The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDD, the 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.
Construction will commence this Summer and is expected to reopen in early 2016.
More after the break…
SFMOMA’s new building will include seven levels dedicated to diverse art experiences and programming spaces, along with three housing enhanced support space for the museum’s operations. It will also offer approximately 130,000 square feet of indoor and outdoor gallery space, as well as nearly 15,000 square feet of art-filled free-access public space, more than doubling SFMOMA’s current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum’s urban surroundings. Other notable features include:
- A large-scale vertical garden located in a new outdoor sculpture terrace on the third floor, which will be the biggest public living wall of native plants in San Francisco.
- A versatile, double-height “white box” space on the fourth floor equipped with cutting-edge lighting and sound systems that, in tandem with the museum’s upgraded Phyllis
- Wattis Theater, will open new doors for SFMOMA’s program of live art, and also improve services for school-group tours, film screenings, and special events.
- State-of-the-art conservation studios on the seventh and eighth floors that will further SFMOMA’s progressive work in the care and interpretation of its growing collections.
- An environmentally sensitive approach on track to achieve LEED Gold certification, with 15% energy-cost reduction, 30% water-use reduction, and 20% reduction in wastewater generation.
- A new outdoor terrace on the seventh floor with incredible city views, further integrating the urban indoor/outdoor experience that SFMOMA began in 2009 with the opening of its current rooftop sculpture garden on the fifth floor.
At the same time, as previously announced, new public spaces and additional public entrances to the building (on Howard and Minna Streets) are designed to increase access and weave the museum more deeply into the neighborhood. A mid-block, street-level pedestrian promenade will open a new route of circulation in the area, enlivening the side streets and offering a pathway between SFMOMA and the Transbay Transit Center currently under construction two blocks east of the museum. Building on the popularity of the museum’s artist commissions in its admission-free atrium, an expansive free-to-access gallery on the ground floor with 25-foot-high glass walls facing Howard Street will now place art—such as Richard Serra’s enormous walk-in spiral sculpture Sequence (2006)—on view to passersby for the first time. This gallery will also feature stepped seating, offering a resting and gathering point for museum tour groups and neighborhood denizens alike.
“SFMOMA has had a tremendous impact on the economic and cultural vitality of the South of Market neighborhood and the city,” says San Francisco’s District 6 Supervisor Jane Kim. “Even though this area is one of the city’s oldest, in many ways it’s still the freshest, where much of the most dramatic change is happening. The museum’s expanded home in this cultural center will provide even greater public access and support to emerging and established artists as a hub of creativity and international art destination. I look forward to seeing the district grow and evolve even further as SFMOMA’s future takes shape.”
News via SFMOMA
As most New Yorkers know, people are willing to shell out a hefty sum to live in a place where work and play are right around the corner from each other. But as the article by Ken Layne in The Awl points out, the west coast is a somewhat different place. UNLIKE New York City, which is crowded with restaurants, bars, and entertainment, as well as offices, design firms and businesses; Silicon Valley, which caters to programmers and tech companies that hire at $100k a year, offers few of the amenities that a nearby town like San Francisco does. So, Layne concludes, residents are willing to spend hours of their day making their way into the fortressed office parks of Silicon Valley, flanked by parking lots and boulevards, just to have a cultural reprieve to call home.
SFMoMA will highlight the legacy of Lebbeus Woods in an exhibition that will run from February 16 through June 2, 2013. It will include 75 works from the past 35 years of his career. Lebbeus Woods is often categorized as an architect, but always as an artist and visionary. His career has been filled with imaginative leaps through the concepts of space and form, exploring politics, society, ethics and the human condition. He was a great influence on architects, designers, filmmakers, writers and artists. The exhibition will celebrate his untimely death late last year and the breadth of influence that his work had on the art and design community.
Complications could be on the rise for Snøhetta and AECOM, who were recently announced as the Golden State Warriors’ architects of choice to design their new sports and entertainment complex on the San Francisco waterfront. Despite the complications, however, the architects still have time to execute the hoped-for ‘slam dunk’. More information after the break.
The Golden State Warriors recently announced that Snøhetta and AECOM have been selected as the architecture team to design the Warriors’ new sports and entertainment complex on the San Francisco waterfront. Currently in the final stages of the agreement, the new stadium will be a true centerpiece in hosting the Bay Area’s NBA basketball team, as well as provide a great venue concerts, cultural events and conventions, which are all prominent events the city currently cannot accommodate. More images of the architects’ design can be viewed after the break.
San Francisco has recently approved legislation that will change the city building code to allow for “micro-unit apartments” that includes only 220 square feet of living space. These spaces aim at providing affordable options for singles to live in densely populated urban areas without having to live in the outskirts of the city. Although more of a craze in NY, San Francisco has actually surpassed New York as the most expensive rental market in the country. More information after the break.
Taking place November 12-13, the 3rd annual Design Like You Give a Damn: LIVE! event will consist of innovative panel discussions, workshops and the ‘Design Open Mic’ event at the Autodesk Gallery in San Francisco. Design experts and enthusiasts, industry leaders across disciplines and more come together to address the challenges and lessons learned in humanitarian design and community development. Panel topics address cutting-edge topics and small-group workshops allow participants to gain hands-on knowledge from expert panelists. Put on by Architecture for Humanity, this will be the first year this event is coming to the west coast. For more information, including an itinerary of events, please visit their official website here.
UCSF Mission Bay Block 25A Academic Building Competition Winner / WRNS Studio + Rudolph and Sletten, Inc.
WRNS Studio and Rudolph and Sletten, Inc., recently won a design/build competition for a new faculty office building at UC San Francisco’s Mission Bay campus, which takes cues from the workplaces of high-tech companies. When completed, the 7-story academic office building will house UCSF physicians, faculty, and students in an interdisciplinary, flexible, light-filled environment. Drawing on the principles of the activity-based workplace, the design gives each occupant a “home base” workstation, but also a variety of other spaces for specific work and social activities, ranging from huddle rooms and breakout areas to conference rooms. More images and architects’ description after the break.
Taking place at the California College of the Arts in San Fransisco October 13th from 10am-4pm, The Missing 32%,’ features leading professionals from around the country to discuss the role of women in architecture in the 21st century. In the United States, women represent about 50% of students enrolled in architecture programs, but only 18% of licensed architects are women. Throughout the day, attendees will hear from a broad range of speakers who represent different career paths in the profession ranging from those working for large firms to those choosing to start their own practice. The day will begin with a brief overview of statistics that detail the current leadership structure of architecture firms. The event is presented by AIA San Fransisco. For more information, please visit here.
AIA San Francisco and the Center for Architecture + Design is currently hosting their ninth annual Architecture and the City Festival, which will be going on until September 30. The event, which takes place in San Francisco every September, is the nation’s largest architectural festival of its kind. The month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. For more information, please visit here.
The San Francisco Museum of Modern Art will be hosting an exhibition from September 1, 2012 through January 6, 2013 that features works of conceptual and theoretical architecture. Blurring the lines between the two, the “field” to frame these investigations into construction, representation, and experience of space entitled Field Conditions features works in a wide variety of media by artists and practicing architects. Some of the notable names that will have their work on display include Tauba Auerbach, Daniel Libeskind, Rafael Lozano-Hemmer, Sol LeWitt, and Lebbeus Woods. More snapshots of the work after the break.
As we shared earlier, the world’s 28-year old creative technological master will team with 83-year-old starachitect for Facebook’s newest addition to their Menlo Park campus. The two, although worlds apart in terms of forte, find common ground in the never ending creative process, and the desire to continually push boundaries of the expected and the ordinary. As we noted in our previous piece, the building will offer a equalized sense of status – no private cubicles or showy corner offices – and encourage a collaborative work environment, admix a warm splash of colors, textures and natural lighting.
Gone from the building will be Gehry’s flashy ways of manipulating sheets of metal, and the resulting superfluous sense of affluence often emitted from these grand structures. Rather, Gehry’s work for Facebook will offer an ”equalizier”, a massive one story warehouse measuring 420,000 sqf, to house the company’s future 2,800 engineers with the underlying intention of fostering a comfortable environment to allow Facebook to keep getting better.
More about the newest headquarters after the break.
Mark Zuckerberg, the 28-year-old co-founder of Facebook, has commissioned Frank Gehry to design a new campus headquarters on the outskirts of San Francisco Bay, California. Located across the highway from Facebook East, the company’s current headquarters, Facebook West will provide every luxury expected from a modern office space, from a flexible open floor plan, to arcade-filled lounge areas and a massive roof garden.
The enormous, ten acre “room” breaks away from Gehry’s signature curves, and aims to provide a “system that’s not precious, that they [Facebook] can manipulate.” Work benches “line up in curving arcs like swarming fish”, organizing the 420,000 square foot facility into “neighborhoods” that softly flow into each other in an attempt to foster a collaborative, community-like environment.
When Facebook employees need a break, they can retreat to outdoor-terraced cafes for some sushi and barbecue, play arcade games in the lounge with their co-workers, or escape up a “twisting wooden stair” to the lush roof garden.
Construction is scheduled to begin in Spring 2013.
For more information, check out Bloomberg’s exclusive coverage here.