The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.
On August 14th, Cook+Fox Architects hosted a private film screening at their office on 641 Ave of the Americas, presenting the treasures along the island’s shore that have fallen between the cracks of history. The film looks at works from Albert Frey, Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski and many others.
Follow us after the break to catch up on the history of the development of these houses on Long Island.
Marcel Breuer, born in Hungary in 1902, was educated under the Bauhaus manifesto of “total construction”; this is likely why Breuer is well known for both his furniture designs as well as his numerous works of architecture, which ranged from small residences to monumental architecture and governmental buildings. His career flourished during the Modernist period in conjunction with architects and designers such as founder of Bauhaus Walter Gropius, Le Corbusier and Mies van der Rohe.
In 2009, Syracuse University’s Special Collection Research Center recieved a National Endowment for the Humanities grant with which it began creating the Marcel Breuer Digital Archive. The digital archive, available online, is a collaborative effort headed by the library and includes institutions such as the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau, the Eidgenössische Technische Hochschule Zürich, Harvard University, the Archives of American Art at the Smithsonian Institution, the University of East Anglia, and the Vitra Design Museum. It is in the first phase, which includes Breuer work up until 1955, of digitzing over 30,000 drawings, photographs, letters and other related material of his work.
More about Marcel Breuer’s career and the archive after the break.
From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.
Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well designed products for the many.
The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.
The Architecture City Guide series is back, this week featuring New York City. Grab a scarf and hat and hit the streets to check out some of the great architecture that NYC has to offer. Think we left something out? Add your can’t miss NYC buildings to our comments below.
Follow the break for our New York City list and a corresponding map!