In response to China’s State Council’s notice on extending the Lunar New Year holiday to February 2 and Guangdong Province’s notice on returning to work after February 9, we decide to adjust the Timetable of International Architecture Design Competition of ShenzhenOpera House accordingly. The deadline for submitting the Application Documents (including registration documents and early concept proposal in the form of hardcopy and softcopy (U disk)) in open call phase has been adjusted from before 15:00 on February 18, 2020 to before 15:00 on March 10, 2020. For details of the adjusted competition timetable, please refer to the attachment.
https://www.archdaily.com/933138/extension-announcement-of-international-architecture-design-competition-of-shenzhen-opera-house韩双羽 - HAN Shuangyu
The Chinese megacity of Shenzhen bares all the hallmarks of a surging modern metropolis. Busy (and loud) five-lane motorways weave through islands of glittering glass skyscrapers, rising from podiums filled with designer shops, fronting vast squares and plazas, activated by screen-savvy young professionals fueling the city’s booming tech economy. Such a scene is truly remarkable considering that before 1980, Shenzhen was nothing more than a provincial fishing town of 60,000 people. Today, that figure has risen to 13 million.
This poses the question of how the urban environment accommodated such a rapid population explosion in such a short time. The answer lies in the city’s “Urban Villages,” remarkable manifestations of Shenzhen’s past and present, though likely not of its future.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
Technologies of the virtual realm present an opportunity to rethink the experience of space, society, and culture. They give us the possibility to engage with the city of the future, shaping the built environment of the 21st century.
Images taken from Nicola Tartaglia, Nova scientia, second book, Distantia del transito, 1558
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
https://www.archdaily.com/931663/how-does-architectural-design-change-when-the-city-becomes-equipped-with-the-most-recent-advances-in-artificial-intelligence-alessandro-armando-giovanni-durbiano-for-the-shenzhen-biennale-uabb-2019Alessandro Armando and Giovanni Durbiano
Jaeger Kahlen Partner is one of the joint winners of the international competition for the Bao’An Bay Industrial Investment Tower in Shenzhen, China. With a distinctive design approach, the landmark building will generate modern office spaces and enhance the surrounding urban fabric.
Dominique Perrault Architecture, DPA–X-Sub–Hubs A New Breed of Architectural Objects. Image via Bi-City Biennale of Urbanism\Architecture (Shenzhen)
The 8th Bi-City Biennale of Urbanism\Architecture (Shenzhen) has officially opened in Shenzhen, China. Hosted at both the Shenzhen Museum of Contemporary Art and Planning (MOCAUP) and the Futian Railway Station, the event is the most visited architecture biennale in the world, and holds the distinction of being the first major architectural event where all materials for the exhibitions were sourced in the host city of Shenzhen.
This announcement is hereby issued for International Tender for the Architectural Design of the First Projects in Shenzhen Park of Shenzhen-Hong Kong Science and Technology Innovation Cooperation Zone (Shenzhen-Hong Kong Innovation Integrated Service Center), and excellent design agencies at home and abroad are invited to join. We desire to solicit the most creative design scheme with the international vision and high standards.
https://www.archdaily.com/930929/call-for-entries-international-tender-for-the-architectural-design-of-the-first-projects-in-shenzhen-park-of-shenzhen-hong-kong-science-and-technology-innovation-cooperation-zone-shenzhen-hong-kong-innovation-integrated-service-centerMilly Mo
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
Architectural practice naturally results in an extraordinary accumulation of visuals and archival media that demand sorting, cataloguing, and organizing at a certain moment in time in order to avoid their amorphous accumulation to invade the working order of a firm. Tagging, numbering and classifying the accumulated traces of architectural creativity and data, has become a way of organizing the log of creative options and scenarios developed in practice, a directory of successful examples and of failures, all arranged to be used as a self-referential working catalogue of options that may be mobilized at any moment in time.
