The building was the subject of the season premier of "Impossible Builds," which profiles "the creation of some of the world’s most ambitious, complex and technologically advanced construction projects."
Described by the show as "one of the most complex skyscrapers ever to make it off the drawing board," the 62-story tower features a unique glass fiber reinforced concrete exoskeleton – a system never before seen at this scale.
The show is now available to watch in its entirety online. Check it out below!
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."
For 10 years this December, Zaha Hadid’s Hungerburgbahn have graced the built environment of Innsbruck, Austria. Since its conception, over 4.5 million passengers have visited one of the four train stations connecting them from downtown Innsbruck to the Norkette Mountain to Hungerburg.
Brimming with architectural innovation, Vienna stands at the crossroads of Europe. Its location between north and south, east and west has always made it open to new ideas, even as the city carefully groomed its signature refinement and grace.
This short essay was written by Elizabeth Darling and Lynne Walker, the curators of AA XX 100– a multi-media project celebrating the centenary of women in London's Architectural Association (1917-2017).
Established in 2013, the AA XX 100 project was initiated to tell the story of women at the AA, with the aim of commemorating the centenary (this year) of their admission to the school with an exhibition, book, and international conference. When the project began we didn't know the names of the first students but, four years on, we do, and in telling their story—and that of the generations of women who followed them—we see that their history is at once a history of the AA and architectural education, as well as a history of British and world architecture across the 20th and 21st Centuries.
https://www.archdaily.com/883572/paving-the-way-celebrating-a-centenary-of-women-at-londons-architectural-associationArchitectural Association (AA)
As Zaha Hadid Architects’ 1000 Museum residential tower in Miami continues toward its December 2018 completion date (tracked by this nifty countdown clock), the computer drawings for the structure have been revealed, showing the complex structure in section, elevation and detail.
Construction of the 62-story skyscraper is getting close to topping out as it rises past its neighbors on Biscayne Bay.
Check out the drawings below as well as the latest interior and exterior renderings in the gallery at the bottom of the page.
Zaha Hadid Architects have released new photos showcasing the ongoing construction progress of Leeza SOHO, a mixed-use office tower in Beijing's Lize Financial Business District. This twisting, contorted structural skeleton, which weaves together two separate sections of the tower and visually fuses them, will house the world's tallest atrium, rising the full height of the building.
Zaha Hadid in front of the Heydar Aliyev Center. Image via Google Doodles
The latest Google Doodle, on display today on Google's homepage in many countries around the world, honors the late Zaha Hadid on the 13th anniversary of her acceptance of the Pritzker Prize. The highest honor in the architectural profession, Hadid became the first woman to be selected as a winner in 2004.
With construction now well underway on One Thousand Museum in Miami, one of Zaha Hadid's largest projects to be completed posthumously, Curbed has reported that the 62-story tower will be the subject of an upcoming Discovery/PBS documentary covering the creation of complex structures from around the world. Titled “Impossible Builds,” the program will highlight the building’s unique glass fiber reinforced concrete exoskeleton.
Google Earth is no longer a clunky, data-intensive desktop or mobile application. As of today, one of the tech-giant's flagship (and unrivalled) products has been relaunched as a widely accessible web application for Google Chrome. This means that anyone can now access the full Google Earth product, free of charge, without having to install software or download mobile applications.
https://www.archdaily.com/869445/architecture-takes-center-stage-with-google-earth-relaunchAD Editorial Team
As Zaha Hadid’s 520 West 28th approaches completion, photos of the apartment interiors have been revealed for the first time. Shared by developer Related Companies, the images show two of the building’s first completed residences: the massive 4,500-square-foot Unit 20 and the more modest 1,700-square-foot Unit 12. The two units feature the interior built-ins and finishes designed by Hadid alongside interior design schemes envisioned by Jennifer Post and West Chin, respectively.
A year after her untimely passing, we take a look back on one of the hallmarks of Zaha Hadid's career as an architect: her sketches. In October we wrote about how her paintings influenced her architecture. Now, we examine her most emblematic sketches and the part they played in the initial formal exploration of her design process.
Hadid's untimely death left a fascinating and inspiring legacy. Meanwhile her firm, Zaha Hadid Architects, continues to work on nearly a hundred projects worldwide. To remember her legacy, Spanish company Deimos Imaging has shared a series of photographs focusing on Hadid's work in five countries.
The images were captured by the Deimos-2 satellite, which was launched in 2014 and designed for very high-resolution Earth observation applications, providing multispectral images of just 75 centimeters per pixel. Hadid's incredible works take on a new dimension when you contemplate their proportions from the sky—or rather, from a satellite.
Zaha Hadid's projects are remarkable not only for her innovative way of handling tangible materials but also for her imagination regarding the medium of light. Her theories of fragmentation and fluidity are now well-known design techniques which enabled her form-finding. However, her advances in using light to render her architecture have often been neglected—even though they became an essential element in revealing and interpreting her architecture. The three-decade transition from minimal light lines at her early Vitra Fire Station to the world's tallest atrium at the Leeza SOHO skyscraper, which collects an abundance of daylight, shows the remarkable development of Zaha Hadid’s luminous legacy.
It was in 1988, at London’s Tate Gallery during the Deconstructivism conference held in anticipation of MoMA’s eponymous exhibition that I first encountered Zaha Hadid in person. She was lecturing among her six co-exhibitors: Peter Eisenman, Rem Koolhaas, Frank Gehry, Wolf Prix, Bernard Tschumi, and Daniel Libeskind. I had encountered her work a few years earlier as a young architecture student (at Stuttgart University) and was stunned and thrilled by the unprecedented degrees of compositional freedom, versatility and dynamism in her work. Up until then I had not been so sure if architecture was such a good career choice for me. I was rather underwhelmed and bored by architecture but, through my encounter with Zaha’s incredible work, architectural design unexpectedly transformed into an adventure. The bounds of architectural possibilities had shifted. Thirty years later, this sense of adventure continues. Zaha changed our field and changed everything for me.
https://www.archdaily.com/868022/the-miraculous-zaha-hadid-a-tribute-by-patrik-schumacherPatrik Schumacher
View into the exhibition (1988). Photographer unknown. Image via MoMA
When Philip Johnson curated the Museum of Modern Arts’ (MoMA) 1932 “International Exhibition of Modern Architecture,” he did so with the explicit intention of defining the International Style. As a guest curator at the same institution in 1988 alongside Mark Wigley (now Dean Emeritus of the Columbia GSAPP), Johnson took the opposite approach: rather than present architecture derived from a rigidly uniform set of design principles, he gathered a collection of work by architects whose similar (but not identical) approaches had yielded similar results. The designers he selected—Peter Eisenman, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and the firm Coop Himmelblau (led by Wolf Prix)—would prove to be some of the most influential architects of the late 20th Century to the present day.[1,2]
The City of Westminster, England has announced the shortlist for its first People’s Choice Award for the city’s best building from the past decade.
In an effort to engage the public in a debate about what makes a great building, the Westminster City Council asked a panel of architects, developers, councilors, and planners to shortlist 12 designs to be voted on by people who live and work in the city, as well as by visitors. Buildings for the shortlist were chosen based on its use of materials, purpose, and impact on the surrounding space.
"Brilliant architectural design should be recognized for all the fantastic benefits it can have in terms of health and wellbeing, sustainability, and the simple pleasure we all take from having such striking buildings lining our routes home, to shop and to work," said Cllr Robert Davis MBE DL, Deputy Leader of Westminster City Council. "The best people to ask about the impact these buildings have are those who see them day in, day out, and so I am delighted that we have been able to engage the public in a debate about what makes a great building and to promote design excellence."
The 12 shortlisted projects for the Westminster People’s Choice Awards are: