ArchDaily has teamed up with the The Berlage to provide exclusive access to their newly digitized archive of lectures. The Berlage is a postgraduate international institute where some of the world’s most renowned architects, thinkers, designers, photographers and other professionals come to share, exchange and critically reflect upon their ideas. Over the last 23 years, The Berlage has built up an extensive archive of seminal lectures. Thanks to this partnership we can now share them with you. ArchDaily is committed to providing inspiration and knowledge to architects all over the world, so please look forward to monthly publications of these lectures during the coming year.
What is Europe’s new role in a globalized, post-terrorist world? In this lecture from 2001, Italian architect Stefano Boeri meditates on the intersection of socialism, urbanism and globalization in a world still reeling from the attacks on September 11th, which had occurred just months prior. ”Multiplicity,” he explains, is about creating an opportunity to discuss the myriad of components affecting the all-encompassing world of architecture. Boeri paints his ideas in broad strokes, punctuating with specific examples of social uprising as catalysts for movements within architecture.
“Europe cannot be read as geographical or geopolitical environment” says Boeri, “it has a history of mobile borders.” In a world turned upside down by a new culture of terrorism, Boeri delves into the traveling museum exhibition as a worldwide vehicle for research, discussion and progress. Referencing his research on urban planning in “Mutations” with Rem Koolhaas, Boeri places architecture on the leading edge of societal progress, as typified in his later project Bosco Verticale in Milan.
Check out the other lectures in The Berlage Archive series:
The scaffolding has come down, revealing the first glimpse of FAT‘s extraordinary A House For Essex. Designed in collaboration with British ceramic artist Grayson Perry and commissioned by Alain de Botton’s alternative holiday rental project Living Architecture, the house will be the final built work that FAT complete. The bejewelled two bedroom dwelling, topped with a shimmering golden copper alloy roof and clad in glinting green and white tiles, sits in the rolling landscape of Essex – Charles Holland (FAT) and Perry’s home county. Adorned with sculptures integrated into a wider narrative that spatially recounts the life of a fictional character called Julie, the barn-like shape, bold colours and decoration has not simply garnered widespread attention but has also captured people’s curiosity.
Find out more about the project in an interview with the architect after the break.
When someone is in the public eye as much as Frank Gehry, it’s easy for them to be misrepresented in the media. Fortunately, this interview by Architectural Record’s editor-in-chief Cathleen McGuigan sets the record straight: Gehry doesn’t consider himself as an artist, and he doesn’t think of architecture as sculpture (despite what he once said). He is however hugely influenced by the way artists work, inventing ways to make things when it might otherwise be thought impossible. That’s why he’s always the one to “jump off the cliff”, as he puts it. You can read the full interview here.
Do you have design skills to crow about? Well the Richard Levy Gallery in Albuquerque wants to hear from you – to raise money for the National Audubon Society (the US partner of Birdlife International), they’ve organized NEST, a birdhouse design competition open to architects worldwide which they hope will result in some birdhouses to coo over.
Hopeful architects have until October 15th to submit their designs. The best submissions will be displayed in the gallery for a month, before being auctioned in March 2015 to raise money for charity. Visit the competition website for more details on how to enter.
Since we spend most of our waking hours in buildings, shouldn’t they be designed to encourage a healthy lifestyle? It turns out there are many ways in which architects can design spaces that encourage us to exercise as part of our daily routine. Likewise there are many design features that often dissuade people from physical activity. For example, while a dark or secluded staircase may be off-putting, centrally located and open staircases tend to be used even more than elevators. Find out how buildings can serve as our personal trainers in this article from Fast Co. Design, “How To Keep Our Buildings From Making Us Fat.”
Originally posted on the Huffington Post’s Home Section as “How a Historic Movie Palace Became America’s Most Unusual Parking Garage,” this article tells of both the history and the possible future of the Michigan Theater – once one of Detroit’s most opulent nights out, but now a crumbling (albeit oddly magnificent) parking garage. Emblematic of the city’s rapid decline, it turns out the recently-purchased Michigan Theater may also be a symbol of the city’s regeneration.
An inventor’s workshop. A movie palace. A rock club. A car park. A skate park. The backdrop for Eminem videos. Now it’s one of America‘s strangest parking garages, but a peek inside the Michigan Theatre reveals why it’s remained a landmark — and has a unique story that explains a lot about the importance of preserving cities’ historic architecture.
The former theater is attached to the Michigan Building, a partially occupied office tower, and might look familiar to some who have sought out urban decay photos. There’s something radically visceral about cars parked in the garage under the crumbling but ornately decorated ceilings of the site that in its heyday hosted legends like the Marx Brothers, Frank Sinatra, Louis Armstrong and Doris Day.
Read more on the theater’s unusual, inspiring story after the break
With the intention of creating a beautiful public space from what is usually one-function building, JAJA architects are redefining what a parking deck can be. Their recent competition entry for a parking garage in the city of Nordhavn, Copenhagen is an inviting structure that incorporates green facades and a rooftop playground, making full use of its placement in an up-and-coming urban neighborhood. Read all about the aptly named “Park ‘N’ Play”, after the break.
In their collateral event for the debut of the Moscow pavilion at the Venice Biennale, the exhibition “Moskva: urban space“ explores the historic development of public spaces and examines the city’s progress in the context of Diller Scofidio + Renfro’s winning proposal for Zaryadye Park. Curated by Sergey Kuznetsov, Chief Architect of Moscow together with Kristin Kristin Feireiss from AEDES, and organized by MCA – Moscow Committee of Architecture and Urban Development, the exhibition comes at a pivotal moment in determining the future of urban development in Moscow. As Kuznetsov states, “While the face of Moscow in the past 100 years was largely determined by the architecture of its buildings, representing political and economic developments, today’s urban singularity is based on the “connective fabric” of its public spaces that have become equally important identity-makers and contributes significantly to improving the quality of urban life for its citizens.” To see photos of the exhibition by Patricia Parinejad and learn more about the story behind it, continue reading after the break.