A tri-national agreement between the United States, Canada and Mexico will now allow architects to work across borders in North America. As reported by the US National Council of Architectural Registration Boards (NCARB), in conjunction with the Canadian Architectural Licensing Authorities (CALA) and the Federacion de Colegios de Arquitectos de la Republica Mexicana (FCARM), representatives from the architectural regulatory authorities in all three countries have agreed to mutually recognize architect credentials.
On the heels of President Barack Obama’s recent decision to reform US immigration policy, FR-EE / Fernando Romero EnterprisE has released designs for a new Latin American Art Museum (LAAM) in Miami. The four-story museum, characterized by elongated, cantilevering terraces and sculpture gardens, hopes to become “the most significant institution for displaying Latin American art in America.” Continue reading to learn more.
With 1,715 entries submitted, the Guggenheim Helsinki Competition has become the most popular architectural competition in history. Only six proposals have made it through to the final round, however we believe there is something to be learned from the hundreds of proposals that didn’t make the cut. Therefore, if you participated in the Guggenheim Helsinki Competition and would like ArchDaily’s team of architects and editors to review your proposal for publication, we ask you to submit your proposal here (under “Submit an event, competition, award, news”) by Wednesday, December 10. All proposals submitted after this deadline will not be considered. Take a look after the break for the required format for submitting project materials.
Foster + Partners has submitted plans for a new “Health Education Campus” in Cleveland, Ohio. The 485,000-square-foot quadrangle building is designed to foster collaboration between the students of Case Western Reserve University and the Cleveland Clinic on the medical campus’ existing 11-acre parcel at East 93rd Street between Euclid and Chester Avenues.
Location: Rua Itacolomi – Higienópolis, São Paulo – São Paulo, Brasil
Project Architects: Álvaro Puntoni, João Sodré, Jonathan Davies, André Nunes
Collaborators: Fabricius Mastroantonio, Julia Caio, Alexandre Mendes
Project Area: 3500.0 m2
Project Year: 2014
Photographs: Nelson Kon
To celebrate the first anniversary of our US Materials Catalog, this week ArchDaily is presenting a three-part series on “Material Masters,” showing how certain materials have helped to inspire some of the world’s greatest architects.
Mies van der Rohe, famous for his saying “less is more,” was one of the preeminent modernist architects, well known for pioneering the extensive use of glass in buildings. His works introduced a new level of simplicity and transparency, and his buildings were often referred to as “skin-and-bones” architecture for their emphasis on steel structure and glass enclosure. In addition to Mies van der Rohe, glass was a major influence for many architects of the modernist movement and reshaped the way we think about and define space. Today, glass has become one of the most used building materials, but its early architectural expression is perhaps best exemplified in the works of Mies.
“The architects of the future will begin to be seen more as agents of change,” Kunlé Adeyemi told us outside the 2014 Pritzker Prize Award ceremony in Amsterdam. One of the five international jury members for the 2014 Venice Biennale, Adeyemi is the founder of NLÉ, an architecture and urbanism practice focused on developing cities and known for projects like the Makoko Floating School in Lagos, Nigeria.
“There are many lessons learned from the floating school project, starting from engagement with the community…,” Adeyemi said. “The innovation of Makoko Floating School came not only from us, but largely from the community itself. We were simply agents to compose those ideas into a new form or an improvement of what’s already existing.”
Adeyemi was born and raised in Nigeria where he studied architecture at the University of Lagos. In 2002 he joined OMA where he worked closely with Rem Koolhaas for nearly a decade, playing an important role in OMA’s research on the urbanization of Lagos.
See what else Adeyemi had to say about the Makoko Floating School, what it’s like to lead an architecture firm and the role of architects in society in the full video above.
It may or may not be the tallest building in North America, but one thing’s for sure: when it comes to costs, no other skyscraper comes close to New York‘s One World Trade Center. This is the conclusion of Emporis, whose list of the world’s top ten most expensive buildings puts 1WTC way out in front at $3.9 billion. Originally estimated at just half that cost, this sets a trend in the top ten list, with many of the featured buildings suffering staggering overruns. The second-place Shard, for example, overshot it’s original £350 million ($550 million) budget nearly four times over (although this is to be expected in London).
On one of Qatar‘s many World Cup construction sites, another Nepalese worker dies. The worker is not named; their death does not make the news, and work resumes on the site as soon as possible in order to make the 2022 construction deadline. But, in the desert outside Doha, a crane driver solemnly prepares to add one more concrete module to what has rapidly, and tragically, become one of Qatar’s tallest towers.
This is the vision presented by Axel de Stampa and Sylvain Macaux, of the Paris and Santiago-based practice 1week1project, with their “Qatar World Cup Memorial.” Designed as one of their week-long “spontaneous architecture” projects, the monument memorializes each deceased worker in the run-up to the 2022 World Cup.