Expanded polystyrene (EPS) was discovered in 1839 in Berlin and became a widely used material in airplanes manufactured for World War II due to its extremely low density. It is this characteristic that makes it a suitable material for thermal and acoustic insulation, often specified in buildings, but also widely used in packaging. A rigid cellular plastic, it is the result of polymerizing styrene in water, whose end product are expandable beads that have a diameter of up to 3 millimeters. Unfortunately though, this material takes more than 500 years to decompose and, in the process, leaches harmful chemicals into the environment. Recycling is possible, but it is complex and costly. This means that most of the Styrofoam produced to date still remains on the planet, taking up valuable space in landfills, or worse, broken into tiny pieces and interfering with ocean life. "Decomposition Farm: Stairway" is a temporary installation that offers a possible solution to the environmental issues related to construction waste in the architectural field.
The National PavilionUAE has announced the appointment of Faysal Tabbarah, Associate Dean and Associate Professor of Architecture at the American University of Sharjah, as the curator of UAE’s pavilion for the 18th International Architecture Exhibition of La Biennale di Venezia in 2023. Tabbarah’s proposal for the exhibition focuses on the arid and dry landscapes of the UAE and their relationship with architecture. Through the research, these areas are reimagined as spaces of abundance and productivity. This approach represents Faysal Tabbarah’s response to the Venice Biennale 2023 theme: The Laboratory of the Future.
LetsBringLondonTogether. Image Courtesy of Yinka Ilori
PARABLES FOR HAPPINESS by the London-based British-Nigerian designer Yinka Ilori features for the first time at the Design Museum in London. Exhibited from September 25, 2022, to June 25, 2023, essential aspects of Ilori’s work will be placed beside key influences, including artworks, photographs, and furniture, to Nigerian textiles. Curated by Priya Khanchandani, the exhibition celebrates Ilori’s mix of cultural influences and unpacks the ingredients of a diasporic visual language.
Nevada's annual Burning Man has retured to the Black Rock Desert, after a three-year physical attendance hiatus due to the pandemic. From August 28 until September 5th, this year's festival explored the theme of "Walking Dreams", celebrating the dreamers who channel the power of dreams and imagination, both in literal and figurative ways. Similar to every year, the pavilions that were installed in the desert explored the theme in creative and unexpected ways.
This year, many of the installations approached themes of ecology and sustainability. Some of the installations were built with reused materials, including an interactive light sculpture made from plastic recovered from the ocean. Every year, the Burning Manfestival issues a number of grants, funded from revenues from ticket sales, for the purpose of partially funding specific art projects.
The Quadracci Pavilion at Milwaukee Art Museum. Image via Flickr user bvincent licensed under CC BY-ND 2.0
The Quadracci Pavilion by Santiago Calatrava and the Contemporary Arts Center by the Pritzker-winner Zaha Hadid are celebrating their 20th anniversary. Both buildings are the first US projects completed by these legendary architects that have contributed to the stimulation of economic development in Midwestern American cities over the past two decades. In fact, for that reason, Milwaukee's mayor declared September 16 "Santiago Calatrava Day" to commemorate the Pavillion's opening.
Nevada's annual Burning Man is underway at the Black Rock Desert. Under the theme of Waking Dreams, this year's festival is exploring the "transformative power of dreams, both literal and figurative, and celebrating the dreamers who channel this potent energy in eye-opening, often surrealistic, sometimes life-changing ways". The "temporary metropolis" is running until September 5th, and is expected to showcase numerous installations and pavilions that celebrate "community, art, self-expression, and self-reliance".
First Place - Federico Fiorino. Image Courtesy of The Outsider magazine and the City Municipality of Maribor
The Outsider magazine and the City Municipality of Maribor have announced the winners of the international competition “Floating Pavilion on the Drava River.” The purpose of the competition was to obtain an innovative design for a floating pavilion that would have two main functions: a space for smaller events during the Lent Festival and a space for contemplation by the river. The City Municipality of Maribor will invite the winning candidate to participate in the implementation of the project.
Henning Larsen has unveiled the "Fritz Hansen Pavilion", a sustainably-designed pavilion for the 3daysofdesign event in Copenhagen. Set in Designmuseum's Grønnegården, the Pavilion is developed with a Nordic approach, centered around daylight, using low-carbon materials, and circular design principles. The pavilion is designed to be disassembled, ensuring that its materials can be reused elsewhere. The pavilion will be open to the public during 3daysofdesign 15 – 17 June, and will then be used by Designmuseum Danmark until mid- Autumn.
The 21st Serpentine Pavilion, Black Chapel, designed by Chicago-based artist Theaster Gates opens today, on June 10, 2022. On display until the 16th of October 2022, the project is realized with the architectural support of Adjaye Associates with Goldman Sachs’ patronage. In 2021, the Pavilion events program was planned to reflect Gates’ concept of interlinking architecture and music, particularly emphasizing artistic explorations of monastic sounds and hymns. The pavilion will act as a platform for Serpentine’s live program throughout the summer, offering the public space of reflection, connection, and joy.
Studio Other Spaces, founded by artist Olafur Eliasson and architect Sebastian Behmann, has unveiled its wine tasting pavilion for California wine producer The Donum Estate. The design weaves together various elements of the site in what the designers describe as a vertical panorama, and essentializes a vertical cut through the landscape and the conditions that make for a thriving vineyard, proposing a holistic experience addressing all senses. The roof’s colored glass tiles represent an abstract calendar depicting the yearly averages of parameters such as wind intensity, temperature and humidity.
The Naomi Milgrom Foundation has announced that internationally renowned architecture and design practice all(zone) is the the recipient of the MPavilion 2022 commission. Demonstrating how architecture and design can contribute to creating equitable cities, the Bangkok-based studio was commended for its commitment to designing built environments where people can feel at home in the world, reusing and recycling local materials in bold and innovative new ways.
The Turba Tol Hol-Hol TolPavilion is a collective project led by curator Camila Marambio that proposes an experimental path towards the conservation and visibility of peatlands, a type of wetland considered to be the most efficient natural ecosystem for accumulating carbon in the atmosphere and yet one of the least researched.
Presented by the Ministry of Cultures, Arts and Heritage and the Ministry of Foreign Affairs of the Government of Chile at the 59th International Art Exhibition - La Biennale di Venezia, which will have its official opening on the 23rd of April, was a collaborative work between art, science and traditional knowledge, promoting research and ecological transition from the environmental humanities. In this sense, a diverse multidisciplinary team was brought together: sound artist, Ariel Bustamante; art historian, Carla Macchiavello; filmmaker, Dominga Sotomayor; and architect, Alfredo Thiermann.
Cortesia de S'Winter Station - Ryerson University – Department of Architectural Science
The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
Château La Coste inaugurates a pavilion designed by Oscar Niemeyer, representing the last project drawn by the renowned architect before he passed away in 2012. Set amongst a vineyard, the curved structure features a glazed gallery space, accompanied by an 80-seat auditorium placed within a cylindrical volume. Emphasizing the pavilion's connection with the surrounding landscape is a shallow pool that brings a new dimension to the project through the interplay of light and reflections.
Kiev, Ukraine / Statue of Berehynia on the top of Independence Monument on the Maidan Nezalezhnosti. Image via Shutterstock
On the 24th of February 2022, Russia launched a large-scale invasion of Ukraine. Set to become Europe’s largest refugee crisis and armed conflict in this century, so far, this war has mobilized people across the world in order to exert pressure on authorities and put a stop to the armed hostilities. Individuals, as well as institutions in the architectural field, have taken part in these acts of solidarity, issuing statements, condemning actions, and even halting their work in Russia. From the UIA to MVRDV to Russian Institutions such as Strelka, the architecture world is denouncing the acts of violence and supporting an immediate cease of fire.
Tsz Yan Ng is a Michigan-based firm principal, professor, researcher, and artist whose interdisciplinary and collaborative work seeks to challenge and improve upon modern fabrication and manufacturing practices. “We haven’t changed the way we build in so long,” Ng said. “We need to think of it more productively—not just economically—but as a collection of different voices. Architecture is a global ecosystem of people, where the sum is greater than the parts.”
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.jpg?1646040755 "SOM Explores Future Timber Construction Methods at the 2021 Chicago Biennial. Image © Kendall McCaugherty © Hall+Merrick Photographers")
