This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world’s greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
Alan Faena — prominent argentine developer — is partnering with an all-star cast of celebrated artists, architects and Hollywood darlings to revive the decadence of the roaring twenties, envisioning a booming cultural “epicenter” for the city of Miami. The development, Faena Miami Beach, would include the restoration of the historic Saxony Hotel (the original symbol of opulent resorts along Florida beaches), the construction of new luxury apartments by Foster + Partners and the Rem Koolhaas/OMA-designed Faena Arts Center and Artist Residency. Review them all after the break.
Los Angeles-based cinematographer Tomas Koolhaas is nearing completion of his highly anticipated film, REM. The feature length documentary, which focuses on the work of Tomas’ famed father, Rem Koolhaas, is the first architectural film to “comprehensively explore the human conditions in and around Rem Koolhaas’ buildings from a ground level perspective.” Rather than lifeless still shots and long-winded, intellectual discourse, REM exposes the one thing that gives each building function and purpose: how it is used by people.
So far, REM has been funded entirely by grants. However, in order for Tomas to collect the necessary funds to complete post-production, he has turned to you by launching a Kickstarter campaign.
Watch REM’s official trailer above, which follows a parkour expert as he moves through the Casa De Musica in Porto, and follow us after the break for Tomas’ exclusive interview with Kanye West, who comments on his work with OMA at the 2012 Cannes film festival.
At the opening of the newly constructed De Rotterdam building in his home city, Rem Koolhaas spoke at length about how this “vertical city” was designed to appear scaleless, despite its urban context. More about what Koolhaas had to say about the project and the city, after the break…
In the architectural stomping ground that is Rotterdam, it’s no small task to design a building that actually stands out. But, according to The Guardian’s Oliver Wainwright, the recently completed De Rotterdam building manages to. Although the Koolhaas-designed structure, which houses offices, apartments and even a boutique hotel, may at first seem simple (simplistic, even), Wainwright praises how the shifting masses cleverly play tricks on your perception. The building is undoubtedly impressive, but is the unconventional envelope enough to distract from a bland-at-best interior? Read the rest of Wainwright’s critique here. evaluate
The celebrated architect and designer began his architectural education at the Architectural Association in London in 1968, eventually founding OMA (Office of Metropolitan Architecture) with one of his former professors, Elia Zenghelis (along with Zoe Zenghelis and Madelon Vriesendorp).
Despite it’s current ubiquity, the firm’s beginnings in 1975 were fairly modest. The commission of the high-profile Euralille project in 1989 was a turning point; the firm then began to move away from small scale projects (such as the Villa dall’Ava) to the large scale works that they’re known for today.
Dutch designers, Rem Koolhaas and Hella Jongerius, have revamped the delegates’ lounge in the United Nations building just in time for the 68th General Assembly this week. The “workshop of peace” lounge space, originally designed in 1952 by Wallace K. Harrison in collaboration with renowned modernists Le Corbusier and Oscar Neimeyer, now sports a range of pastel-colored sofas and lounge chairs, opting for minimal intervention in attempts to maximize the social space. Read more about the UN North Delegates lobby on Gizmodo.
Dutch architect Rem Koolhaas will design a new project for the Hermitage Museum in St. Petersburg. RIA Novosti and The Calvert Journal report that the new building will be “located in the museum’s storage facility in Staraya Derevnya in the north of the city” and that it “will house the Hermitage Library, the Costume Museum, the gallery’s publishing arm, and a public event space.” This projects marks Koolhaas’ continued presence in Russia; he has been collaborating and teaching at the Strelka Institute and is currently working on the Garage Centre for Contemporary Culture in Moscow’s Gorky Park.
Thanks to the courtesy of our friends from Beka & Partners, we are giving you the chance to win one of the five DVD-Books of the Living Architectures collection.
“Living Architectures” is a series of films that seeks to develop a way of looking at architecture which turns away from the current trend of idealizing the representation of our architectural heritage.
The five DVD-Books are: ‘Inside Piano‘, ‘Gehry’s Vertigo‘, ‘Pomerol, Herzog & de Meuron‘, ‘Koolhaas Houselife‘ and ‘Xmas Meier‘. We will have five winners, each of one will receive one randomly. All you have to do to participate is become a registered user (if you’re not one already) and answer the following question in our comments:
“Which architect would you like to see next in the Living Architectures series and why?”
You have until June 24 to submit your answer. Winners will be announced and contacted during the same day.
For more information about the DVD-Books you can check the trailers after the break, or go to www.living-architectures.com for more details. Good luck!
First project of the Living Architectures series, Koolhaas Houselife portrays one of the masterpieces of contemporary architecture. The film lets the viewer enter into the house’s daily intimacy through the stories and daily chores of Guadalupe Acedo, the housekeeper, and the other people who look after the building. Pungent, funny and touching.
Merete Ahnfeldt-Mollerup is associate Professor at The Royal Danish Academy of Fine Arts. This article originally appeared in GRASP.
Miss Part 1? Find it here.
Architecture is inseparable from planning, and the huge challenge for the current generation is the growth and shrinkage of cities. Some cities, mainly in the Southern Hemisphere, are growing at exponential rates, while former global hubs in the northern are turning into countrysides. In the south, populations are still growing a lot, while populations are dwindling in Europe, Russia and North East Asia. The dream of the Bilbao effect was based on the hope that there might be a quick fix to both of these problems. Well, there is not.
A decade ago, few people even recognized this was a real issue and even today it is hardly ever mentioned in a political context. As a politician, you cannot say out loud that you have given up on a huge part of the electorate, or that it makes sense for the national economy to favor another part. Reclaiming the agricultural part of a nation is a political suicide issue whether you are in Europe or Latin America. And investing in urban development in a few, hand-picked areas while other areas are desolate is equally despised.
With the ambition of honoring and encouraging outstanding artistic talent, the Dutch state prize for the arts – the Johannes Vermeer Award – has been awarded this year to architect and writer Rem Koolhaas. The jury made a unanimous decision, citing Koolhaas’s critical contributions to architecture and urbanism since his career began with the publication of Delirious New York in 1975.
This week at the 52nd edition of the Salone Internazionale del Mobile in Milan, over 2,500 exhibitors showcased an endless collection of the latest international products and home-furnishing designs. Among them included a variety of elegant and intelligently designed items envisioned by some of our favorite architects. Continue after the break to scroll through a list of the best architect-designed products featured at the Milan Design Week 2013.
Robert Venturi has joined nearly 4,000 advocates in the call to retrospectively acknowledge Denise Scott Brown as a joint Pritzker Prize laureate, stating: “Denise Scott Brown is my inspiring and equal partner.”
His support was then quickly followed by Rem Koolhaas, who stated: “I totally support this action. The fact that one of the most creative and productive partnerships we have ever seen in architecture was separated rather than celebrated by a prize has been an embarrassing injustice which it would be great to undo.”
New updates after the break…
OMA has won the design competition for the Essence Financial Building in Shenzhen, China. Led by OMA Partners David Gianotten and Rem Koolhaas, the design beat out four other entries by international and Chinese practices.
The skyscraper will be OMA’s second in Shenzhen (the first being the Shenzhen Stock Exchange, which will be completed in April this year). By challenging many typical office tower conventions (such as a central core plan and curtain wall systems), OMA hopes their buildings will help lead the way for a “new generation” of office towers in the city.
As David Gianotten commented in the Press Release: ”OMA is very excited about its continuous and deepening participation in Shenzhen’s development, especially as the city makes its latest evolution: from a manufacturing city into a services hub. This next generation of urbanism calls for a new generation of office towers of which the Essence Financial Building could be one.”
More on the Essence Financial Building, after the break…
From Tim Burton’s steamy, gothic megalopolis to Christopher Nolan’s cold, Miesian jungle, Gotham’s malice has always been manifested in its architecture. Writer Chip Kidd and artist David Taylor have pulled this nefarious background character to the forefront in the tale of Batman Vs. Mega-starchitect, entitled Batman: Death by Design
Read more about Batman : Death by Design after the break…
At a presentation in Italy this morning, Rem Koolhaas announced that the title of the 2014 Venice Biennale will be “Fundamentals.” According to Domus magazine’s live-tweeting of the event, Koolhaas wants this Biennale, which he will curate, to use historical research to explore how Modernity and globalization has, since 1914, formed the architecture we practice today. The Biennale will focus on the erasure of national architectural identities and the formation, over the last 200 years, of a global architecture which produces, in Koolhaas’ words, “the same stuff, with the same materials, in the same styles. How did this happen?”
Read more about Koolhaas’ 2014 Biennale topic, after the break…