five categories, the seven winners were notable for their size, scale, and locations.

The seven winners of the 2016 International Chapter Architecture Awards are:

Videos

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

Our report is a reflection on the lessons learnt through designing and revisiting buildings for people with dementia. Visitors enter our space at the end of the Arsenale through a gap in the partition walls. The room is darkened, in contrast with the projected brightness on the floor. The floor accommodates a 4.8m x 6.4m animated drawing of the Alzheimer’s Respite Center. The drawing is dynamic, with multiple projected hands moving across the plane of the floor as they create fragments of a plan. They merge and overlap. These hands represent sixteen individuals inhabiting a series of rooms at the Alzheimer’s Centre. The projection consistently labours towards the clarity of a completed plan but falls short of achieving it.

+ 18

Zaha Hadid’s exhibition design for Kurt Schwitters: Merz opened to the public earlier this week at Galerie Gmurzynska in Zurich. In an article about the exhibition in T Magazine, senior designer and director at Zaha Hadid Architects (ZHA), Patrik Schumacher said, “It’s literally the last project of Zaha, finished by her team.”

The exhibition, presenting seventy works – in all media – from each period of the artist’s career, honors five decades of the gallery showing Schwitter’s work. Hadid’s design is a reflection on the artist’s well-known, but destroyed, Merzbau, a sculpture that filled the artist’s workspace from 1923-1937. According to the Hadid’s office, “[Merzbau was] a living, inhabited collage, ever-shifting and expanding, and this was the starting point for [Zaha’s] exhibition design which pushes beyond mere random collage to embrace the unpredictable richness and the complex variegated order found in nature.” The design builds on an established relationship between Hadid and Galerie Gmurzynska; Merz following in the footsteps of an earlier exhibition space designed for another of the architect’s inspirations, Kasimir Malevich.

+ 6

Alison Brooks Architects (ABA) has been selected to design the latest Maggie's Centre, at the edge of the Musgrove Park Hospital Grounds in Somerset, England. Known as Maggie's Taunton, the project is a collaboration between ABA, Johanna Gibbons of JLH Landscape Architecture, and structural engineers Webb Yates.

Maggie's is a charity that provides free practical, emotional, and social support for cancer patients and their families and friends. Considering architecture as a vital element of care, since 1996 the organization has commissioned a who's who of contemporary practices to design their facilities, including Frank Gehry, OMA, Rogers Stirk Harbour, Steven Holl, and the late Zaha Hadid.

The Latvian Museum of Contemporary Art Foundation has selected Adjaye Associates to lead the design for a new contemporary art museum in downtown Riga. Selected from a pool of 7 finalists including wHY and Lahdelma & Mahlamäki, the winning design features a strongly animated roof geometry designed to pull soft northern light into each of the gallery spaces.

Adjaye Associates, working with local firm AB3D, envisioned the museum as a social incubator, a welcoming and porous space where people could be brought together through a variety of formal and spontaneous interactions. The jury found that the proposal’s distinctive silhouette would give the museum a strong presence within its context of planned commercial and residential developments, and that is orientation and materiality showed a keen awareness of the vernacular and cultural contexts.

Redsquare Productions has produced a short film on architect Shigeru Ban’s design for the Aspen Art Museum (AAM) in Aspen, Colorado. The film explores the museum’s architectural design and built environment through the utilization of time-lapse and motion sequences, highlighting Ban’s vision for the space.

India-based Studio MADe has won the Suncheon Art Platform competition with its proposal, The Hidden Cloister. The competition, hosted by the City of Suncheon, South Korea, sought to revitalize the Old City area with an art square featuring an art center.

Through The Hidden Cloister, Studio MADe aims to create a “psychological ‘void’ in the midst of a high-density area by creating an open-to-sky quadrangle as a pure subtraction of ground.” Thus, the proposal creates a new link in the heart of the Old City by connecting the riverbank and public space.

Thomas Heatherwick’s Garden Bridge project has been under fire since plans were announced in 2013, drawing skepticism of the fairness of the competition process, and even being called “nothing but a wasteful blight.” Last month, London's new mayor Sadiq Khan gave a lukewarm endorsement of the project, noting that since £37.7m of the £60m allocated by the government has already been spent, scrapping the project now would end up costing taxpayers more than going forward with it.

The current predicament has inspired architects Allies and Morrison to design an alternative option – one that could both save the taxpayers money and create a new greenway spanning the Thames. Many of the complaints directed toward the original design have been associated with the cost of building a new bridge that would serve limited transportation needs; Allies and Morrison eliminate this issue by simply placing a garden pathway onto an existing piece of infrastructure, the nearby Blackfriars Bridge.

In an effort to create affordable housing in Maputo, Mozambique, Casas Melhoradas is an applied research project aimed at eliminating city slums. Organized by the Institute of Architecture, Urbanism & Landscape, at the Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation, in collaboration with the Mozambican NGO Estamos, the Faculty of Architecture and Urban Planning at Universidade Eduardo Mondlane (FAPF) and the Danish branch of Architects Without Borders (AUG), the project is part of research initiative on urban development in the Global South.

+ 9

After weeks of movement testing, the British Airways i360 observation pod has achieved its maximum height of 138 meters as the attraction enters final inspection phases in preparation for its opening this summer. As a part of “the world’s tallest moving observation tower,” the 18 meter diameter viewing pod will provide 360 degree views of the British seaside resort towns of Brighton and Hove, the Sussex coast and the English Channel, for to up to 200 passengers at a time.

The Moinian Group announced that they had been collaborating with the late Zaha Hadid to develop a “visionary” new project for New York City. The project, at 220 Eleventh Avenue in West Chelsea, is a multi-residential apartment building with a cultural institution at street level.

This announcement comes after Zaha Hadid Architects pledged to complete all 36 projects that were in construction or design development at the time of her death, as her office continues her powerful legacy.

Earlier this month The Guardian reported that the King of Sweden, Carl XVI Gustav, has denounced David Chipperfield's designs for Stockholm's new Nobel Center (Nobelhuset) in the Dagens Nyheter (DN), a national Swedish newspaper, as both too volumetrically large and badly sited. The practice's initial proposal, which was lauded by the awarding jury for its “lightness and openness,” is a glass and stone structure which attempts to “convey dignity” and embody the ideals of the Nobel Prize.