The team of Foster + Partners and Branch Technology have been awarded first prize in the latest stage of NASA’s 3D-Printed Habitat Challenge, a $2.5 million multi-phase competition designed to generate ideas and advance technology for the construction of sustainable housing solutions “for Earth and beyond.”
After printing three cylinder and three beams the first two levels of Phase 2, Stage 3 asked teams to design and print a 1.5-meter dome using indigenous Martian soil and recyclable materials, envisioning how future habitats could be constructed on the Red Planet. Teams were required to develop the 3-D printing technology itself as well as the structural design for each dome. The competition also dictated each structure be built within a 22-hour time frame, using the specific materials, geometric tolerances and autonomous performance that would be demanded by the Martian landscape.
Design juries undoubtedly form the very foundation of architecture school. Their success or failure, however, largely lies in the hands of the jurors who are assigned to review student work. While architecture is an inter-disciplinary subject with wide-ranging consequences, most jurors are specialists in a singular sub-field. This makes design juries a terrifyingly unpredictable affair; students don’t just battle against their nerves and sleep-deprivation, but are also required to be on their toes to ensure that they can handle anything that the jurors might throw at them.
However, this is easier said than done. As a student, defending your work against criticism from an easily-offended know-it-all juror will probably do you more harm than good. Similarly, it’s hard to impress a building services expert by harping on about the probable positive sociological impacts of your design proposal. Being able to correctly identify the academic or emotive leanings of a juror can go a long way in helping students present their work strategically, thus ensuring that they make the most of their jury experience. Here’s a compilation of nine types of design jurors every architecture student will probably face at some point in school:
As one of the eldest in a long line of architects that have made Japan one of the most revered countries in architecture, Pritzker-Prize Winning architect Kenzō Tange (4 September 1913 – 22 March 2005) helped define Japan’s post-WWII emergence into Modernism. Though he was trained as an architect, Tange was equally as influential as an urban planner giving him significant influence in Japan and around the world at both large and small scales.
http://www.archdaily.com/270043/happy-birthday-kenzo-tangeAD Editorial Team
McMurdo Station, the American Antarctic base, was never meant to be a permanent settlement when it was built in 1956, yet today it is home to 250 people full-time in addition to approximately 1,000 summer workers each year. Consisting now of over 100 buildings spread across 164 acres, the settlement acts as a logistical base for field science but is dysfunctional for the scientists and researchers who live and work there and inefficient in terms of meeting the demands of Antarctica’s harsh climate. OZ Architecture has recently unveiled a new master plan for McMurdo that aims to turn the station into a model of American leadership in science, engineering, sustainability, and architecture, condensing the current sprawl into a 300,000 square foot campus composed of 6 buildings.
In this short film, part of a four-part video series co-produced by Curbed and The Verge, the Bosco Verticale—the towering residential forest in the dense urban environment of Milan—is examined for its architectural prowess, as well as its botanical aptitude. In the film, architect Stefano Boeri and expert arborists explain what makes the skyscraper so unique, as well as it's very real potential effect on air pollution in the city.
http://www.archdaily.com/878509/this-towering-residential-forest-could-solve-urban-air-pollution-milan-bosco-verticale-stefano-boeriAD Editorial Team
After winning a recent international design competition, EID Architecture out of Shanghai aims to redefine high-density mixed-use development in Asia through their design for the OCT Xi’an International Center (OXIC) in Xi’an, China. The architects consider their approach an exploration of vertical urbanism; the project consists of a 320-meter tall tower for offices and a boutique hotel, a 220-meter tall apartment tower, and a 12-floor podium full of retail and entertainment spaces. Visualized as an icon and cultural landmark, the design is strategically organized horizontally and vertically to create a vibrant, permeable urban center.
Known as Chicago's "Father of Skyscrapers," Louis Sullivan (September 3, 1856 – April 14, 1924) foreshadowed modernism with his famous phrase "form follows function." Sullivan was an architectural prodigy even as a young man, graduating high school and beginning his studies at MIT when he was just 16. After just a year of study he dropped out of MIT, and by the time he was just 24 he had joined forces with Dankmar Adler as a full partner of Adler and Sullivan.
High strength, ease of transport, and simplicity of assembly are among the many major advantages of steel. But while utilitarian steel structures tend to be hidden by architects, working with exposed steel can lead to attractive results. Steel not only brings lightness to a design, but can also offer different expressions of color and texture, depending on the treatment of the material. Below we present a selection of 14 photos of steel architecture from well-known photographers such as Adrien Williams, Imagen Subliminal, and Sergio Pirrone.
On Thursday, July 29th, the Estadio Wanda Metropolitano's roof was officially completed. This new stadium, a renovation of the old Peineta athletics stadium, is the new home ground of Spanish football club Atlético Madrid.
In this video, FCC Construcción captures the intense work on the roof which was designed and constructed by engineers Schlaich Bergermann Partner. The milestone marks four months of intense work since the installation of the first of the 96 PTFE radial panels at the north end of the stadium.