Drawing inspiration from the visual style of acclaimed director Wes Anderson, known for films like "Asteroid City" and “The Grand Budapest Hotel,” this new architectural film chronicles the homeland and landscape of Singapore. Directed by Kevin Siyuan, this is the second volume of “A Wes Anderson-ish Singapore” released. Moreover, the 20-minute documentary will be previewed on Singapore’s National Day and focuses on the urban planning, architecture, parks, and the people of Singapore.

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The Portuguese office MASSLAB won a competition promoted by the Housing and Urban Rehabilitation Institute (IHRU, IP) for 100 affordable housing units in Lisbon. The competition aimed to integrate the new buildings with heritage values and the city’s urban fabric next to the Estrela Basilica.

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In the past, glazed surfaces tended to be small and almost opaque; but this began to change throughout the years due to the growing trend of increasingly larger glass panes in construction. Accompanied by thinner frames, they dilute the boundaries between the inside and the outside, and have become ubiquitous in modern buildings. In fact, it is increasingly rare to find a contemporary work of architecture that does not include the remarkable presence of glass: this material is present in the most diverse architectural scales, and its transparency provides harmonious integration with the surroundings and generous natural light for buildings. Traditional systems with frames are still predominant, but frameless glass facades are gaining ground in specific architectural projects, as they create perfect connections between the glass and the structure of the building, resulting in a singular aesthetic with soft and harmonious transitions. By eliminating heavy frames, a project's aesthetics can be enhanced while also improving the quality of life inside.

AKIN has been announced as the winning team in the Barangaroo Harbour Park Design Competition, a project that will transform a central location along the waterfront of Sydney, Australia. The winning team is a First Nations-led and Sydney-based ground composed of Yerrabingin, Architectus, Flying Fish Blue, Jacob Nash Design, and Studio Chris Fox, with Arup as engineering consultants. Through its designers, the group integrates Indigenous knowledge systems along with landscape architecture, regenerative design, public art, and place-making.

Powerhouse Parramata, Sydney’s new largest museum, has been announced to open in early 2025. The museum group overseeing the project sits at the intersection of the arts, design, science, and technology industries. Designed by Moreau Kusunoki in collaboration with local practice Genton, the museum will be located on the south bank of the Parramatta River in Western Sydney, acting as the largest cultural infrastructure project in the Australian capital city since the Sydney Opera House.

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The Islamic Architecture style has a diverse history, spanning over a millennium, stretching from Western Africa to Europe to Eastern Asia. Beginning in early 7th century Arabia, this form of architecture emerged with the rise of the Islamic civilization. In fact, Al Masjid Al Nabawi, the first Mosque to ever be constructed was built in 622, in Medina, Saudi Arabia. Moreover, early Islamic architecture was influenced by the pre-existing styles around the region, such as Roman, Byzantine, and Persian qualities.

Today, Islamic architecture is known for its acute attention to detail, craftsmanship, and its spiritual symbolism. Furthermore, as color plays an essential role in architecture, influencing the emotional experience of the space, different colors have been utilized over the years in Islamic Architecture to evoke certain meanings. In Islamic Architecture, colors hold significant spiritual symbolism, reflecting the values and beliefs of the Islamic faith. Four core colors, Green, Blue, Gold, and White, are each used to convey various cultural, religious, and symbolic meanings.

Read on to discover the use of these colors in various Islamic architectural icons around the world.

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Far beyond its decorative features, landscaping brings with it biological and cultural issues that need to be addressed in projects. However, what can be seen in most public, residential, condominium, commercial and business gardens is a series of approaches that distance landscaping from all its attributes, reducing it to a decorative layer in the construction. Next, we have put together strategies to avoid the main problems of landscape design, joining aesthetics with its environmental and cultural possibilities.

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Tropical architecture, a term widely used in architectural discourse, lacks a consistent definition. The adjective ‘tropical’ relates to the zone between the Tropics of Cancer and Capricorn, which covers more than 40% of the earth’s surface. Heat is possibly the only shared characteristic of this belt. The tropical zone holds a range of climates from arid to wet, as well as a variety of geographic, social, and economic contexts. Unlike in temperate or arctic zones, a single umbrella term is used to describe the architecture of the tropics. 

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Materiality is a determining factor in shaping the character and experience of a building. Playing with the aesthetic and tactile qualities of materials, the design process encompasses their analysis, selection, and arrangement to create purposeful and sensory-rich spaces. Alongside textures and patterns, exploring materiality also involves the study of color possibilities. The versatile role of color in architectural materials extends beyond mere aesthetics, as it can broaden design opportunities and influence emotional responses, functionality, cultural relevance, and environmental performance. 

Even though each material has its distinctive inherent color, the addition of artificial or natural pigments can modify them in favor of the project’s identity. Delving into the debate on maintaining raw aesthetics or changing a material’s natural hues, we showcase various projects to study the differences between using natural versus artificial pigmentation of glass, concrete, brick, stone and wood.

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The Dallas Museum of Art (DMA) announced Madrid-based practice Nieto Sobejano Arquitectos as the winner of the international design competition Reimagining the Dallas Museum of Art. The project was selected out of 154 submissions from around the world, and a shortlist featuring internationally recognized names such as David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture and Weiss/Manfredi. The winning proposal was conceived ‘as a reflection of the original building, transforming the relationship between art, landscape, and community into a balance of memory and innovation,’ according to the architects. The winner’s concept design is available to view in a free presentation on Mezzanine Level 2 at the DMA through this Fall and on the competition website.

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The National Gallery of Victoria 2023 Architecture Commission has chosen a colossal inflatable sphere, named (This is) Air, as its centerpiece. This unique creation is a collaboration between architect Nic Brunsdon and ENESS, aiming to bring the invisible into view by highlighting a fundamental aspect of life: breathing air.

Zaha Hadid Architects has revealed the design of the Daxia Tower, to be built in the High-Tech Economic and Technological Development Zone of Xi’an, one of China’s largest inland cities with a population nearing nine million people. The tower will mark the center of Xi’an’s business district and will include offices, retail, and ancillary facilities, all designed with data analytics and behavior modeling to ensure a balanced disposition of spaces.

In the face of a climate emergency, various fields are under pressure to reformulate their operations and actions, and architecture is no exception. After all, the built environment and the construction industry are responsible for a considerable percentage of carbon gas emissions into the atmosphere. Rethinking and restructuring the construction chain - from design to execution - is the order of the day for construction professionals.

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In the competitive world of restaurants – particularly at a time when influencers are gaining more and more control over the sphere of fine dining –, creating a memorable meal experience is crucial for attracting and retaining customers. While factors like food quality and service certainly play pivotal roles in making diners return to their eatery of choice, the impact that restaurant interiors can have on an establishment's longevity should not be overlooked. Among the various elements contributing to a memorable ambiance, color takes center stage. We delve into the significance of striking the right tone in restaurant design through 20 projects from our ArchDaily database.

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DAGOpen OÜ has just won the architectural competition for a standard design of Ukrainian Family houses, with their design “Hata.” The competition invited 17 designs from Estonian and Ukrainian architects to design “a standard project for modern family-type small group homes to be built in Ukraine”. The architecture of Ukraine directly inspired the winning design and addressed the spatial decisions made to attend to the crisis.

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A residential architectural project almost always seeks to integrate interior and exterior to get closer to nature and improve comfort or aesthetics. Considering living spaces, this dialogue between open and closed environments becomes even more relevant. After all, it makes the room more flexible and suggests various ways of occupying it, regardless of the number of people or the time of year.

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Throughout the past 15 years, ArchDaily has strived to be a true reflection of architecture in the 21st century, its past and future. We have always aimed to collectively and inclusively represent the contemporary architect and to create real, useful, and high-quality content that can help shape a positive future for the built environment.

At the same time, the Internet has evolved, as well as media and the way we obtain and consume information. In our efforts to make sure that the quality of our content and our mission are never compromised, we have decided to open ArchDaily Supporters: a way to connect with you, the reader; to be more open regarding our processes and the future of ArchDaily, and above all, to continue creating quality content.

WilkinsonEyre has been selected to design a new college campus on the Olympic Way in Wembley, London, to serve as the new educational facility for the College of North West London. The project is designed to cater to over 300 students per week in addition to the 250 staff members. The new facility will offer classes in engineering, the built environment, and green skills, as well as digital technology, computing, health, and social care. The new campus scheme has recently been granted planning permission at the Council’s Planning Committee meeting and has now been passed to the Greater London Authority for final approval.

Urban Radicals presented a temporary pavilion “A Brick for Venice” as part of the European Cultural Center’s “Time Space Existence program during the same time as the 2023 Venice Architecture Biennale. The entirety of the brick pavilion was made with mud from the city’s canals. Furthermore, “A Brick for Venice” is the first proof of concept for the team’s novel waste-based construction product.

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Increasingly, the concept of social sustainability has become a central theme in contemporary architecture discussions as users' subjective and non-static needs become paramount in the design process. Social sustainability in architecture aims to design and construct buildings and urban spaces that promote well-being, inclusion, and community cohesion. It focuses on creating environments that enable positive human interactions, support diverse needs, and improve the overall quality of life for people who inhabit and use these spaces. Socially sustainable architecture considers the social, cultural, economic, and health aspects of a community to address societal challenges and provide long-term benefits to residents.

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