The Principles just recently completed an interactive project, titled the “Workshop”, for the clothing brand Everlane in the Meatpacking district of New York. As part of the Everlane’s “Not-a-Shop” series, which focuses on selling only online, “the space was a physical manifestation of their primarily digital presence; replacing coded interaction with physical interaction,” described The Principals co-founder Drew Seskunas.
Construction has exploded along the High Line ever since it opened: condos hover over the rehabilitated track and look out onto the Hudson, while the new location of the Whitney Museum is making headway on the southern end of the park as Google moves into its NYC headquarters to a building just a few short blows away. Now, the historic Chelsea Market may be looking at a facelift following approval from the New York City Council for increasing density in the building by developers, Jamestown Properties. The proposed vertical extension, which has made a brief appearance on a few architecture blogs, will provide the additional in demand office and retail space in the Chelsea neighborhood.
The New York Public Library has a plan to save millions of dollars, improve efficiency, and reverse the cutbacks that have been plaguing it. How? By sending little-used resources off-site (after all, most people use the library for its online resources these days), the Library will consolidate three libraries into one Mid-Manhattan branch, renovating the building with a streamlined, efficient design - courtesy of Foster + Partners - to create "the largest combined research and circulating library in the country."
It sounds like a wonderful, modern solution. Ms. Alda Louis Huxtable would beg to differ.
The former New York Times architecture critic and current critic for the Wall Street Journal has come out swinging against the plan. First, she builds on the critique that others have made, that by moving volumes off-site (to New Jersey, or "Siberia, as she puts it) to make room for more modern amenities, the library will devalue its primary purpose (making resources readily accessible). To put it another way, as Scott Sherman did in his article for The Nation, it would turn the library into “a glorified internet café.” Then, Huxtable makes her own argument: that removing the current, intricate system of stacks would be an enormously complex, expensive, and hopelessly misguided structural challenge.
But, ultimately Ms. Huxtable’s argument comes down to the intrinsic architectural and cultural value of this Beaux Arts Masterpiece: “You don't "update" a masterpiece.”
More on the Ms. Huxtable incendiary critique of The New York Public Library’s Central Plan, after the break...
Shipping container architecture has gained a lot of ground over the past few years for its simplicity, affordability and flexibility. Yes the very same containers that make transatlantic voyages and are carted around hitched to trucks have become a tool for architects to design restaurants, to serve as retail or pavilions and even homes. According to an article by Matt Chaban on the New York Observer, NYC plans to prepare for the next disaster with apartments built out of shipping containers to be used as disaster relief shelters.
Join us after the break for more.
Forest City Ratner Companies (FCRC) just announced that they will be partnering with Skanska, one of the world’s largest construction and development groups, for the B2 project. This project is making headlines because it will be the first residential tower that is part of the Atlantic Yards Development in Brooklyn using modular construction. FCRC plans to break ground on the 32-story building on December 18th and anticipates that the building will open in 2014. While high-rise modular technology has been initially developed for use at Atlantic Yards, this new industry has the potential to create modular components for construction projects across New York City and worldwide, becoming the first major manufacturing expansion in New York City since manufacturing began its decline over a generation ago. More information after the break.
About a decade's passed since Foster+Partners won the competition to re-design Avery Fisher Hall (as part of Lincoln Center's campus-wide re-haul, designed by Diller Scofidio + Renfro), and the famous music hall is finally ready to go through with it - just not necessarily with Foster+Partners.
After Lincoln Center and the New York Philharmonic failed to raise the $300 million they needed to cover construction costs, and due to concerns that displacing the orchestra would jeopardize potential revenue, Foster+Partners' plans languished. However, the Philharmonic is now under new leadership, and its young directors are anxious to transform the conventional music hall, hence why they've decided to solicit new proposals for the building.
As the Orchestra's new executive eirector, Matthew VanBesien, told the New York Times: “If you’re not thinking about the way in which our art form and music and audiences are evolving, you’re not serving the art form long term. You really want to build this next great hall in a new way, to do the kinds of things you maybe are doing but want to do in a more compelling way or maybe can’t even imagine yet.”
More info about the proposal for the new Avery Fisher Hall, after the break...
Kohn Pedersen Fox Associates were recently selected to design a giant office building the landlord hopes to build next to Grand Central Terminal. Selected by SL Green Realty Corp., the architects’ design would be one of the largest Midtown towers on the East Side in a generation. While building in New York is a challenge, SL Green is moving ahead full steam with planning. The company is in discussions with the Metropolitan Transportation Authority to obtain additional development rights by building pedestrian improvements including underground connectors to Grand Central, according to executives informed of the planning. More information after the break.
Mathews Nielsen Landscape Architects shared with us their design for the streetscape masterplan for Hudson Square in Manhattan, New York. Designed to transform the district’s public realm into a socially, economically, and environmentally sustainable neighborhood, the project will serve area workers and, eventually, residents. The masterplan creates a pedestrian-focused district accessible from all directions and adjacent neighborhoods—including SoHo, TriBeCa, and Greenwich Village—that coordinates the needs of the Holland Tunnel, a regional transportation facility, with those of the re-imagined neighborhood. More images and architects’ description after the break.
Location218th Street, New York
Architect in ChargeSteven Holl, Chris McVoy
Design TeamMarcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Associate in ChargeOlaf Schmidt
Hosted by the Architectural League and co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, Steven Holl will lecture in the Great Hall at The Cooper Union on November 28 at 7:00pm. Holl’s architecture and writing has undergone a shift in emphasis, from his earlier concern with typology to his current interest in phenomenology. This “Time Light” lecture is dedicated to Lebbeus Woods and will show both early and recent works by Steven Holl Architects. Following the lecture, Steven Holl will be joined in conversation by Sanford Kwinter. For more information on the event, please visit here.
The west side of midtown Manhattan is probably one of the more unexplored areas of New York City by residents and tourists alike. Aside from the Jacob Javits Center, and the different programs off of the Hudson River Parkway that runs parallel to the waterfront, there is very little reason to walk through this industry – and infrastructure – dominated expanse of land full of manufacturers, body shops, parking facilities and vacant lots. The NYC government and various agencies, aware of the lost potential of this area, began hatching plans in 2001 to develop this 48-block, 26-acre section, bound by 43rd Street to the North, 8th Ave to the East, 30th Street to the South and the West Side Highway to the West.
The new Hudson Yards, NYC’s largest development, will be a feat of collaboration between many agencies and designers. The result will be 26 million square feet of new office development, 20,000 units of housing, 2 million square feet of retail, and 3 million square feet of hotel space, mixed use development featuring cultural and parking uses, 12 acres of public open space, a new public school and an extension of a subway line the 7 that currently terminates at Times Square-42nd Street, reintroducing the otherwise infrastructurally isolated portion of the city back into the life of midtown Manhattan. All this for $800 million with up to $3 billion in public money.
Join us after the break for details and images.
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair, which we published a couple months ago here, has received an impressive number of registrations to-date and continue to receive wonderful design submissions. Due to the impact of SuperStorm Sandy on many of their registered and would-be participants, they recently announced that they have extended the competition submission deadline to Monday, November 19. For more information, please visit here.
In the wake of Hurricane Sandy, as communities band together to clean up the devastation and utility companies work tirelessly to restore the infrastructure that keeps New York City running, planners and policy makers are debating the next steps to making the city as resilient to natural disaster as we once thought it was. We have at our hands a range of options to debate and design and the political leverage to make some of these solutions a reality. The question now is, which option or combination of options is most suitable for protecting New York City and its boroughs? Follow us after the break for more.
Designed for the Land Art Generator Initiative competition, the ‘NAWT Balloons’ concept, which was recently shortlisted in the competition, aims to couple the image of an oversized helium-filled teardrop with a nuanced application of wind energy technology. While the balloon’s image and subsequent geometry are the primitives to the proposal, the deployment on the Fresh Kills site ignites an interest in the oversized and the attenuated. Designed by Norman Kelley, through its multiplication and reconfiguration, this design may be able to produce new, yet familiar, collections of iconicity. More images and architects’ description after the break.
50 UN Plaza, Foster+Partners' first residential building in the U.S., broke ground this morning. With the Hearst Tower long finished, Tower 2 at Ground Zero near complete, and a new iconic building planned for 425 Park Avenue, 50 UN Plaza will only further solidify Lord Foster's mark on New York City.
The 44-story luxury tower's privileged spot at the United Nations Plaza will give it remarkable views of the UN Building, the East River, and the Manhattan skyline. According to Foster, the building's deep bay windows (which line each of the tower's 3 volumes) will maximize that view and, along with its steel and glass facade, give the tower a distinctive, "jewel-like quality": “The slender proportion of 50 United Nations Plaza is attenuated by the vertical stacks of bay windows, which give it a distinctive identity[...] The polished stainless steel detailing of the facade is in the sprit of earlier historic towers in the city and it reflects the sharp quality of light which is special to New York."
The building, whose construction will incorporate recycled materials, also has a strong environmental agenda, combining active and passive energy strategies.
According to the New York Observer, the tower's 87 units will range in size from 1,100 square feet one-bedrooms; three bedrooms as big as 3,000 square feet; full-floor residences; and a penthouse duplex, measuring about 10,000 square feet. One of the marquee features will also be a private driveway. The tower is expected to cost $500 million and be completed in 2014.
More images and Foster+Partner's description of 50 UN Plaza, after the break...
Designed by Paolo Venturella & MenoMenoPiu Architects, their ‘Solar Loop’ finalist entry for the Land Art Generator Initiative competition aims to expose more surface as possible to the southern solar rays. Sited in FreshKills Park in New York City, the shape comes directly from the solar diagrams, and deals easily with the sun following it with the best angle almost like a frozen artificial sunflower.bThe aesthetic of the sculpture is the result of this dialogue that becomes synthesis between the solar power and the park. More images and architects’ description after the break.