Machines have long been integral to architectural discourse. Vitruvius concluded his ten books with a meditation on war machines, and Le Corbusier published on his industrial muses just over 100 years ago. Yet something is different today. We have always learned from machines—our societies are fundamentally shaped by their processes—but now, machines learn. We live in paradoxical times. Machinic processes, computational algorithms and artificial intelligence have never been so proximate, direct, and intimate to daily life, yet we are many steps removed from their practical operations.
This issue of Volume, the third in our Learning series, seeks to take one small step in the direction towards understanding the contemporary relevance of machines for architecture, and one giant leap for mankind. Volume #49: Hello World!also includes In Loving Support, a 32-page insert produced with Het Nieuwe Instituut on living and working with algorithms.
http://www.archdaily.com/795199/introducing-volume-49-hello-worldAD Editorial Team
A compendium of essays and projects, that creates a projective document able to set up new scenarios for the architecture of the next decade.
This is a book that unfolds arguments and designs around the concept of “thermodynamic beauty”. This new aesthetic category opens up new and unexpected directions to the architect’s work, connecting architecture and thermodynamics without giving up the tectonic tradition.
The compendium is developed through the concepts of Somatisms, Verticalism, Thermodynamic Materialism, Monsters Assemblage, and, summarizing design strategies and opening new territories at the scales of building, public space and landscape.
On the 15th anniversary of 9/11 yesterday, the skylights at Santiago Calatrava’s Oculus at the World Trade Center opened for the first time, allowing light to fill the massive space as a memorial to the attacks on the twin towers. Following the masterplan laid out by Daniel Libeskind, Calatrava’s design used the angle of light as a guiding principle for orienting the transportation hub – so that at precisely 10:28 am each September 11th (the time of the collapse of the North Tower), a beam of light would pass through the opening in the roof and project all the way down the center of the Oculus floor.
Recently, Shanghai organized an international competition for the new Art Museum of Pudong. The site of the project is located at a prominent spot on the tip of Pudong’s Lujiazui CBD area directly below the Oriental Pearl Tower. Looking across Huangpu River from the Bund, the iconic skyline of Lujiazui has been such a symbolic image of modern Shanghai that any addition or alteration to this image is extremely sensitive. So the site has been deliberately left vacant for years, awaiting a significant cultural institute and meaningful contribution to the urban life at the megapolis.
Part of the beauty of an architectural education is that it provides you with design skills that can be applied to a wide variety to jobs. So when it came time for Kharkov University Architecture School graduate Dinara Kasko to select a career path, she chose to pursue something a little bit sweeter: architectural pastry chef.
Tutors (or professors, depending on where you live). Everyone has horror stories about their tutors, just as everyone has stories about a teacherr they truly adored. Ultimately, your tutors are likely to be the single most important element of your architectural education; no matter how much effort you put into learning through other means, these people will probably become formative figures in not only your education, but your life in general.
It's easy to forget, though, that they are just that: people, with all the flaws and foibles that being a person entails. Some you will love to learn from, while others may be a little more difficult—but like Dickens' Christmas Carol ghosts, each type of tutor has their own lesson to impart. Here are the five different types of tutor you'll deal with in your architectural education, and what you should learn from each of them.
Artist and writer Yayoi Kusama has created an installation for the Glass House that will be on display in celebration of the 110th anniversary of Philip Johnson’s birth, as well as the 10th anniversary of the opening of the Glass House site to the public.
From September 1 through 26, Dots Obsession – Alive, Seeking for Eternal Hope will be on display, with the Glass House itself covered with polka dots. “Visitors who attend the exhibition during this time will be offered the unique experience to simultaneously see the world through the eyes of both Philip Johnson and Yayoi Kusama.”
Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).
http://www.archdaily.com/795078/these-are-the-best-designed-most-useful-architecture-firm-websitesAD Editorial Team