Elijah Equities, LLC has unveiled plans for the redevelopment of The Warehouse in New York City, a property currently occupied by car parking and art galleries, which will be transformed into 100,000 square feet of rentable office and retail space designed by Morris Adjmi.
Situated next to the High Line, the building currently at the site is a four-story, 65,000-square-foot former apparel-manufacturing warehouse. The redevelopment will add a three-story, steel-framed, cantilevered addition, resulting in a seven-story building with over 18,000 square feet of rooftop and outdoor amenity space.
The architectural legacy of the Rockefeller family in Manhattan is well-known, most obviously demonstrated in the slab-like Art Deco towers of the Rockefeller Center and the ever-expanding campus of the MoMA. But in a city that is filled with landmarks and historic buildings, it's easy for even the most remarkable projects to go unrecognized. Philip Johnson's Rockefeller Guest House in Manhattan was completed in 1950, just one year after the construction of his better known Glass House in New Canaan. The Glass House is an obvious cousin to the later guest house: both feature largely empty glass and steel boxlike forms, where structural work is exposed and celebrated.
With these questions in mind, Cast & Place was conceptualized as a pavilion made entirely from waste. 300,000 recycled aluminum cans, cast into the cracks of dried clay, will form structural panels that assemble into shaded spaces for performance and play.
In order to help design the sculpture, Watson was taught about the history and style of Gaudí and the architecture of Barcelona through volumes of images, literary works, articles, and even music. From these references, Watson helped to uncover critical insights on patterns in Gaudí's work—like crabs, spiders, and color palettes—that the design team didn't initially associate with Gaudí. The resulting four-meter-tall sculpture features a structural surface made of over 1200 unique aluminum parts, and is unmistakably reminiscent of Gaudí’s work both in look and feel, yet entirely distinct.
The sculpture was on display from February 27 to March 2 at Mobile World Congress in Barcelona, where it interacted with visitors by changing shape in real-time, in response to sentiments from Twitter. To learn more about the sculpture, ArchDaily was given to opportunity to speak with IBMWatson Manager Jonas Nwuke.
A 1,400-foot-tall mixed-use skyscraper by Zaha Hadid Architects may be the next supertall structure to hit midtown Manhattan. Located at 666 Fifth Avenue between 52nd and 53rd Street, the project is the brainchild of Kushner Properties, who currently co-own the existing 483-foot-tall building with Vornado Realty Trust.
Estimated to cost up to $12 billion, the company is currently negotiating a multi-billion dollar deal with Chinese holding company Anbang Insurance Group to finance the project. If plans to buy out the building go through, Kushner would be in the clear to begin construction on the ZHA-designed tower, which would rebrand the property as 660 Fifth Avenue and offer 464,000-square-feet of residential space, an 11-story hotel, and a 9-story retail podium.
Responding to this phenomenon, architect Ioannis Oikonomou of oiio architecture studio has proposed an alternate solution, called “The Big Bend,” that asks the question: “What if our buildings were long instead of tall?”
The 10,000 square meter, three-story, multi-disciplinary space is designed to become a “hub for educational and research initiatives, while its wider programming embraces collaboration and partnerships with local, regional, and international artists, curators, and organizations.”
Cornell Tech has revealed that Snøhetta will be the latest firm to design buildings for its currently under-construction Roosevelt Island Campus, joining structures by top architects including Morphosis, Weiss/Manfredi, Handel Architects, and Skidmore Owings & Merrill. The two new buildings, the Verizon Executive Education Center and Graduate Hotel, will be the final part of phase one of the campus master plan, slated for completion in 2019.
Real Estate firm Related Companies has announced the development of 15 new art gallery spaces to be located in and around the base of Zaha Hadid’s 520 West 28th Street residential building, located along the High Line in the New York neighborhood of Chelsea. The acclaimed Paul Kasmin Gallery, currently located in three West Chelsea locations, will serve as the anchor tenant with a 5,000 square-foot gallery in the base of the Hadid-designed building and additional space in the ‘High Line Nine,’ a collection of full service boutique exhibition spaces located adjacent to the building beneath the High Line.
Serving as a new academic hub at the heart of the Morningside Heights campus, the 128,000-square-foot building will house a “new kind of library that incorporates technologies and learning spaces in an interactive setting and creates an inviting environment that benefits from green spaces.”
Construction on Herzog & de Meuron’s 160 Leroy condominium tower in New York’s West Village has nearly topped out, with 12 of its planned 15 floors now complete. The design, inspired by the great Brazilian architect Oscar Niemeyer, features a curved concrete and glass facade and contains 57 luxury condos ranging in price from $3.1 to $48.5 million.
New renderings have been revealed of Studio Gang’s Solar Carve Tower, located at 40 10th Avenue along the High Line in New York City, as the project gets set to begin construction. Initially conceived by the architects in 2012, the tower was presented to New York’s Board of Standards and Appeals on four occasions before finally receiving planning approval in November 2015. In the new images, the building’s interiors and roof terrace are seen for the first time, as well as its relationship to the nearby Pier 55, the proposed park along the Hudson Waterfront designed by Heatherwick Studio.
David Chipperfield’s West Village Apartment Building in New York City is finally getting off the ground. Following three rejected planning applications, originally submitted in July 2016, the city’s Landmarks Preservation Commission (LPC) has finally given the six-story building the go-ahead. Located at 11-19 Jane Street, the site sits within the Greenwich Village Historic District, designated as a historic preservation district by the LPC in 1969.
WXY architecture + urban design has unveiled its design for The Peninsula, a five-acre mixed use development for New York City that aims to “create [an] instant [community] with jobs, training, education, and hundreds of affordable apartments.”
Created in conjunction with Body Lawson Associates (BLA) for the New York City Economic Development Corporation (NYCEDC) and the Department of Housing and Preservation Development (HPD), the project will feature retail, light industrial, recreational, and residential space—all of which will be affordable—in the Hunts Point neighborhood of the Bronx.
Conceived as an inner sanctuary within downtown Manhattan, the building highlights acoustics as a key consideration, with a façade system and exterior glass enabling a high OITC rating to “ensure a tranquil home environment in the center of this vibrant neighborhood.”
As rising rents have began to drive out historic garment companies from New York City’s storied Garment District in Midtown Manhattan, mayor Bill de Blasio has announced plans for a new development that would bring together the artistic fields into one creative hub in Brooklyn’s Sunset Park neighborhood. Conceived and designed by WXY architecture + urban design, the $136 million “Made in NY Campus” will provide the setting for film and television production, virtual reality tech offices, and a new home for New York’s fashion and garment manufacturing industry.