A self-trained American architect residing in Phoenix’s urban desert, Will Bruder, FAIA, has built a reputation for being one of Arizona’s most prized place-makers. For more than 40 years, Bruder has refined his craft with the completion of over 500 commissions ranging from large-scale civic and cultural projects to private residences and multi-family housing.
Trained first as a sculptor with a Bachelor of Fine Arts degree from the University of Wisconsin-Milwaukee, Bruder pursued the art of building with an architectural apprenticeship under Paolo Soleri and Gunnar Birkerts. In 1974, Bruder opened his first studio in Arizona, Will Bruder Architects, where he still serves as a community-based architect and student mentor, while often participating in a number of visiting chairs and lectures at universities nationwide.
His most notable project is the Burton Barr Central Library; not only has the structure played a significant role in the evolution of downtown Phoenix, but it serves as an exemplar of Bruder’s heightened awareness of movement, materiality and light.
Learn more about Bruder’s design philosophy in the interview above and check out his projects on ArchDaily:
- Sky Arc Residence
- Pond House
- Loloma 5
- Hercules Public Library
- Henkel North American Consumer Products Headquarters
- Jarson Residence
- Agave Library
The final design concepts for the redesign of Arizona’s Mesa City Center have been unveiled by the competition’s three finalist design teams: Colwell Shelor + West 8 + Weddle Gilmore; Woods Bagot + Surface Design; and Otak + Mayer Reed.
The Mesa City Center redesign project aims to develop an 18 acre site in the city’s downtown and enhance the urbanization of the area. When complete, the city center will be transformed into a public space with both programmed and passive space that can be used for informal gatherings as well as events. “The signature public space will be a key element in the activation of the downtown core and will be a catalyst for high intensity redevelopment surrounding City Center with a variety of uses that activate the public space,” the competition website states.
Read on after the break for descriptions and images from the architects of their design proposals…
When the profit-driven bulldozing of virgin desert quickly transformed into unfinished ghost towns in 2008, the city of Phoenix, Arizona, reset their sights on a more sustainable and desirable way of living: walkable communities. With the establishment of the city’s first light rail, the once car-centric communities of its urban core have turned into swaths of pedestrian havens. This has not only improved the city’s desirability, but has also been good for business. See how else Phoenix is trying to “pull off an urban miracle” and reverse it’s sprawled image here on Fast Company.
Although Arizona developer Novawest was determined to build BIG’s 420-foot observation tower in downtown Phoenix before the 2015 Super Bowl, failed negotiations has left them without a site. Once planned for the interior courtyard of the Arizona Science Center, the privately-funded project is now being considered for an undisclosed downtown site with completion rescheduled for 2016. Considering the project has received a considerable amount of support from city officials, it seems inevitable that the BIG pin will eventually be built despite harsh criticism from nearby residents. Modifications for the new site will be minimal. You can review the design here.
Chicago-based Harboe Architects has been chosen by the Frank Lloyd Wright Foundation to construct a preservation master plan for Taliesin West, which will guide future restoration and conservation efforts for the prized National Historic Landmark. Built in Scottsdale, Arizona, by the hands of the architect himself, alongside his apprentices between 1937 and 1959, the desert landmark served as the winter home, studio and school of Frank Lloyd Wright. Read and relive the story of Taliesin West here on ArchDaily.
Taking place October 24-26 at the Phoenix Art Museum, the AIA Women’s Leadership Summit 2013 consists of a 2-day, 5 to 6 session event that gathers voices of architects serving in various leadership roles, including, principals, educators, owners, designers, environmentalists and innovators, in an intimate setting to discuss the challenges and opportunities for women practicing architecture today. The Summit strives to engage speakers and attendees in an open, conversational setting to share both personal and work experiences toward positive contributions through the practice of architecture. To register, and for more information, please visit here.
This article, written by Arizona-based architect Wendell Burnette of Wendell Burnette Architects, recounts the story of Paolo Soleri’s ‘The Dome’ in the desert.
A glass house in the desert? Was it an architectural caprice, a folly, or was it a solution to the problems of desert living whose appropriateness is still not recognized? Having had the experience of living in The Dome for a full year, through all the seasons, I felt it incumbent upon myself to take a fresh look at this remarkable work of architecture.
Paolo Soleri, its designer, was born in 1920 in Turin, received a PhD in architecture from the Torino Politecnico, and in 1947 came to America to study with Frank Lloyd Wright, remaining with him for just over a year. Mark Mills, who assisted Soleri in the construction of The Dome, was born in 1921, received an architectural engineering degree from the University of Colorado, and studied with Wright for four years. It was at Taliesin that Soleri and Mills became friends. In 1948, when they and two other apprentices were working on an experimental structure at Taliesin West, which became what is known as the Sun Cottage, there was a misunderstanding with Wright that led to all four of them leaving. Soleri and Mills went to work with a developer, providing design work for some condominiums at the base of Camelback Mountain, below the north face in Paradise Valley. Soleri developed a scheme that involved a tower element supporting a hex form canopy and he and Mills built a mockup of Camelback out of concrete block and wood. It was shortly after this that “the Cli,” as she was fondly called, came along.
The complete article after the break…
Today the world has lost one of its great minds. Paolo Soleri, architect, builder, artist, writer, theorist, husband, father, born on Summer Solstice, June 21, 1919, has died at age 93.
Paolo Soleri spent a lifetime investigating how architecture, specifically the architecture of the city, could support the countless possibilities of human aspiration. The urban project he founded, Arcosanti, 65 miles north of Phoenix, was described by NEWSWEEK magazine as “…the most important urban experiment undertaken in our lifetimes.”
His own lifetime of work is represented in models, drawings, books, lectures and museum exhibits throughout the world. Soleri’s exhibition in 1970 at the Corcoran Museum in Washington DC – and the concurrent publication of his landmark book, CITY IN THE IMAGE OF MAN – changed forever the global conversation about urban planning on our living planet. His term, “Arcology” joining the words architecture and ecology to represent one whole system of understanding human life on the earth is meant to serve as the basis for that conversation.
More on the life of Paolo Soleri after the break…
Architects: Wendell Burnette Architects
Project Team: Wendell Burnette, Christopher Alt
Client: Thomas and Laura Hyland
Structural Engineer: Rudow + Berry, Inc.
Electrical Engineer: C.A. Energy Designs
Landscape Design: Debra Burnette Landscape Design
Contractor: The Construction Zone, Ltd.
Area: 2,700 ft2
Photographs: Bill Timmerman
Christmas has come early for the international community of architects and preservationists, as an anonymous benefactor has saved the endangered David and Gladys Wright House in Phoenix, Arizona. Culminating a six month saga, the Frank Lloyd Wright Building Conservancy is proud to announce that it has facilitated the purchase of the historic property through an LLC owned by an anonymous benefactor. The transaction closed today, December 20, and is no longer a demolition threat.
The Wright home will now be transferred to the hands of an Arizona not-for-profit organization responsible for the restoration, maintenance and operation of the structure. The change in ownership guarantees the house will survive and be preserved. Landmark status is expected to follow shortly.
More information on the David Wright House after the break…
On November 5, the Design School at Arizona State University will be hosting a panel discussion centered around the David Wright House and the question of architectural preservation in the city of Phoenix. Speakers will include Burton Barr Central Library architect Will Bruder, The Design School’s director, and more. The conversation will touch on efforts have been underway over the last three months in Arizona to preserve the David Wright House, one of Frank Lloyd Wright’s “ most innovative, unusual and personal works of architecture,” from demolition by developers.
On October 9th, the Arizona Planning Commission met to discuss the proposed landmark designation for the house, an event which attracted over 100 people. According to The New York Times, only 3 people voted against the designation, including the house’s current owners, the developers of 8081 Meridian, John Hoffman and Steve Sells.
When the pair bought the house back in June for only $1.8 million (from the pair the Wright’s granddaughters had sold the house to for $2.8 million), they thought it was “too good to be true.” The property alone could make up to $1.4 million; the pair hoped that by splitting the lot they could make even more.
Unfortunately however, Mr. Sells had no idea of the house’s architectural significance. As he told The New York Times, he didn’t know the difference “between Frank Lloyd Wright and the Wright brothers. ”
More on the Developers’ side of this demolition tale, after the break…
Designed by Urban Playground, the ‘Lighthouse for the Dutchman’ project was proposed for the chapel at the entry of the Los Dutchman State Park in Phoenix, Arizona. Through a rearrangement of an embryological, mathematical reference known as “Shrek’s Surface”, spatial varieties are derived as a way to alter the combined experiences of both the spiritual and natural environment in the Arizona desert. The prototypical, curved surface is morphed and manipulated, creating contextual and functional relationships that are then translated into a series of parameters for the building’s morphology. More images and architects’ description after the break.
Designed and built by a very talented student team at Arizona State University, the Peritoneum shade structure reflects their collaboration and interdisciplinary skills as they employed their respective talents for this temporary shade structure. Originally built on a plaza space on the university campus, the project was recently moved to be displayed in a major art district in downtown Phoenix along Roosevelt Row. The design, which won the ASLA Student Award of Excellence 2012, is an undulating blue structure that evokes a calming, cooling environment, and captivates others by its daring interpretation of typical shade structures. More images and the students’ description after the break.
Last April, we announced the opening of Pedro E. Guerrero: Photographs of Modern Life – a retrospective exhibition organized by the Julius Shulman Institute (JSI) at Woodbury University that honored the incredible life and career of the great 20th century architectural photographer, Pedro E. Guerrero (1917-2012). JSI was thankful to have Guerrero join the exhibition’s opening night, where he entertained the crowd with his charismatic personality as he shared fascinating stories from his life.
Sadly, the world is still in mourning over Guerrero’s passing last week, as he died at the age of 95 on Thursday, September 13, 2012, at his home in Florence, Arizona.
Woodbury University and the Julius Shulman Institute would like to share a few words from JSI director Emily Bills:
“The Julius Shulman Institute is deeply saddened to hear of the passing of Pedro E. Guerrero. We were honored to host a retrospective of his work last April, which included the lively, and often hilarious, conversation he shared with Hunter Drohojowska-Philp. Guerrero will be remembered as one of the great architectural photographers of the twentieth century, capturing the essence of work by Frank Lloyd Wright, Edward Durell Stone, Marcel Breuer, Joseph P. Salerno, and many others. He will be dearly missed.”
Read Guerrero’s obituary in the New York Times and the LA Times to learn more about his epic life and career. Continue after the break to view some of his best photographs that were featured at the exhibition.