Construction on Herzog & de Meuron’s 160 Leroy condominium tower in New York’s West Village has nearly topped out, with 12 of its planned 15 floors now complete. The design, inspired by the great Brazilian architect Oscar Niemeyer, features a curved concrete and glass facade and contains 57 luxury condos ranging in price from $3.1 to $48.5 million.
New renderings have been revealed of Studio Gang’s Solar Carve Tower, located at 40 10th Avenue along the High Line in New York City, as the project gets set to begin construction. Initially conceived by the architects in 2012, the tower was presented to New York’s Board of Standards and Appeals on four occasions before finally receiving planning approval in November 2015. In the new images, the building’s interiors and roof terrace are seen for the first time, as well as its relationship to the nearby Pier 55, the proposed park along the Hudson Waterfront designed by Heatherwick Studio.
David Chipperfield’s West Village Apartment Building in New York City is finally getting off the ground. Following three rejected planning applications, originally submitted in July 2016, the city’s Landmarks Preservation Commission (LPC) has finally given the six-story building the go-ahead. Located at 11-19 Jane Street, the site sits within the Greenwich Village Historic District, designated as a historic preservation district by the LPC in 1969.
WXY architecture + urban design has unveiled its design for The Peninsula, a five-acre mixed use development for New York City that aims to “create [an] instant [community] with jobs, training, education, and hundreds of affordable apartments.”
Created in conjunction with Body Lawson Associates (BLA) for the New York City Economic Development Corporation (NYCEDC) and the Department of Housing and Preservation Development (HPD), the project will feature retail, light industrial, recreational, and residential space—all of which will be affordable—in the Hunts Point neighborhood of the Bronx.
Tadao Ando’s first residential building in New York City—152 Elizabeth—has topped out in Manhattan’s Nolita neighborhood. A collaboration with architect and designer Michael Gabellini of Gabellini Sheppard Associates, as well as developer Sumaida + Khurana, the project will feature Ando’s hallmarks, poured-in-place concrete, burnished, metal, voluminous glass, and a living green wall.
Conceived as an inner sanctuary within downtown Manhattan, the building highlights acoustics as a key consideration, with a façade system and exterior glass enabling a high OITC rating to “ensure a tranquil home environment in the center of this vibrant neighborhood.”
As rising rents have began to drive out historic garment companies from New York City’s storied Garment District in Midtown Manhattan, mayor Bill de Blasio has announced plans for a new development that would bring together the artistic fields into one creative hub in Brooklyn’s Sunset Park neighborhood. Conceived and designed by WXY architecture + urban design, the $136 million “Made in NY Campus” will provide the setting for film and television production, virtual reality tech offices, and a new home for New York’s fashion and garment manufacturing industry.
Looking to add a beautiful piece of art to your render to really sell your project? Look no further.
The Metropolitan Museum of Art has announced its new Open Access policy, which releases over 375,000 images of artworks from their expansive collection for free download, with absolutely no restrictions under copyright law – meaning you are completely free to copy, remix, or distribute any image for any use, including commercial.
LocationHudson St, New York, NY 10014, United States
Architects in ChargeCharlton Hutton, Senior Designer
Digital technologies heighten our awareness of ongoing conflicts around the world. A main strategic focus for Storefront in 2017 is to investigate the ways in which art, architecture, and design participate in the articulation and resolution of local and global struggles affecting individuals and collectives around the world.
Storefront announces a call for a one-year Program and Strategy Fellow who will develop and present a critical new project: Architecture Conflicts. This grant-funded position aims to reach candidates from underrepresented backgrounds and communities that have faced barriers to entry for leadership roles on major global projects. The fellow will work alongside Storefront's team in New York City.
The Office for Creative Research's winning design for the 2017 Times Square Valentine Heart Design Competition, We Were Strangers Once Too, has officially opened in New York City's Times Square. A celebration of New York City’s rich immigrant culture, the sculpture takes the form of 33 metal poles inscribed with the origins of foreign-born NYC residents. As visitors travel around the sculpture, the red and pink blocks come together to create an iconic Valentine’s Day heart.
In 2013 former Los Angeles Magazine architecture critic Greg Goldin and journalist Sam Lubell co-wrote and co-curated Never Built Los Angeles. The acclaimed book and accompanying exhibit at the Architecture and Design Museum of LA celebrated hundreds of projects that never quite reached fruition. Following its success, the duo published a second installment: Never Built New York. Having just sold out of its first pressing, the book has garnered similar praise as its predecessor. Goldin and Lubell are currently planning an accompanying exhibit at New York’s Queens Museum that will debut this fall. Fresh off their NYC book tour, I sat down with Mr. Goldin to discuss his latest book and the future of Never Built.
Thomas Musca: You’ve been able to snag two high-profile architects to write the foreword for each book: Thom Mayne for Never Built LA and Daniel Libeskind for Never Built NY. Why do you think they’re so willing to help? Why are they so interested in the unbuilt?
Greg Goldin: I think architects feel that a lot of the work they do is the stuff that we would describe as "on paper." It’s not something that got realized. So, I think that there’s a natural sympathy for this subject matter in general. We didn’t have to convince anyone: "Oh, overcome your worst fears, you’re going to be included in this book that is consigning you to the dung heap of history." I don’t think anybody ever felt that way. I think that they feel like these are things that they don’t want to see just disappear into the archives. There’s a sympathy that already exists. Sam and I knew Thom Mayne and we thought Thom would be good for this and he just said yes. The same is true with Daniel Libeskind. Our editor, Diana Murphy, is friends with him. We felt fortunate because he has an amazingly positive attitude for a guy who’s been batted about by how things work in the real world of trying to get stuff built. You can have the dream project, Freedom Tower, and get ground down by it. But Daniel, bless his heart, is kind of upbeat about the whole thing, and that comes across in what he had to say in the foreword.
Jungwoo Ji (of EUS+ Architects), Bosuk Hur (of Folio:), and Suk Lee (a fourth-year student at Iowa State University) have won the Liberty Museum / New York competition with their speculative design for a museum at the site of the Statue of Liberty National Monument in New York City.
Inspired by the concept of civil candlelight marches against social injustice in Korea—the designers’ home country—the proposal is designed to be an architectural device that reflects human rights and social justice disparity in real time. When visitors send messages, namely tweets, about dire events in their cities to the museum with their phones, each unit of the proposal receives electronic signals and changes its position to point towards the region in question.
The Office for Creative Research has been announced as the winners of the 2017 Times Square Valentine Heart Design Competition. Their winning design, titled We Were Strangers Once Too, is a public data sculpture in the shape of a heart that “highlight[s] the role that immigrants have played in the founding, development, and continued vibrancy of New York City.”
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
LocationNew York, NY, United States
Design TeamAnne-Rachel Schiffmann, Vanessa Kassabian, Aaron Dorf, Rikard Jaucis, Craig Dykers
In this latest photoseries, architectural photographer Danica O. Kus takes her lens inside New York City’s SeaGlass Carousel, designed by WXY Architecture + Urban Design with artist George Tsypin. Completed in summer 2015, the 2,575 square foot nautilus-shaped pavilion has become a new attraction within a Piet Oudolf-designed landscape in Battery Park, drawing in visitors with an immersive LED and audio experience inspired by bioluminescent organisms found deep within the ocean.
Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.
In the words of Bill de Blasio, New Yorkers have a “crisis of affordability” on their hands. This is a crisis built upon the success that the city has had in recent decades. These years have made the city safer, and more appealing, for people from all over the world to come and start businesses, studies, and their lives. This has put a huge strain on housing stock, and has led to New Yorkers having to spend increasing amounts to cover their housing expenses and have made entire neighbourhoods unaffordable.