In response to one of their most frequent user requests, browser-based 3D model platform Sketchfab has now partnered with 3D Hubs, the world’s largest 3D printer network, to introduce a 3D print ordering feature that works directly from its viewing window. With a globally-distributed network of 15,000 print hubs in their network (250 of which support full-color printing), Sketchfab CEO Alban Denoyel says that 3D Hubs is the “closest to achieving this vision” of locally-based manufacture that bypasses transport costs – which he believes is “one of the most important promises of 3D printing.”
The London branch of the Royal Institute of British Architects (RIBA) have unveiled a series of events themed along the lines of ‘Work In Progress’ for the 2015 London Festival of Architecture. The festival, which is a month-long celebration of architectural experimentation, thinking and practice taking place at venues across the capital, will open in next month. The RIBA London’s chosen theme “will explore the changing nature of work, and workspace, as well as its impact on, and role in, the continued evolution of London.”
Architects: Nunc Architectes
Location: 122 Rue des Poissonniers, 75018 Paris, France
Design Team: Emilie Faivre, Adrienne Fabre, Guillaume Zilio, Pierre Beout, Julie Bourdin, Vincent Rey-Millet, Anne-Emanuelle Metivier, Melanie Passot, Julien Perrot, Marion Piot, Pauline Scherrer
Area: 7340.0 sqm
Photographs: Luc Boegly
He may have risen to prominence for his disaster relief architecture and deft use of recyclable materials, but Shigeru Ban describes his idiosyncratic use of material as an “accident.” Speaking to The Wall Street Journal, the 2014 Pritzker Prize Laureate recalls turning to cardboard tubes as a matter of necessity. “I had to create a design for an exhibition,” Ban told the newspaper, “But I couldn’t afford wood. Instead, I used the many paper tubes from rolls of drafting paper that were lying around. The tubes turned out to be quite strong.” The most prominent of Ban’s cardboard tube structures is Christchurch’s Cardboard Cathedral, built in the aftermath of an earthquake that devastated the city in early 2011. Read WSJ’s full interview with Ban here.
A new sculpture has risen in the desert of Qatar: “East-West/West-East,” Richard Serra‘s second public commission by the Gulf nation. Sited in a barren landscape that was suggested by Sheikh Hamad bin Khalifa al-Thani, the former Emir, the installation is comprised of four steel plates incrementally placed and standing perpendicular to the ground.
Much like Serra’s first Qatari sculpture – “7″ in Doha – the German rolled steel structure will oxidize, changing from gray to orange and eventually a dark amber, much like the Seagram Building in midtown, said Serra in an interview with The New Yorker. The artist hopes it will become a landmark within the country.
A selection of images from architecture photographer Nelson Garrido, after the break.
French architect and filmmaker Vincent Hecht recently revisited Sou Fujimoto‘s House N, seven years after its completion, as part of his ongoing Japanese Collection series. Nestled within a traditional Oita neighborhood, the renowned family home resembles ”living among the clouds,” as Fujimoto once described. A rich layering of space carefully eliminates the notion of distinct boundaries, allowing a subtle shift in program to place a heightened awareness on the spaces in-between.
180 Creative Camp is back! The 5th edition of the event will take place from July 5-12 in the Portuguese city of Abrantes. One of the leading creative gatherings worldwide, 180 Creative Camp unites some of the world’s most inspiring creators from different areas of artistic expression for a week of creative intersections. Developed by Canal180, the camp combines video, music, photography, design, architecture and urban art. For a second consecutive year, and in partnership with the Municipality of Abrantes, 180 Creative Camp is seeking proposals for an Urban Intervention Project to be displayed in Abrantes’ historic center, as well as 15 “Stores Art Attack” project interventions. Proposals need to be submitted by May 31. Learn more after the break.