Taking place October 24-26 at the Phoenix Art Museum, the AIA Women’s Leadership Summit 2013 consists of a 2-day, 5 to 6 session event that gathers voices of architects serving in various leadership roles, including, principals, educators, owners, designers, environmentalists and innovators, in an intimate setting to discuss the challenges and opportunities for women practicing architecture today. The Summit strives to engage speakers and attendees in an open, conversational setting to share both personal and work experiences toward positive contributions through the practice of architecture. To register, and for more information, please visit here.
A glass house in the desert? Was it an architectural caprice, a folly, or was it a solution to the problems of desert living whose appropriateness is still not recognized? Having had the experience of living in The Dome for a full year, through all the seasons, I felt it incumbent upon myself to take a fresh look at this remarkable work of architecture.
Paolo Soleri, its designer, was born in 1920 in Turin, received a PhD in architecture from the Torino Politecnico, and in 1947 came to America to study with Frank Lloyd Wright, remaining with him for just over a year. Mark Mills, who assisted Soleri in the construction of The Dome, was born in 1921, received an architectural engineering degree from the University of Colorado, and studied with Wright for four years. It was at Taliesin that Soleri and Mills became friends. In 1948, when they and two other apprentices were working on an experimental structure at Taliesin West, which became what is known as the Sun Cottage, there was a misunderstanding with Wright that led to all four of them leaving. Soleri and Mills went to work with a developer, providing design work for some condominiums at the base of Camelback Mountain, below the north face in Paradise Valley. Soleri developed a scheme that involved a tower element supporting a hex form canopy and he and Mills built a mockup of Camelback out of concrete block and wood. It was shortly after this that “the Cli,” as she was fondly called, came along.
The complete article after the break…
Today the world has lost one of its great minds. Paolo Soleri, architect, builder, artist, writer, theorist, husband, father, born on Summer Solstice, June 21, 1919, has died at age 93.
Paolo Soleri spent a lifetime investigating how architecture, specifically the architecture of the city, could support the countless possibilities of human aspiration. The urban project he founded, Arcosanti, 65 miles north of Phoenix, was described by NEWSWEEK magazine as “…the most important urban experiment undertaken in our lifetimes.”
His own lifetime of work is represented in models, drawings, books, lectures and museum exhibits throughout the world. Soleri’s exhibition in 1970 at the Corcoran Museum in Washington DC – and the concurrent publication of his landmark book, CITY IN THE IMAGE OF MAN – changed forever the global conversation about urban planning on our living planet. His term, “Arcology” joining the words architecture and ecology to represent one whole system of understanding human life on the earth is meant to serve as the basis for that conversation.
More on the life of Paolo Soleri after the break…
Architects: Wendell Burnette Architects
Project Team: Wendell Burnette, Christopher Alt
Client: Thomas and Laura Hyland
Structural Engineer: Rudow + Berry, Inc.
Electrical Engineer: C.A. Energy Designs
Landscape Design: Debra Burnette Landscape Design
Contractor: The Construction Zone, Ltd.
Area: 2,700 ft2
Photographs: Bill Timmerman
Christmas has come early for the international community of architects and preservationists, as an anonymous benefactor has saved the endangered David and Gladys Wright House in Phoenix, Arizona. Culminating a six month saga, the Frank Lloyd Wright Building Conservancy is proud to announce that it has facilitated the purchase of the historic property through an LLC owned by an anonymous benefactor. The transaction closed today, December 20, and is no longer a demolition threat.
The Wright home will now be transferred to the hands of an Arizona not-for-profit organization responsible for the restoration, maintenance and operation of the structure. The change in ownership guarantees the house will survive and be preserved. Landmark status is expected to follow shortly.
More information on the David Wright House after the break…
On November 5, the Design School at Arizona State University will be hosting a panel discussion centered around the David Wright House and the question of architectural preservation in the city of Phoenix. Speakers will include Burton Barr Central Library architect Will Bruder, The Design School’s director, and more. The conversation will touch on efforts have been underway over the last three months in Arizona to preserve the David Wright House, one of Frank Lloyd Wright’s “ most innovative, unusual and personal works of architecture,” from demolition by developers.
On October 9th, the Arizona Planning Commission met to discuss the proposed landmark designation for the house, an event which attracted over 100 people. According to The New York Times, only 3 people voted against the designation, including the house’s current owners, the developers of 8081 Meridian, John Hoffman and Steve Sells.
When the pair bought the house back in June for only $1.8 million (from the pair the Wright’s granddaughters had sold the house to for $2.8 million), they thought it was “too good to be true.” The property alone could make up to $1.4 million; the pair hoped that by splitting the lot they could make even more.
Unfortunately however, Mr. Sells had no idea of the house’s architectural significance. As he told The New York Times, he didn’t know the difference “between Frank Lloyd Wright and the Wright brothers. ”
More on the Developers’ side of this demolition tale, after the break…
Designed by Urban Playground, the ‘Lighthouse for the Dutchman’ project was proposed for the chapel at the entry of the Los Dutchman State Park in Phoenix, Arizona. Through a rearrangement of an embryological, mathematical reference known as “Shrek’s Surface”, spatial varieties are derived as a way to alter the combined experiences of both the spiritual and natural environment in the Arizona desert. The prototypical, curved surface is morphed and manipulated, creating contextual and functional relationships that are then translated into a series of parameters for the building’s morphology. More images and architects’ description after the break.
Designed and built by a very talented student team at Arizona State University, the Peritoneum shade structure reflects their collaboration and interdisciplinary skills as they employed their respective talents for this temporary shade structure. Originally built on a plaza space on the university campus, the project was recently moved to be displayed in a major art district in downtown Phoenix along Roosevelt Row. The design, which won the ASLA Student Award of Excellence 2012, is an undulating blue structure that evokes a calming, cooling environment, and captivates others by its daring interpretation of typical shade structures. More images and the students’ description after the break.
Last April, we announced the opening of Pedro E. Guerrero: Photographs of Modern Life – a retrospective exhibition organized by the Julius Shulman Institute (JSI) at Woodbury University that honored the incredible life and career of the great 20th century architectural photographer, Pedro E. Guerrero (1917-2012). JSI was thankful to have Guerrero join the exhibition’s opening night, where he entertained the crowd with his charismatic personality as he shared fascinating stories from his life.
Sadly, the world is still in mourning over Guerrero’s passing last week, as he died at the age of 95 on Thursday, September 13, 2012, at his home in Florence, Arizona.
Woodbury University and the Julius Shulman Institute would like to share a few words from JSI director Emily Bills:
“The Julius Shulman Institute is deeply saddened to hear of the passing of Pedro E. Guerrero. We were honored to host a retrospective of his work last April, which included the lively, and often hilarious, conversation he shared with Hunter Drohojowska-Philp. Guerrero will be remembered as one of the great architectural photographers of the twentieth century, capturing the essence of work by Frank Lloyd Wright, Edward Durell Stone, Marcel Breuer, Joseph P. Salerno, and many others. He will be dearly missed.”
Read Guerrero’s obituary in the New York Times and the LA Times to learn more about his epic life and career. Continue after the break to view some of his best photographs that were featured at the exhibition.
The Phoenix Central Library stands as an iconic structure that straddles Interstate 10 as it passes through the Margaret T. Hance Deck Park Tunnel in Phoenix, Arizona. Designed by Bruder DWL Architects with ongoing work by Will Bruder+Partners in 1995 to house an expansive volume collection of 1,000,000 within 280,000 square feet, it has also served as a catalyst to the local community and fostered a sense of pride. It features numerous details that enhance the overall user experience and incorporates strategic building tactics that respond to the harsh Sonoran Desert. More details after the break.
Starting today, one of Arizona’s most well-known architecture firms will no longer be will bruder+PARTNERS. After a successful 17-year history, the practice has branched into two independent firms with diverse architectural offerings due to a “natural evolution of individual and collective goals relating to firm size, design methodology and management.” Together, the internationally respected firm has created landmark buildings throughout the state, including projects such as the Burton Barr Library and the Agave Library. And now, each will go their separate ways as the firm has split into Will Bruder Architects and WORKSBUREAU.
Continue after the break to learn more about each firm.
We are primarily biological beings whose senses and neural systems have developed over millions of years. And, although we now spend over ninety percent of our lives inside buildings, we understand very little about how the built environment shapes our thoughts, emotions and well-being. Breakthroughs in neuroscience help us to understand the many ways our buildings determine our interactions with the world around us. This expanded understanding can help us design in a way that supports our minds, our bodies and our social and cultural evolution.
The symposium, Minding Design: Neuroscience, Design Education, and the Imagination, a collaborative effort between the Frank Lloyd Wright School of Architecture and the Academy of Neuroscience for Architecture, brings together renowned architects Juhani Pallasmaa and Steven Holl with scientists Iain McGilchrist and Michael Arbib to explore the implications of these advances on the education of those who design our built world.
The Lavance Shade Screen, a project designed and built by Benjamin Hall & Michael Lavance, was created out of appreciation for the desert climate and its harsh effects on specific materials. This inspiration and architectural concept led to this unique and regionally specific approach in providing much needed shade to a custom residential outdoor barbecue and bar near the downtown of Scottsdale, Arizona. More images and architects’ description after the break.
The AIA recently published a reprint from the National Associates Committee journal Forward by author Wellington Reiter, FAIA. The hot topic essay goes into great detail discussing how three U.S. cities – Detroit, Phoenix, and New Orleans – are serving as examples of the impacts of adverse planning and general continuation of unsustainable behavior. While in times past these cities have flourished, and grew on the assumption that the trend would continue inevitably, they are sharp reminders of the consequences of naivety in regards to long term sustainability. More after the break.