The Woolworth Building @ 100 Exhibtion, taking place at the Skyscraper Museum in New York City until July 14, 2013, celebrates its centennial year in the process of conversion, with office space remaining below and luxury residences planned for the upper tower. Still radiant on the lower Manhattan skyline, the landmark heralds both the past and future of New York as it became the preeminent silhouette on the New York skyline and took the title of world's tallest office building in 1913 when eighty thousand incandescent bulbs illuminated the New York night. The brilliant spectacle was a career-crowning achievement for the tower's owner, the five-and-dime store king Frank W. Woolworth, who paid for the skyscraper with his personal fortune and took a hands-on role in every decision of its design. For more information on the event, please visit here.
The New York office of The Trust for Public Land recently issued an RFP for a feasibility study, framework plan, and conceptual design for the QueensWay--a potentially transformative 3.5-mile project which will enhance quality of life in central and southern Queens, New York by reclaiming the abandoned Rockaway Rail Line, a largely elevated rail corridor. The project, which includes a pedestrian and bicycle pathway connecting the communities of Rego Park, Forest Hills, Richmond Hill, and Ozone Park, will provide a new public green space, celebrating the cultural diversity of Queens with art, sculpture, and food from around the world.
There is a mandatory Pre-Submittal Meeting March 28, and the proposal submittal deadline is April 23. For more information, please visit here.
Throughout history, people have spent a great deal of time pondering what the future holds. Scientific discovery, technological innovation - along with rebellious androids, zombies, flying cars, hover crafts, visiting aliens - have been consistently used as stereotypes that emerge in predictions for our imagined future. And while Hollywood was busy exploring dystopian scenarios of this near-future, architects were composing utopian images of an optimistic vision for cities. Architects have built careers upon predicting what cities can potentially become - developing forms, functions, plans and visions of possibilities in the social, political, economic and cultural realms through architecture. In 1962, Mayor Robert Wagner of NYC predicted a culturally diverse, economically viable, global city for New York in 2012. In 1988, Los Angeles Times Magazine gave its 25-year forecast for Los Angeles in 2013, predicting what a life for a family would be like, filled with robots, electric cars, smart houses and an abundance of video-conferencing. Find out how their predictions fared after the break.
Harvard Graduate School of Design (GSD) recently held a lecture featuring performance artist Marina Abromović alongside OMA principle Shohei Shigematsu in the anticipation of the Marina Abromović Institute for the Preservation of Performing Art (MAI) 2014 opening. In the lecture, Shigematsu speaks about the process in which they transformed a former theater in Hudson, New York, into a structure that's capable of assisting the institute's mission to develop new kinds of performance, while functioning as a space for preserving and hosting historic performance pieces. Shigematsu references OMA’s history of designing spaces that combine architecture and art, such as the Quebec National Museum and a recent collaboration with Kanye West.
More on this discussion after the break...
On view now until April 13, is the Stamberg Aferiat + Associates designed exhibition for Frank Gehry prints and a sculpture for the Los Angeles-based artists’ workshop Gemini G.E.L. at Joni Moisant Weyl in New York City. The exhibition celebrates architecture, a more than ten-year collaboration with the renowned architect, and their one-year anniversary in a designed space by architects Peter Stamberg and Paul Aferiat. The exhibit features a newly editioned sculpture and an enlarging of Gehry's Marques de Riscal Winery image. More images and description of the exhibition after the break.
This text was provided by San Francisco-based writer Kenneth Caldwell.
One friend said, “It looks a bit austere.” At first glance, it probably is. But like so many great minimal environments, it asks for patience and generosity. You give, and in turn it gives back.
This is also what the artists Mark Rothko, Richard Serra, Donald Judd, and, more recently, Olafur Eliasson ask. Trust them with your time and you may be rewarded with a small measure of serenity—perhaps even with the connection between art and the divine that Dominique de Menil was so focused on.
Designed by Louis Kahn, the Franklin D. Roosevelt Four Freedoms Park is an outdoor sanctuary at the southern tip of what is now called Roosevelt Island, created as a memorial to FDR. The park opened last fall. Kahn’s gift took 40 years to be realized, but it presents a path for human beings to treat each other to peace.
Continue reading after the break...
On display at Leslie Feely Fine Art in New York from April 11 to June 30, 2013, the Frank Gehry At Work exhibition features a selection of over 30 diverse process models by Gehry, which are drawn from significant constructions and concepts of the architect’s prolific career. These organic forms, which consist of a wide array of materials, stand as testament to Gehry’s tactile approach, enhancing our perception of this sculptural architect and his work, illuminating the subtleties of Gehry’s thought—and working—process. More images and information on the exhibition after the break.
Originally constructed for the 1939 World’s Fair, the resilient structure of New York’s Queens Museum of Art has been undergoing its fourth and most ambitious renovation since April 2011. This $68 million renovation, designed by Grimshaw Architects, will double the institution’s size, expanding the museum to a total of 105,000 square feet upon its completion in October 2013.
Coming up this Friday, March 8th, at the Center for Architecture in New York, the 'Beyond New York: Organic vs Geometrical Context' lecture is part of the Architecture Dialogue Committee’s on-going series to introduce the next generation of architects not practicing in New York City. For this event, they have invited Spela Videcnik from OFIS arhitekti of Ljubljana, Slovenia to share insights about architectural and urban design from 6:00pm-8:00pm. Videcnik will present OFIS’s design approach through their most recently built projects, such as the Basket Apartments (Paris) and The Cultural Centre for Space Technologies (Slovenia), and how these different geometries inform their current work. For more information, please visit here.
Architects, artists, and designers are invited to participate in the competition to Rethink the Post-Sandy Rockaway. MoMA PS1’s Young Architects program is seeking ideas for alternative housing models, creation of social spaces, urban interventions, new uses of public space, the rebuilding of the boardwalk, protection of the shoreline, and actions to engage local communities and to aid in the effort to rebuild from Hurricane Sandy. Judges will be selecting 25 proposals to be displayed on Rockaway Beach in April. The deadline for submissions is March 15. For more information, please visit here.
Last week, our latest featured film showed New York in the ’60s - this time we move to the future, about 200 years from now. This film, directed and co-written by Luc Besson, shows a New York City with flying cars and technological systems applied all around the human environment.
Enjoy and let us know your thoughts of how our cities will look in the next century!
Pratt Institute's School of Architecture will present "COLD war COOL digital," an exhibition of 20 scaled prototypes of modernist, pre-fabricated, and globally-distributed Cold War era housing systems that were created using contemporary 3D printing technologies (opening reception 2/18 at 6:15, details below). The exhibition will investigate architectural modernism and its global influence and will connect with contemporary prototype pre-fabrication methods and digital research in housing and skyscraper design. A symposium that explores the technical, aesthetic, and political aspects of prototyping and pre-construction in architecture will be held tonight in conjunction with the exhibition.
Can you imagine the intersection of Broadway and the Bowery in lower Manhattan as sparsely populated “Uptown” used as a burial ground for indigent people? Well, according to the the book Painting the Town by The Museum of the City of New York (via Ephemeral New York), this scene painted from memory by Albertis Del Orient Browere in 1885 depicts what Union Square used to look like back in 1828 - just 20 years before this area started to transform into the bustling, concrete jungle we know today.
White Noise (or The Buzz) reveals the latent potential of the community. It is the sound of the talent and value around us. The installation harnesses this latent value with an interactive sound environment (a collaboration with ARUP Acoustics) embedded in a playful series of figural abstractions, clad with white synthetic turf. The foregrounded backdrop of the architecture highlights the project’s main event, sharing and exchange among the people in the space, and manipulates readings of scale.
Our latest movie in our Films & Architecture series is another ’60s classic, this time by the master filmmaker Alfred Hitchcock. In North by Northwest we see a New York in the heyday of its architectural glory, with one scene taking place at a newly constructed United Nations building. In fact, the last scene takes place in a “house” that, under Hitchcock’s instructions, was meant to seem designed by Frank Lloyd Wright (in reality, the house was just another set design). The film shows a variety of urban spaces, and puts special emphasis on the contrast between the densities of urban and rural realms.
As always, enjoy and comment!
Now on view at the Yossi Milo Gallery through March 2, rarely-seen images by modernist architectural photographer Ezra Stroller (American, 1915-2004) captures a Post-War American landscape with stunning images of industry, technology, transportation and working class Americans.
Beyond Architecture covers the full range of Stoller’s work, including photographs commissioned by Fortune, Architectural Forum, and House Beautiful magazines in the 1940s and for commercial projects for IBM, Upjohn Pharmaceuticals and CBS in the 1940s and 1950s. Included are photographs of Skidmore, Owings & Merrill’s John Hancock Building, Chicago, and the United Nations Headquarters, designed by an international team of architects led by Wallace K. Harrison and including Oscar Niemeyer and Le Corbusier.
A selection of these images after the break...
Although preservationists continue to mourn the seemingly inevitable demise of Chicago’s Prentice Women’s Hospital, a solid victory for Brutalism has finally been confirmed. Lawmakers in Goshen, New York, have passed a proposal to renovate Paul Rudolph’s iconic Orange County Government Center, authorizing $10 million in design funding. The 15-6 vote was secured by the overwhelming evidence that an upgrade would be more cost effect than County Executive Ed Diana’s fallback plan to replace two-thirds of the building and preserving only the court section. In addition, lawmakers felt the pressure of a March 12 deadline that would risk losing up to $2.7 million in federal funds to repair water damage caused by Hurricane Irene and Tropical Storm Lee in 2011.
More after the break...
Just in time for Valentine's Day, Situ Studio has unveiled the fifth edition of Times Square’s annual Heartwalk installation - a heart-shaped “room within the city” made of salvaged Sandy debris. Inspired by the “collective experience of Hurricane Sandy and the love that binds people together during trying times,” Heartwalk begins as two weathered ribbons of wooden planks that gradually lift to form an illuminated heart enclosure in the middle of Duffy Square.
More images after the break...