Pallet Parliament / Alejandro Haiek, Rebecca Rudolph, and Raffaele Errichiello. Umeå, Sweden 2022 Photo: Kent Brodin. Image Courtesy of Alejandro Haiek Coll
Architecture practices usually start their design process with a client, who provides a program and a site. Alejandro Haiek, founder of The Public Machinery, approaches things differently. The Public Machinery describes itself as a network of architects and designers working collectively, actively observing, imagining, and proposing public urban interventions themselves. Their proposals are at the intersection of art, architecture, and engineering and weave community engagement, ecology, and new technologies into innovative forms of social infrastructure. They secure funding through research and public grants, enabling them to create public spaces that defy expectations in both their design process and in the form their projects take.
Sustainability has taken center stage in the broad world of architecture and design, inspiring and directing the construction of new structures towards environmental harmony. The use of wood, a classic material with enormous potential to lessen our ecological impact while providing limitless design possibilities, is a notable example of this movement's implementation. In the fight for sustainability in the field of architecture, wood has become an ally. Its distinctive qualities, such as renewability and carbon neutrality, have inspired creative methods among architects worldwide.
A wide range of architectural projects, from vital healthcare facilities to exciting mixed-use buildings, cultural hubs, and welcoming residential spaces, benefit from wood's extraordinary versatility as a building material. In fact, wood's natural warmth and biophilic qualities can create spaces that reduce stress and promote well-being. Furthermore, the carbon-neutral nature of wood aligns perfectly with the design industry's commitment to environmental responsibility.
At the 18th International Architecture Exhibition – La Biennale di Venezia, Karin Sander, and Philip Ursprung curated the Swiss Pavilion “Neighbors”. In her interview with Louisiana Channel, Karin Sander talks about expanding the understanding of the pavilion, reimagining the connected role of architecture and art, and explaining her artistic process. “Neighbors” was focused on spatial proximity between the Swiss Pavilion and its Venezuelan neighbor. Sander highlights also the conversation between the two structures, that became possible after the removal of a separating wall.
The Architecture in Development Global Challenge has just announced the finalists for the 2022 edition of the competition. Highlighting and celebrating the ongoing efforts of self-built community-led initiatives worldwide, the Global Challenge offers a platform for those initiatives while connecting partners and collaborators globally.
Switzerland’s project for its national pavilion at the 18th International Architecture Exhibition–La Biennale di Venezia will be curated by Karin Sander and Philip Ursprung to explore territorial relationships within the Giardini of La Biennale. Titled “Neighbours,” their project is focused on the spatial and structural proximity between the Swiss Pavilion and its Venezuelan neighbor. By turning architecture itself into the exhibit, the project also highlights the bond between the architects of the two structures: the Swiss Bruno Giacometti (1907 - 2012) and the Italian Carlo Scarpa (1906 - 1978). The exhibition will be on display from May 20 to November 26, 2023.
In 1996, at the International Union of Architects Congress held in Barcelona, Spain, the organization established that World Architecture Day should coincide with UN-Habitat's World Habitat Day. Therefore, World Architecture Day is celebrated on the first Monday of every October, to celebrate the architect's commitment to our societies, our ecosystems, and our cities.
Clásicos de Arquitectura: Árbol para Vivir / Fruto Vivas. Image Cortesía de IX BIAU
Venezuelan architect José Fructoso Vivas, better known as Fruto Vivas, has passed away at 94 in Caracas on Tuesday, August 23.
Recognized for his design of projects such as the Tree for Living social housing, the Táchira Club, the Divino Redentor Church, and the Mausoleum of the Four Elements where the body of Hugo Chávez is preserved, Vivas has always aimed to further integrate the life of the human being to nature.
Almost seven kilometers from the green of Uhuru Park in central Nairobi, lies the informal settlement of Kibera. It is an area whose urban character consists of corrugated iron roofs, mud walls, and a complicated network of utility poles. Kibera, at this point in time, is a well-known place. Much has been written and researched on this “city within a city,” from its infrastructural issues to its navigation of the COVID-19 pandemic.
Salzburg seen from the Festung Hohensalzburg (Hohensalzburg Fortress). Image via Flickr User Janusz Sliwinski
Rivers have long been considered as Earth’s arteries, serving as the essence of urban communities as human settlements developed their shelters and crop beds around them. Centuries later, riverside architecture remained vital as these areas expanded beyond residential typologies, and harnessed dynamic mixed-use developments and public functions. As valuable as they may seem though, these landscapes come with the risk of unexpected floods, increased water levels, or complete droughts, which has forced architects to design built environments that are able to respond to these abrupt changes. So how were these settlements built in the past, and how has today’s urban densification and technological advancements influence the way they are built?
Kowloon Walled City, Hong Kong. Image Courtesy of 'City of Darkness Revisited’
Cities are growing, and they are growing upwards. This is far from just being a contemporary phenomenon of course – for more than a century, high-rises have been an integral part of urban settlements worldwide. This growing of cities encompasses a complex web of processes – advancements in transport links, urbanisation, and migration to mention a few. This growth of cities, however, is all too often linked with governmental failure to adequately support all facets of the urban population. Informal settlements are then born – people carving out spaces for themselves to live amidst a lack of state support.
London Design Biennale 2021 Medal: Chile - Tectonic Resonances. Image Courtesy of ER
The jury of the London Design Biennale 2021 has announced today June 24 the winning pavilions to the third edition. Responding to artistic director and curator Es Devlin's theme ‘Resonance’, the Biennale brings together over 30 pavilions to showcase how design can provide solutions to the challenges of our times, from sustainability to globalization, to migration to the future of humanity.
“The winners of the 2021 London Design Biennale Medals truly illustrate the importance of design thinking to help bring social change and economic growth across the world," said John Sorrell, President of the London Design Biennale. While Victoria Broackes, Director of the London Design Biennale, stated the winners "clearly demonstrate how brilliant design can be in telling complex stories that communicate directly to hearts and minds."
"Volumen virtual suspendido" de Jesús Rafael Soto, Centro Benaven, Chuao, Caracas, 1984. Image Cortesía de ArchivoFotografíaUrbana | Fotografía de Ramón Paolini del fotolibro "Caracas. A doble página"
Through a visual survey, architect and photographer Ramón Paolini explores the evolution of Caracas (Venezuela). The photographs capture the capital's transformation throughout the past forty years, giving viewers an in depth look at one of Latin America's most tumultuous regions, its urban development, and the socio-political aspects behind it. Most importantly, Paolini illustrates his personal vision for this urban space that builds, destroys, and rebuilds with an astounding tenacity.
In Asunción (Paraguay), the XI Ibero-American Architecture and Urbanism Biennial (XI BIAU) have presented the winners of the Panorama de Obras section (Projects Panorama) of this contest edition, "all faithful to the spirit of the XI BIAU: living, the inhabitant," according to the organization.
The last five stories of the Torre de David in Caracas have tilted 25 degrees following the largest earthquake to hit Venezuela in 100 years. The well-known building gained infamy as an unprecedented vertical "slum" when its construction was abandoned and squatters began to inhabit the unfinished structure.
The 190-meter skyscraper with 45 stories became Latin America's 8th tallest tower in the 1990s, but it was never completed. Officially known as the Centro Financiero Confinanzas when construction began in 1990, the project succumbed to Venezuela's 1994 banking crisis.
The CA’ASI association is organising an architectural competition highlighting the dynamics of the young Latin-American architecture. The best projects of this international competition open to young Latin-American architects will be exhibited in 2018 at the CA’ASI during the International Architecture Exhibition. This competition is a unique opportunity to underline the important role played by these countries today, reflected by the renewal of their architecture.
After four months of research identifying works in Latin America and the Caribbean that met the eligibility criteria of the 'Latin American Architecture Prize Rogelio Salmona: open / collective spaces' a list of finalist has been compiled. Members of the International Curatorial Committee, architects Ana Maria Duran (Andean Region), Ruth Verde Zein (Brazil Region) and Fernando Diez (Southern Cone Region), and Art History background Louise Noelle Gras (Mexico, Central America, and the Caribbean Region), postulated a total of 62 works covering the four regions.
On the 5th of August, upon completion of a shortlist the International Curatorial Committee selected 20 works whose authors will be invited by Rogelio Salmona Foundation to participate in the second round of this award.
Here are the 20 Finalists of the Latin American Architecture Prize Rogelio Salmona.
https://www.archdaily.com/793516/these-are-the-20-finalists-of-the-latin-american-architecture-prize-rogelio-salmonaArchDaily Team
Felipe Correa’s latest book “Beyond the City: Resource Extraction Urbanism in South America” takes us to a region that architects and urban designers typically have neglected—the hinterland. The South American hinterland provides a unique subject of analysis as it has typically been urbanized for its natural resources, which are tethered back to the coastal cities where these resources are either consumed or distributed to global markets. Within this context, the hinterland is viewed as a frontier whose wilderness is to be tamed, put to work, and territorialized through infrastructure and urban design. Beyond the City provides an insightful look into these processes and the unique urban experiments that emerged in South America. Organized by five case studies, Beyond the City is tied together by what Correa has termed “resource extraction urbanism,” which he links to “new and experimental urban identities in the context of government-sponsored resource extraction frontiers.” Written as a lucid historical account that anchors the discussion within the political, economic, and social context, as well as within global design discourse, the book is also projective—setting the table for a series of questions on how design can act in these landscapes.
There is an enormous intensity of information, knowledge and ideas on display at this year's Venice Architecture Biennale, Reporting From the Front. With all the Executive Editors and Editors-in-Chief of ArchDaily's platforms in English, Spanish and (Brazilian) Portuguese in Venice for the opening of the 2016 Venice Architecture Biennale—plus co-founder David Basulto and European Editor-at-Large James Taylor-Foster, who curated this year's Nordic Pavilion—we've pooled together twelve of our initial favourite exhibitions and must-see shows.
https://www.archdaily.com/788809/12-things-you-need-to-see-at-the-2016-venice-biennale-reporting-from-the-front-selection-oneAD Editorial Team
.jpg?1651830269 "Khayelitsha Township - Cape Town. Image © Olga Ernst under the Creative Commons Attribution-Share Alike 4.0 International license.")
