Svendborg Architects and junya.ishigami+associates have won first place in the HOPE foundation’s House of Peace Competition. The competition brief calls for a monumental architectural installation to be built in the city harbor of Copenhagen, one that will endure as a lasting symbolic form devoted to world peace. The firms’ winning entry is a floating, cloud-like structure that seems almost to hover over the harbor’s horizon.
In an article for London’s Royal Academy of Arts Magazine entitled Plane Sailing, Zaha Hadid discusses the influence of Russian Suprematist painter Kazimir Malevich on her own design work. In Hadid’s early work, such as The Peak Blue Slabs (1982/83), the visual connections to Malevich’s strict, regular shapes and lines are evident.
“I look for inspiration (or opportunities) from people and places rather than looking for people and places to host my ideas.” — Julia King
Regardless of whether or not Shigeru Ban deserved to be awarded the profession’s highest prize this year (there are vociferous opinions on both sides of the issue), there is one thing that is certain: architecture is going through some serious growing pains. And perhaps no one encapsulates architecture’s shifting direction better than Julia King, AJ’s Emerging Woman Architect of the Year.
Pursuing a PhD-by-practice via the Architecture for Rapid Change and Scarce Resources (ARCSR) in the slums of India, Ms. King realized very quickly that the last thing these communities needed was architecture – or rather, what is traditionally considered “architecture.” After all, community-members were already experts in constructing homes and buildings all on their own. Instead, she put her architectural know-how towards designing and implementing what was truly needed: sewage systems. And so – quite by accident, she assured me - the title “Potty-Girl” was born.
In the following interview, conducted via email, I chatted with Ms. King about her fascinating work, the new paradigm it represents for architecture, the need to forego dividing the “urban and rural” (she prefers ”connected and disconnected”), the serious limitations of architecture education, and the future of architecture itself. Read more, after the break.
After years of rebuilding from the devastating earthquake that hit the city in February 2011, the city of Christchurch in New Zealand has announced an open competition to design a memorial to the 185 people that lost their lives in the tragedy. The $3.5 million memorial will be situated in the city center on the banks of the Ōtākaro-Avon River, and is expected to be “a thoughtfully designed space where small groups or individuals can pay respect to those who died,” but will also “comfortably fit a crowd of around 2,000 people” to host an annual memorial gathering, as well as other events.
More details after the break
Talk about Modernist Japanese architecture, and you can hardly fail to bring up Tokyo‘s Hotel Okura. Built in 1962 under the design direction of Yoshiro Taniguchi, Hideo Kosaka, Shiko Munakata, and Kenkichi Tomimoto, the hotel has long been a landmark not only for the city, but for Japan. Now, however, the hotel’s owners have decided that the main building for the hotel will be demolished in September of 2015, with a new hotel taking its place. To learn more – including how to sign the petition for preservation – keep reading after the break.
Architects: gmp architekten
Location: Manaus, Brazil
Architect In Charge: Volkwin Marg and Hubert Nienhoff with Martin Glass
Director Of Gmp Do Brazil: Ralf Amann
Project Management: Martin Glass, Maike Carlsen
Project Management In Brazil: Burkhard Pick, Sander-Christiaan Troost
Photographs: Marcus Bredt
Biotope, a three-strong Norwegian practice based in the Arctic town of Varanger, have designed bird hides since 2009. For them, architecture is “a tool to protect and promote birds, wildlife and nature” – an approach reflected in their carefully crafted, environmentally integrated fragments of the ‘invisible’: small shelters that must blend into and be absorbed by their surroundings. Their diligent work has seen Varanger become established as one of the best birding destinations in Northern Europe and their unique design solutions are now being sought across Scandinavia.
The Italian Pavilion at the 2014 Venice Biennale looks at the country’s architecture through the lens of “grafting,” or the transferring of new ideas onto preexisting realities and structures.
Architect and Pavilion curator Cino Zucchi associates grafting with “the great capacity to interpret and incorporate preceding states through continuous metamorphoses.” He opens and closes the Italian Pavilion with two physical grafts: a large rusted steel arch and a bench sculpture. The first room of the exhibit begins with a study of modernization in Milan, followed by series of collages of contemporary projects in Italy. A video of Italian urban environments concludes the exhibit.
See images of the Pavilion and read a description from the curator after the break.
The Academy of Neuroscience for Architecture (ANFA) will have their 2nd international conference between September 18 and September 20 in La Jolla, California.
The ANFA Conference will explore, from a scientific basis, the range of human experiences with elements of architecture, through collaboration between architects and neuroscientists. The goal is to inspire ideas and new collaborations that will ignite change and unlock the potential of Neuroscience for Architecture.