ArchDaily | Broadcasting Architecture Worldwidethe world's most visited architecture website
i

Sign up now and start saving and organizing your favorite architecture projects and photos

i

Find the most inspiring products for your projects in our Product Catalog.

i

Get the ArchDaily Chrome Extension and be inspired with every new tab. Install here »

h

Nominate now the Building of the Year 2017 »

All
Projects
Products
Events
Competitions

Studioshaw's Competition-Winning Interactive Hub for Dundee

06:00 - 2 March, 2017
Studioshaw's Competition-Winning Interactive Hub for Dundee, Flexible studios to aid Dundee's thriving digital creative sector. Image Courtesy of Studioshaw
Flexible studios to aid Dundee's thriving digital creative sector. Image Courtesy of Studioshaw

London-based firm Studioshaw has won a competition to design a hub facility for children and young people in Dundee, Scotland. The Interactive Hub will be located on the site of a former railway depot at the Seabraes Yards Digital Media Park. The competition, hosted by the Dundee Institute of Architects (DIA) and Scottish Enterprise, was one of 400 events taking place across Scotland as part of the RIAS 2016 Festival of Architecture.

Flexible studios to aid Dundee's thriving digital creative sector. Image Courtesy of Studioshaw The scheme contains sheltered public space for outdoor digital theatre and drone races. Image Courtesy of Studioshaw The proposal forms part of a masterplan to regenerate Seabraes Yards. Image Courtesy of Studioshaw The scheme contains sheltered public space for outdoor digital theatre and drone races. Image Courtesy of Studioshaw +6

The V&A Presents "A World of Fragile Parts" at the Venice Biennale's Applied Arts Pavilion

14:45 - 26 May, 2016
Dar Abu Said, Shelter 12N 122, scan © Sam Jacob Studio_1. Image Courtesy of The Victoria & Albert Museum
Dar Abu Said, Shelter 12N 122, scan © Sam Jacob Studio_1. Image Courtesy of The Victoria & Albert Museum

The Victoria & Albert Museum (V&A) has collaborated with La Biennale di Venezia on the Special Project Applied Arts Pavilion with an exhibition called A World of Fragile Parts. The project will examine threats faced by global heritage sites and how copies can act as an aid in the preservation of cultural artifacts.

“Climate change, natural disasters, urbanisation, mass tourism and neglect, as well as recent violent attacks have brought the risks faced by many heritage sites and cultural artefacts into public conversation," states the A World of Fragile Parts press release, outlining the concerns of the project. "Artists, activists and educational institutions are beginning to respond to the urgent need to preserve by exploring opportunities provided by digital scanning and new fabrication technologies. Several key questions emerge: What do we copy and how? What is the relationship between the copy and the original in a society that values authenticity? And how can such an effort be properly coordinated at a truly global and inclusive scale?”

Photo by Andrea Avezzù. Image Courtesy of La Biennale di Venezia Photo by Andrea Avezzù. Image Courtesy of La Biennale di Venezia Photo by Andrea Avezzù. Image Courtesy of La Biennale di Venezia Photo by Andrea Avezzù. Image Courtesy of La Biennale di Venezia +38

London's V&A Appoints New Director Of Design & Exhibitions

05:00 - 6 May, 2015
London's V&A Appoints New Director Of Design & Exhibitions, David Bickle - New Director of Design, Exhibitions & FuturePlan. Image © Hawkins\Brown
David Bickle - New Director of Design, Exhibitions & FuturePlan. Image © Hawkins\Brown

London's Victoria & Albert Museum have announced that David Bickle, formerly a partner at Hawkins\Brown, has been appointed as the new Director of Design, Exhibitions and FuturePlan. In this role Bickle will be responsible for the care and future development of the V&A’s buildings, as well as the presentation of all of the museum’s permanent collections and exhibitions. With the construction of Amanda Levete Architects' new addition on Exhibition Road underway - coupled with the V&A's plans for new exhibition spaces in Dundee, Scotland, and in East Stratford on the former site of the 2012 London Olympic Games - the museum is also in the process of helping to establishing a collection in Shenzhen.

Review: 'All Of This Belongs To You' - Civic Urbanism At London's Victoria & Albert Museum

05:00 - 1 April, 2015
Review: 'All Of This Belongs To You' - Civic Urbanism At London's Victoria & Albert Museum, A neon sign in the V&A’s grand entrance introduces the 'All of This Belongs to You' exhibition. Image © Peter Kelleher / Victoria & Albert Museum
A neon sign in the V&A’s grand entrance introduces the 'All of This Belongs to You' exhibition. Image © Peter Kelleher / Victoria & Albert Museum

The Victoria and Albert Museum (V&A), named after the Queen and Her Consort, has its foundations in the Great Exhibition of 1851 amidst the wealth, innovation and squalor of the Industrial Revolution. Britain was flooded by prosperity which allowed for the development of major new institutions to collect and exhibit objects of cultural significance or artistic value. The institute’s first director, Henry Cole, declared that it should be “a schoolroom for everyone,” and a democratic approach to its relationship with public life has remained the cornerstone of the V&A. Not only has it always been free of charge but it was also the first to open late hours (made possible by gas lighting), allowing a more comprehensive demographic of visitor.

Their latest exhibition, which opens today, seeks to realign the museum’s vast collection and palatial exhibition spaces in South Kensington with these founding concepts. The interventions of All of This Belongs to You attempt to push the V&A’s position as an extension of London’s civic and cultural built environment to the fore, testing the museum’s ability to act as a 21st century public institution. To do this in London, a city where the notion of public and private is increasingly blurred, has resulted in a sequence of compelling installations which are tied together through their relevance either in subject matter, technique, or topicality.

The Ethics of Dust: Trajan’s Column by Jorge Oteros-Pailos. Image © Peter Kelleher / Victoria & Albert Museum ‘AgBags’ installed on the V&A’s stone façade as part of a work by Natalie Jermijenko. Image © Peter Kelleher / Victoria & Albert Museum Spike studs by Kent Stainless Ltd. that are intended 
to discourage people from occupying various spaces in the city. Image © Peter Kelleher / Victoria & Albert Museum MacBook Air casing and components from a computer used by journalists to write editorial about the data leaked to The Guardian newspaper by Edward Snowden, a former National Security Agency (NSA) contractor. Image © The Guardian/ Victoria & Albert Museum +9