Why do we make models? From sketch maquettes and detail tests to diagrammatic and presentation models, the discipline of physically crafting ideas to scale is fundamental to the architect’s design process. For architect and educator Nick Dunn, architectural models ultimately ”enable the designer to investigate, revise and further refine ideas in increasing detail until such a point that the project’s design is sufficiently consolidated to be constructed.” In Dunn’s second edition of his practical guide and homage to the architectural model, the significance and versatility of this medium is expertly visualised and analysed in a collection of images, explanations, and case studies.
Winners have been announced for the 2014 Land Art Generator Initiative (LAGI). The competition, this year sited in Copenhagen, calls on interdisciplinary teams to design large scale site-specific artworks that provide renewable electricity to the city at a utility-scale (equivalent to the demand of hundreds or even thousands of homes). Once constructed, these public infrastructure artworks have the potential to offset thousands of tons of CO2 and provide iconic amenities that will serve to educate and inspire the communities in which they are built.
Check out the winning energy-generating sculptures, after the break.
In his lecture as one of winners of the Architectural League’s annual Emerging Voices awards, David Benjamin discusses his unique approach to environmental and computational design and how it manifests itself in the work of The Living, a firm he founded in 2006.
Throughout the lecture Benjamin discusses projects that are fundamentally linked to the natural environment and ideas related to sustainability. To introduce how the firm generates new ideas, Benjamin describes a method of experimentation developed in their practice called flash research: beginning with the idea that architecture could be dynamic and responsive, these are prototypes that operate under self-created constraints such as a budget of $1000 or less and a required time span of three months or less.
Read on after the break for further synopsis of the lecture.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
Feilden Clegg Bradley Studios, Nicholas Hare Architects, Orms, Sarah Wigglesworth Architects and Tim Ronalds Architects have been shortlisted in a competition to expand and develop the Marlborough College science building in Wiltshire, England. “The current Science Block has a fascinating heritage but needs a new life to accommodate new teaching methods,” explained Malcolm Reading, the competition’s organizer. “The competition is all about finding a balance between the architectural grain of the existing eclectic campus and a confident and exciting piece of contemporary architecture.” The teams will now develop proposals. A winner will be announced in December.
Studio Ricatti has revealed their design for a new university in the Arcispedale San’Anna in Cona-Ferrara Italy. In a competition hosted by the University of Ferrara, the firm was awarded second place for the proposal, which was characterized by clarity of form, efficient flow, and a balance between intimate and social spaces.
More about the winning entry, after the break.
A group of architecture students from Ball State University, together with professors Gernot Riether and Andrew Wit, have transformed a post-industrial landscape in Muncie, Indiana, into a new destination for the city’s local art fair with the construction of the Underwood Pavilion. The parametric tensegrity structure, made from 56 lightweight, self-shading modules of Elastan fabric, provides visitors with refuge from the sun and framed views of the surrounding landscape.
More about the structure, after the break.