Sou Fujimoto, Nicolas Laisné and Dimitri Roussel will be building a new gateway to the city of Rosny-sous-Bois in Grand Paris. Their project, Village Vertical, has been chosen as the winning proposal for the "Inventons la Métropole du Grand Paris" competition. The team includes landscape and urban designers from Atelier Georges and urban developers from La Compagnie de Phalsbourg and REI Habitat.
From March 30 to June 10, 2018, the Fondation Cartier pour l'art contemporain will host Junya Ishigami's exhibition, Freeing Architecture. This is the first major solo exhibition that the Fondation Cartier in Paris has devoted to an architect, and fitting that it would lend itself to an important and singular figure of Japan's young architecture scene.
Ishigami - winner of the Golden Lion award at the Venice Biennale in 2010 - has instilled this conceptual body of work with his trademark flair: calm, free fluidity, with bright tones and playful curves. The projects in the exhibition range from large scale models to films and drawings, and when placed in the context of the exhibition, they bring to life Jean Nouvel's iconic building as well.
Laurian Ghinitoiu gives us a glimpse inside the exhibition ahead of the opening day tomorrow. His photos reveal the lightness and ethereal quality of Ishigami's hand.
As hundreds of refugees continue to arrive in Paris, France, the city faces an ongoing struggle to find safe and suitable housing for the influx of migrants. As a result, many end up sleeping in underused urban spaces or on the side of the road with almost no access to water, sanitation, and food.
In response, Paris- and Santiago-based firm 1week1project in collaboration with Sophie Picoty unveil their design for a speculative public park titled “Illuminate Paris!” beneath an elevated railway bridge to provide additional support for organizations handling the influx of refugees. This modular “field of experiences” features a series of lantern-like environments forming a canopy along the underside of the bridge that allows for much-need space for migrants who are currently forced to sleep in encampments under similar infrastructure and in parks.
This winter, France experienced some of the heaviest rains it has seen in 50 years. In Paris, the Seine flooded its banks, submerging parks, streets, and disrupting metro service. The deluge also claimed an architectural curiosity. On February 8th the Louise-Catherine, a concrete barge renovated by Le Corbusier, slipped below the murky waters of the Seine and came to rest on the bottom of the river by Quai D’Austerlitz on the east side of Paris.
As the floodwaters receded, the 100-year-old barge’s bow became stuck on the wharf, tipping it into the river, according to Le Parisien. Though firefighters were present and attempted to save the historic vessel, it filled with water and sank in a matter of minutes.
Chicago-based Skidmore, Owings and Merrill (SOM) have won an international competition for the design of an enhanced urban district in Charenton-Bercy, on the eastern edge of Paris. Working with a team of urbanists, landscape designers and community think tanks, SOM have proposed a highly connected urban landscape incorporating a 180-meter energy efficient tower, and contemporary rotunda serving as a virtual reality hub.
https://www.archdaily.com/890669/som-selected-to-design-green-masterplan-for-eastern-parisNiall Patrick Walsh
Credits: Supreme Committee for Delivery & Legacy / Architect : ZHA & AECOM / Automatization Processes for Digital Fabrication : ECHOES.PARIS
Applications are open for the third edition of the Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies opening in September 2018 in Paris.
Design by Data provides attendees with a cross-disciplinary culture of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3D printing for the construction industry.
The Bibliothèque nationale de France has given its architect Dominique Perrault ‘carte blanche’ to develop an exhibition dedicated to the building he designed in 1989 : with an original ‘mise en abyme’, a large-scale scenography presents the story of the conception and construction of the BnF, one of the most important contemporary public buildings in France.
The 2018 BIM Competition asks applicants to reflect on the creation of a grammar school for 500 students in the city of Suresnes. Also, The Suresnes Open-Air School is located on this existing cluster block. Candidates should include a proposal for repurposing it.
A city’s monuments are integral parts of its metropolitan identity. They stand proud and tall and are often the subject of a few of your vacation photos. It is their form and design which makes them instantly recognizable, but what if their design had turned out differently?
Paris’ iconic and stunning Arc de Triomphe could have been a giant elephant, large enough to hold banquets and balls, and the Lincoln Memorial in Washington D.C. could have featured an impressive pyramid.
GoCompare has compiled and illustrated a series of rejected designs for monuments and placed them in a modern context to commemorate what could have been. Here are a few of our favorites:
The winners of the Architectural Review 2017 Emerging Architecture Award are Christelle Avenier and Miguel Cornejo. The duo’s social housing project in Paris was selected as winners by the judges. All finalists gathered in Berlin this year to present their projects to a panel consisting of Marina Tabassum, Martyn Hook, and Matthias Sauerbruch. For the last two-years, the jury has received the applications at the World Architecture Festival.
French photographer Laurent Kronental’s latest photo series, “Les Yeux des Tours” views of Paris, are framed by the quirky windows of the Tours Aillaud, and by the subtle differences in which the spaces around them are inhabited. Kronental considers the towers as some of the most spectacular of the Grands Ensembles built in the post-war economic boom in France. For him, photographing these buildings was a form of nostalgia, a way of satisfying a deep sense of childhood wonder and curiosity that fostered in him as a young boy perceiving them from the nearby business and shopping center "La Défense," questioning the lives of the people who live there.