The new scheme will replace the existing Manhattan premises of the US investment bank and is expected to total 2.5 million square feet. The headquarters will house around 15,000 employees across 70 levels, replacing the original 52-story scheme designed by Skidmore Owings and Merrill in the 1960s.
https://www.archdaily.com/905321/foster-plus-partners-chosen-to-design-jp-morgan-chase-headquarters-in-new-york-cityNiall Patrick Walsh
This article was originally published on July 29, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Upon opening its doors for the first time on a rainy winter’s night in 1932, the Radio City Music Hall in Manhattan was proclaimed so extraordinarily beautiful as to need no performers at all. The first built component of the massive Rockefeller Center, the Music Hall has been the world’s largest indoor theater for over eighty years. With its elegant Art Deco interiors and complex stage machinery, the theater defied tradition to set a new standard for modern entertainment venues that remains to this day.
Adjaye Associates‘ 130 William Street residential tower in Lower Manhattan has begun installation of the building facade. As New York YIMBY reports, last week the hand-cast concrete arches started getting installed. Made to recall New York City’s historic fabric from the 19th and early 20th centuries, the facade was designed around an eclectic material and color palette. Once finished, the tower will include 244 new luxury condominiums in the Financial District.
In a permanent state of architectural transience, New York City continues to be adorned with new skyscrapers with every passing day. Historically fueled by financial prosperity coupled with the demand for commercial space, the only way to continue to build was up. Blue Crow Media’s latest map, “Art Deco New York Map” showcases over sixty buildings from the era, celebrating the eclectic nature of Art Deco architecture that is so deeply inherent to the identity of the city.
Paul Rudolph, despite vaulting to international success in the early 1940s and 50s for his Brutalist structures, saw an abrupt end to the popularity of his signature style as postmodernism gained prominence. As tastes shifted to different fare, so too did Rudolph's approach - leaving a number of his unbuilt proposals to gather dust.
This article was originally published on June 16, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Built in the early days of airline travel, the TWA Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. Eero Saarinen sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.
This AD Classic features a series of exclusive images by Cameron Blaylock, photographed in May 2016. Blaylock used a Contax camera and Zeiss lenses with Rollei black and white film to reflect camera technology of the 1960s.
This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later. Its construction in the early years of the Great Depression, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”
New York’s iconic Central Park was designed in 1858 by F.L Olmsted and C. Vaux, having been chosen in a competition against 32 other entries. The competition called for the design of a park including a parade ground, fountain, watchtower, skating arena, four cross streets, and room for an exhibition hall.
Of the 32 alternative entries, only one survives to this day. The sole survivor was drawn up park engineer John J. Rink. To give an indication as to how Rink’s plan would have aged in the Big Apple, NeoMam Studios and Budget Direct have published a set of visualizations derived from the design. Find out below what one of the world’s most iconic green spaces could have looked like if a 160-year-old decision had been different.
The winning team explored the tectonic possibilities of intersecting shapes, investigating what happens with two different planes intersect. The resulting sculpture created two converging planes merging together to create an iconic ‘X’ which, when intersected by a cylindrical volume, creates a heart-shaped space.
https://www.archdaily.com/904130/reddymade-wins-the-times-square-valentine-heart-design-competition-of-2019Niall Patrick Walsh
This article was originally published on July 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.
Storefront, a non-profit organization based in New York City, engages in the advancement of design and architecture with interdisciplinary dialogue through exhibitions and projects that aim to transcend geographic and ideological boundaries. Charles Renfro, President of Storefront's Board of Directors, remarks, "We are thrilled to welcome José to the helm of Storefront, the very institution where he began his curatorial career over a decade ago."
COOKFOX Architects and Oxford Properties have reimagined New York's St. John’s Terminal as a workplace of the future. The 1.3 million square foot proposal aims to connect the Hudson Square neighborhood to the waterfront at the end of The High Line. Combining outdoor space and greenery with 100,000 square-foot floor plates, the project reinterprets the industrial past of the former freight terminal. The project was created to shape how businesses innovate and create between Lower Manhattan and the waterfront.
Twin brothers Chris and Bill Sharples are two of the founding partners of SHoP Architects, a New York-based firm established 20 years ago to bring together diverse expertise in designing buildings and environments that improve the quality of public life.
The firm’s style is difficult to define, but a connective thread throughout SHoP’s portfolio is a design philosophy rooted in constraints. From digital models to next-generation fabrication and delivery techniques, technology is at the center of the firm’s movement toward an iterative approach that, as Chris Sharples says, “is beginning to blur the line between architecture and manufacturing.”
SHoP Architects' super-slender tower at 111 West 57th Street has reached supertall height, but the tower has begun missing pieces of its façade. As New York YIMBY revealed, sales have already started for the Manhattan skyscraper as new photographs show missing fragments of the terracotta façade. Located in Billionaire's Row just south of Central Park, the supertall is being created by JDS Development and Property Markets Group. The project aims to become an iconic terracotta skyscraper in Midtown as it passes its third setback.
While most city planning portals are already freely accessible to the public, the new interface of the “NYC Active Major Construction” map presents detailed information in a clean, fast, user-friendly manner, giving architects and residents-alike a deeper insight into construction trends in what Bjarke Ingels refers to as “a capital of the world.”
https://www.archdaily.com/900753/explore-every-construction-project-in-new-york-city-with-this-new-interactive-mapNiall Patrick Walsh
In a new interview with Louisiana Channel, Ingels steps back from the pragmatism of individual projects, and instead reflects on his view of New York, from multiculturalism and inequality to regeneration and skyscrapers.