On Saturday night, the awards were announced in the 2014 Solar Decathlon Europe, which is currently ongoing in the grounds of the Versailles Palace in France. The competition challenges university teams to build and run a full scale solar powered house, with awards being judged on a range of requirements including sustainability factors, architecture and comfort, with a different jury of three experts judging each requirement.
The overall winner, based on a combination of all the factors, was “Rhome for Dencity”, by the team from Roma Tre University, with a proposal that seeks to ”re-densify and re-qualify the boundaries of Rome” by applying principles of density and sustainability to this area where ”housing, country, archaeology and illegal buildings are interwoven.”
Read on after the break for images of all the winners
Cultura Bookstore / Studio MK27 – Marcio Kogan + Diana Radomysler + Luciana Antunes + Marcio Tanaka + Mariana Ruzante
Architects: Studio MK27 – Marcio Kogan, Diana Radomysler, Luciana Antunes, Marcio Tanaka, Mariana Ruzante
Location: São Paulo, Brazil
Architect In Charge: Marcio Kogan
Co Architects: Diana Radomysler . Luciana Antunes . Marcio Tanaka . Mariana Ruzante
Project Team: Carlos Costa . Eline Ostyn . Laura Guedes . Maria Cristina Motta . Mariana Simas . Regiane Leão
Studio Team : Beatriz Meyer . Carolina Castroviejo . Eduardo Chalabi . Eduardo Glycerio . Eduardo Gurian . Elisa Friedmann . Gabriel Kogan . Lair Reis . Oswaldo Pessano . Renata Furlanetto . Samanta Cafardo . Suzana Glogowski
Area: 2500.0 sqm
Photographs: Fernando Guerra I FG+SG
“Plastic is an extremely durable material, taking 500 years to biodegrade, yet it’s designed to be used for an average of 5 minutes, and so it’s thrown away. Few know where this mass of junk will end up … in the oceans, killing and silently destroying everything, even us.”
Cristian Ehrmantraut has developed a prototype for a floating platform that filters the ocean and absorbs plastic. Located 4 km from the coast of Easter Island, close to the center of the mega-vortex of plastic located in the South Pacific, the tetrahedral platform performs a kind of dialysis, allowing the natural environment to be recovered as well as energy and food to be produced.
The Japan Art Association (JAA) has named American architect Steven Holl as the 2014 Praemium Imperiale Laureate for Architecture. Holl will be honored at a ceremony in Tokyo on October 15th. The jury’s citation states that Holl’s ”works are internationally highly regarded, primarily as a result of his philosophy regarding the unification of the “experience” of space, as depicted by color and light, with the history and culture of each site of construction.”
Since its inauguration in 1989, the annual global arts award has recognised “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel, Toyo Ito, Zaha Hadid, Peter Zumthor, David Chipperfield, and Jacques Herzog and Pierre de Meuron.
Many architects have portfolios full of projects that were never built, and Frank Lloyd Wright is no exception. Now, however, the Buffalo Pierce-Arrow museum in New York has brought one of Wright’s more imaginative conceptual projects to life. In this article from Metropolis, we are introduced to a gas station designed by Wright for his (also unbuilt) Broadacre City project.
On a purely aesthetic level, 3D printing holds great potential for buildings – all the possibilities of sculpted concrete without the bulky and expensive formwork. Taken to an extreme, it could someday make Hadid-like forms so cheap to execute that they become mundane (even for a non-architect) – maybe even causing the profession to re-evaluate what qualifies as high design.
However, the more important advantage of 3D printing, what could spur its acceptance as a viable means of construction, is its supposed sustainability. Among its oft-
Chinese architecture firm Penda, known for their ecologically sensitive designs, has redesigned the tent in a bold new way for the AIM “Legend Of The Tent” Competition. Their proposal, ”One With The Birds,” is a flexible and sustainable structure that integrates sleeping pods into the forest canopy. Inspired by Native American Tipis, which are moveable and reusable, the structure, made from bamboo sticks latched together with rope, leaves no impact on the site nor causes any harm to the bamboo itself.
A mock-up of the project will soon be installed as a temporary hotel. According to the architects, “after the temporary hotel is deconstructed, the materials can be reused as scaffolding on a construction site or reused as another temporary hotel on a different location.”
Learn more about this remarkable structure, after the break.
In a recent article for The Telegraph Jonathan Ruffer, a hedge fund manager turned campaigner for architectural heritage, discusses the significance of historic buildings in a time when they are “increasingly having to justify itself in the cold light of cost cuts.” The notion of architectural “heritage” covers not only castles and stately homes but increasingly post-war and early contemporary structures. Speaking from a financier’s point of view, Ruffler examines the “gulf” between public and private funding for restorative architectural schemes alongside the difficulty of mobilising large bodies to activate change. Arguing that “heritage has the power to change lives,” the need for people to engage with their built heritage is more important than ever. Read the article in full here.