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As they recognize the growing significance of innovation in today’s business landscape, architecture firms are experiencing a transformation. Companies across diverse industries have also come to appreciate the impact of design on cracking challenges, thanks to the success of design-focused startups such as Airbnb. Traditionally confined to designing physical structures, architecture firms are broadening their scope and embracing research and innovation as integral elements of their design process. With the establishment of research and innovation divisions, these firms not only enhance their own practices but also offer their expertise to address the evolving needs of our era—ranging from human and technological advancements to strategic innovation.
There are moments when architects take the design process beyond their practice and engage with potential users as design participants. This expands the design framework and makes the input of future users key to project development. By seeking the knowledge, skills, and decision-making of a communal collective, the project becomes more tailored to their needs, better designed to fit within their local context, and a platform to exchange techniques and vernacular skills. It also creates a general sense of belonging in communities and gives users the authority to claim the environment around them.
Participatory design is a process that can be applied to all scales of architecture, from houses and offices to public spaces and urban interventions. By examining various projects through the lens of communal collaboration with architects, we gain a deeper understanding of the value this design process holds. It breaks down the participatory theoretical principles of collaboration, co-creation, and empowerment into actionable examples and pragmatic events. These projects exemplify users' contributions to the design process, whether through spatial and urban planning or material and local construction techniques.
Over the course of five days this week, Copenhagen hosted the largest gathering in the realm of sustainable architecture, bringing together over 6,000 participants from 135 nations. The UIA World Congress of Architects 2023 focused on the theme "Sustainable Futures – Leave No One Behind." This event served as a forum for distinguished researchers and professionals of various backgrounds and ages to delve into methods of creating buildings that address climate change, bolster biodiversity, and foster social inclusivity. As the congress drew to a close, "The Copenhagen Lessons" were unveiled, comprising ten principles intended to facilitate swift and transformative progress in the field of sustainable construction.
Examining the houses that architects designed for themselves can provide insight into their design process, priorities, and philosophy. While often reduced in scale, these personal residences offer a peek into the architects’ mindsets and the way in which they translate their ideas into lived spaces without having client-imposed restrictions on the end result. The structures also reflect their creators’ personal values, lifestyles, and aesthetic preferences.
These projects are often experiments and testing grounds for their own design principles, pushing the boundaries of architectural expression. From Ray and Charles Eames, who ended up spending their lives in an experimental house created for prefabrication, to Frank Gehry, who used his Santa Monica Dutch colonial house to test out the ideas of deconstructivism that would later come to define his career, these projects represent showcase a different face of the design process of world-renowned architects.
The International Day of Cooperatives is a celebration of the cooperative movement, which takes place annually on the first Saturday of July. In 1992, the United Nations General Assembly established it a national day, celebrating the cooperative movement worldwide with yearly themes. The cooperative movement is an association focused on achieving common goals and addressing collective communal needs. Cooperatives believe in community development at their core, prioritizing people and supporting local communities to improve their well-being. Moreover, the co-living models that have been adapted from it have become an enormous success over the past few decades, providing a form of cost-effective social housing. The cooperative structure redefines how people live, work, play, and collaborate. This year's theme is “Cooperatives: Partners for accelerated sustainable development.”
As cooperative principles continue to be injected into built environments today, the concept has created different models of co-op housing, leading to co-living. Over the past years, established European awards have celebrated co-living and architecture studios and developers worldwide have designed different models exploring co-living. The articles and projects selected in this article address what it means to live together, work together, and form healthy communities in this day and age.
For the second consecutive year, Vienna is the world’s most liveable city according to The Economist Intelligence Unit (EIU) 2023 Global Liveability Index. Topping the ranking for the fourth time in five years, Vienna has excelled in stability, culture and entertainment, and reliable infrastructure. Copenhagen in Denmark maintained its second position while Melbourne and Sydney came in third and fourth position, rising to the top 5 where they previously had a consistent presence among the leading positions, before the pandemic.
Under the titles of Optimism and Instability, this year’s global index score has returned to pre-Covid-19 days, highlighting that the world has fully recovered from the pandemic. Ranking living conditions in 173 cities based on stability, health care, culture and environment, education, and infrastructure, the survey suggests that nowadays, “life in cities is a bit better than at any time in the past 15 years”, although Stability scores dropped on average in 2023, due to worldwide clashes, political disruptions, social protests, inflation, and wars.
One hundred years ago, in 1923, Le Corbusier’s “Vers une Architecture” was published in the magazine “L’Esprit Nouveau.” The controversial collection of essays authored by the Modernist master served as a manifesto for the development of modern architecture, influencing generations of architects and sparking polemics on the proposed principles of architectural design. The book advocates for the beauty of streamlined industrial designs, like those of airplanes, automobiles or ocean liners; it proposes a completely different way of building cities, favoring tall and slender towers surrounded by abundant greenery, and introduces Le Corbusier’s 5 principles for modern design.
Now, a century later, these theories have become part of every architect’s education, but they are also highly contested. Some critics argue that the rigid approach, especially in relation to urban planning principles, fails to engage the cultural and contextual nuances of different communities, leading to alienating urban environments. Still, the legacy of Le Corbusier is significant, serving as a constant point of reference for architects when exploring the balance between functionality, aesthetics, symbolism and the social impact of their designs.
Architecture has always had a complementary - occasionally codependent - relationship with water. The Roman Domus, the Baths of Diocletian and Caracalla in Rome, and Villa Adriana in Tivoli are some prominent historical examples of how water influenced the design of compositional architecture. In a more modern context, Frank Llyod Wright designed a residential retreat in which water is its protagonist, redefining the relationship between man, architecture, and nature. Nowadays, as architects shifts their focus towards a more contextual, sustainable, and user-oriented practice, the use of water in architecture has become indisputable; cooling interior spaces, providing natural air conditioning when combined with plants, exuding a sense of tranquility, and serving as an organic decorative element.
In his latest TED Talk, Thomas Heatherwick decries a condition affecting areas of the city defined by monotonous buildings, or what he calls “an epidemic of boringness.” While recognizing the functionality which drove these designs, he states that functionality alone cannot ensure that the structures become active parts of urban life, as they often fail to provoke an emotional response from passers-by. Heatherwick explains that, in his view, this emotional function, or the ability of buildings to mean something to their users and visitors, is essential. When it succeeds, architecture can positively contribute to the quality of life and well-being of its residents, promote social cohesion and contribute to a sense of identity. So how can architecture provoke a positive emotional connection and provide an enjoyable backdrop to the communities it serves?
Mezcal is a Mexican beverage that has gained great popularity in the last decade. Its history dates back to pre-Hispanic times when cultures consumed various drinks derived from the agave plant in different ways. During the pre-Columbian period, this plant was used for various purposes, ranging from food to the production of fibers and medicines. However, within the different processes, they discovered that they could ferment and distill the juice of the agave to obtain an alcoholic beverage, which they called "pulque".
When one thinks of public spaces, the image of a pool rarely comes to mind. Public spaces are the center of civic life, places where most interactions, activities, and behaviors follow strict social and cultural norms to ensure the safety and comfort of all users. In contrast, swimming and bathing represent something more intimate and primordial, a sensorial experience distinct from any other. In addition to the health benefits, the act of floating in space creates a break from everyday life and its constraints.
As social spaces, public baths and pools offer an even more unusual experience. Here, regular conduct rules and norms no longer apply. Social nudity becomes the new norm, and, as people strip off their clothes, they also lose their status markers, transforming the pool into an egalitarian oasis. Across history, these often-discredited spaces offered a heightened social experience, fostering connections and bringing a new element to dense urban environments. As a typology present since antiquity, public baths and pools have also been a disputed space, as a manifestation of difficult topics such as gender and racial segregation, gentrification, and surveillance in contrast to the freedom they promise.
Water, with its religious connotations as a symbol of purification and life, holds great significance in many cultures. Nowhere is this respect for water more evident than in India, a country that reveres its rivers as holy. Water bodies serve as a testament to the veneration and use of water in religious rituals, embodying cultural heritage as public spaces, ritual sites, and places for cremation. Central to daily life in India, water and water architecture intertwine spirituality, and cultural traditions, offering a glimpse into the rich traditions of communities.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
The Serpentine has announced the official opening of the 22nd Pavilion, designed by French-Lebanese architect Lina Ghotmeh, at Serpentine South on June 9th, 2023. The Pavilion is titled À table, a French invitation to sit down together at a table and engage in an open dialogue while sharing a meal. The interior space of the pavilion is defined by the large table that encircles the perimeter, offering an opportunity for conviviality and the sharing of ideas, concerns, joys, and traditions. The 300-square-meter structure, inspired by the architect’s Mediterranean heritage, is designed to be lightweight and fully demountable to ensure a minimal carbon footprint. The Serpentine Pavilion will be open and free of charge every day from June to October 2023.
The 18th International Architecture Exhibition, curated by Ghanaian-Scottish architect, educator, and novelist Lesley Lokko – who is also Founder and Director of the African Futures Institute (AFI) based in Accra, Ghana – officially opened to the public on May 20th and is now on view through Nov. 26. Entitled The Laboratory of the Future, this year's Venice Architecture Biennale for the first time highlights the African continent as a leading force in shaping the world to come and Lokko's curatorial mission prompts entries to question traditional notions of what the future can hold and what architecture looks like.
At the beginning of 2022, curator Lesley Lokko announced the title of the 18th International Architecture Exhibition – La Biennale di Venezia: “The Laboratory of the Future.” The theme’s intention is to highlight the African continent as the protagonist of the future, a place “where all these questions of equity, race, hope, and fear converge and coalesce,” in the words of the curator. As the fastest urbanizing continent, Africa is viewed as a land of potential, but also of challenges, where matters of racial equity and climate justice are played out with a significant impact on the world at large.
Yet in the late 1950s, another laboratory of the future was taking shape, one where the novel ideas of Modernism produced grand monumental designs and complete urban structures at an unprecedented scale: India. In the search for a modern and democratic image, the newly independent country welcomed Western architectural masters such as Le Corbusier and Louis I. Kahn and entrusted them with a wide range of commissions, from the urban layout of Chandigarh and its major governmental buildings to universities, museums, and smaller scale domestic projects. The result is a mixture of cultures, influencing one another to unexpected results.
Successfully challenging the audience to think in a different and more empathetic way, Lesley Lokko’s biennale is an authentic portrayal of a highly intricate subject. Inaugurated on May 20, the 18th International Architecture Exhibition – La Biennale di Venezia, titled The Laboratory of the Future, has already sparked worldwide discussions.
Taking a broader perspective on architecture, the exhibition shifts its focus towards the discipline rather than just the profession. It’s not “about building buildings per se”, explains the curator to ArchDaily. Instead, it seeks to question our conventional understanding of architecture, and with that, architectural exhibitions. The 2023 Biennale is a laboratory in every sense of the word, a global platform of experimentation, and a space to explore new ideas in the absence of spaces that allow us to do so. "It borrows its structure and format from art exhibitions, but it differs from art in critical ways which often go unnoticed", states Lesley Lokko in her initial statement.
As Venice Architecture Biennale presents its 18th edition titled "The Laboratory of the Future", it centers on Africa as a place of exploration that will offer a template for solutions to the world. According to its curator Lesley Lokko, the Biennale explores entrenched concepts such as climate, land rights, decolonization, and cultures. It challenges us to question how Africa's history can be a radical tool for imagination and reminds us of Stephen Covey's statement: “Live out of your imagination, not just your history.” The biennale's title is probably the most ambitious question in years. It forces us to revisit all boundaries of the continent's historical societies, explore the influence of imposed colonial borders on them, and examine the dual identities they gave birth to. We must consider how these identities can be instruments of creativity, and, more importantly, recognize that every African society has a unique point of view. This viewpoint yearns for cross-cultural collaboration as a powerful tool for imagination.
