Almost a decade ago, news flooded Colombian media: the announcement of the winning project for the Tropicario of the Bogotá Botanical Garden. Today, we want to bring you all the information we have compiled since then, both about the competition won by DARP and the construction process - up to its inauguration in 2021 and its evolution in recent times.
We hope this architectural journey helps you to know every step, every decision, and every detail that contributed to its realization. Understanding that its true legacy lies in how it transforms lives, inspires communities, and endures over time.
The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
“The first man wanted to build a shelter that would cover him without burying him.” With some logs found in the forest, he built a square covered with straw so that neither the sun nor the rain could enter, and thus, he felt safe. The description above refers, in a simplified way, to the theory of the primitive hut developed by the abbot Marc-Antoine Laugier in the mid-1700s. The small rustic hut described by Laugier is a model upon which he imagined the magnificence of architecture. It provides an important reference point for all speculation about construction foundations and represents the first architectural idea."
What role does landscaping play in contemporary housing? In what ways can architecture and landscaping be integrated into a whole? Considering the incorporation of landscaping from the beginning of the architectural project has become a defining aspect and even a challenge for many architects, aiming to improve the quality of life of their inhabitants and contribute to the protection and care of the environment.
On numerous occasions and within the Latin American setting, nature appears as a protagonist or founding principle of the proposed architectural design, involving reasons related to promoting the relationship with the surrounding environment, incorporating native species of the site, and enhancing the connection between the interior and exterior, among others. Although there are different ways of planning, organizing, and arranging the layout of environments in contemporary housing, the dialogue between architecture and landscape can collaborate with the uses, activities, and circulations determined based on the needs to be met or the users to be accommodated.
Jardín Nativo Adriana Hoffmann, Museo Interactivo Mirador (MIM) en Santiago de Chile. Image Cortesía de Bosko
During the 19th century, efforts to improve the quality of urban life focused on creating gardens and parks, marking the beginning of the evolution of landscaping as a modern discipline. However, despite remarkable examples worldwide, excessive structure and artificiality in urban parks have gone against the motivations that gave rise to them. In many cases, their design has resulted in decontextualized and inefficient public spaces that are highly demanding on resources and far from being truly sustainable.
The strict use of geometry and the imposition of species that are difficult to adapt and care for are gradually giving way to a more organic approach to landscaping, tailored to local ecosystems and more efficient in its development and conservation. Native forests embody all these positive aspects. They not only ecologically restore degraded areas but also improve air quality and retain rainwater, creating biodiverse green spaces that deeply connect people with nature. We spoke with Magdalena Valdés, founder and director of Bosko, who explains why native forests are the right path towards conscious and truly ecological landscaping.
In a conversation with Louisiana Channel, the founders of the international practice Helen & Hard Architects reaffirm their insistence on community and sustainability. The use of wood, in their practice, has become more than a building philosophy, it has turned into a philosophy. “Trees have a life of their own, and you feel a deep respect for the time it has taken to grow. We work with something alive, an organic material. We can’t do as we please with it. We must interact with the material.”
In August 2022, Siv Helene Stangeland and Reinhard Kropf, the founders of Helen & Hard, were interviewed by Marc-Christoph Wagner at various locations in and around Stavanger, Norway. The area holds special importance for the architects, whose approach was influenced by the culture that permeates Stavanger and the west coast of Norway.
Sodium chloride, most commonly known as salt, is everywhere. Ancient in its uses and abundant in nature, it preserves local ecosystems, de-ices roads, is vital in a variety of industrial processes, and is likely sitting on your kitchen table as a seasoning for your meals. Today, it is attributed relatively little value –considering it used to be as worthy as gold–, and unlike other nature-derived alternatives such as algae or mycelium, there doesn’t seem to be enough research and interest around all of its physical, mechanical or aesthetic properties. And yet it is a material with infinite, extraordinary potential. Apart from its life-supporting qualities, salt is affordable, easily available, antibacterial, resistant to fire, can store humidity and heat, and is great at reflecting and diffusing light.
After Yang is a science fiction film written, directed, and edited by Kogonada - a South Korean-born American filmmaker known for his video essays on audiovisual content analysis. The main plot of the film follows the story of a family trying to repair their damaged artificial intelligence in a post-apocalyptic world connected by technology and nature.
Alexandra Schaller, in charge of production design and the appearance of the sets, imagined a future that translates these considerations: From the family house that recovers the original design by Joseph Eichler of the 1960s, going through the importance of outdoor space and vegetation, to each of the materials that had to be non-disposable, renewable or biodegradable.
Largely driven by rural migration to cities and overall population growth, 68% of people worldwide will live in urban areas by 2050. By doing so, many will benefit from greater access to basic services, proximity to public transportation, and better education and employment opportunities. But the pursuit of living urbanized lives also leads to isolation from the outdoors –be it a forest, a meadow or the mountains– that can negatively impact our physical and mental health. Exposure to nature has long been proven to reduce stress levels, boost mood, foster productivity and, above all, enhance well-being. So, considering we typically spend around 93% of our time indoors (and that the pandemic has magnified that statistic), now more than ever we find ourselves seeking a connection with the outdoors and all its inherent benefits. Architects thus face the important challenge of bringing nature in, which is precisely where biophilic design comes into play.
One of the great challenges that architects have to face every day when designing begins with the conditions of the site where the architectural project is to be implemented. This involves the analysis and study of a series of factors ranging from sunlight, topography, surrounding vegetation, context, and others, all variables that are capable of guiding and/or defining the direction of the architecture to be developed.
Inspired by the warm tones of harvested crops, Wild Wonder was selected as Color of the Year 2023 by AkzoNobel. Extensive research conducted by AkzoNobel, including color experts and international design professionals, identified the "Wonders of the Natural" swatch at the heart of global social and design. This trend is inspired by nature as people are re-evaluating their relationship with the environment as the source of everything in their lives. # d0c599, or pale yellow/ olive green, captures the moment's mood and conveys serenity and positivity after these recent years of uncertainty and despair.
Bees are perhaps the insects that most arouse our fascination and curiosity. With the exception of Antarctica, they are found on all continents, in all habitats that contain insect-pollinated flowering plants. Representations of humans collecting honey from wild bees date back to 15,000 years ago, and pots of honey have even been found in the tombs of Egyptian pharaohs like Tutankhamen. Although we generally have a fixed idea about what cartoon bees look like, there are thousands of species around the world, with different sizes, colors and behaviors. There are even several examples of solitary bees, many without stingers, and even some species that survive by plundering other weaker colonies. But something that has consistently impressed researchers is the organization of their hives, which are truly highly populated cities with an efficiency to make any urban planner envious.
Convivir en la Amazonía en el Siglo XXI: Guía de Planificación y Diseño Urbano para las ciudades en la selva baja peruana. Image Cortesía de Belen Desmaison
Addressing the universe of the world's largest tropical forest, the book 'Living in the Amazon in the 21st Century: A Guide to Urban Planning and Design for Cities in the Peruvian lowland rainforest', has been selected as a finalist in the category of publications at the 12th Ibero-American Biennial of Architecture and Urbanism. The issue, published in 2019 as part of the PUCP Architecture Publications, in the framework of the CASA (Self-Sustainable Amazonian Cities) project of the Climate Resilient Cities initiative of IDRC, FFLA and CDKN, focuses its research on the department of Loreto, presenting itself as "a guide for architecture and urban design, for settlements in the Amazon forest, including the social processes to be considered".
Finnish architect Juhani Pallasmaa once said that "architecture is essentially an extension of nature into the man-made realm, providing the ground for perception and the horizon of experiencing and understanding the world."
In the constant hustle and bustle of the modern surroundings, it is more than needed to take a step back and listen to the sounds of something as calmly powerful as nature. Moreover, listening to the beautiful harmonies created by birds chirping and sound waves can make our inner voice louder as well.
Nature is often used as an inspirational source for architecture. Whether from its shapes, the extraction and use of its materials, or even the incorporation of physical and chemical processes in the technologies used, it is always relevant to look for relations between the built environment and the natural environment. Of the many ecosystems present on planet Earth, the oceans represent most of the surface and hold stories, mystiques, symbols and shapes that can be referenced in architecture.
As humanity becomes aware of its impact on the environment, it has also sought ways to reverse some of the harm caused to fauna and flora, especially in cities. Our way of living, consumption and construction has caused severe damage to nature. In fact, according to a study from the Weizmann Institute of Science, we are at a point of inflection where the mass of all man-made materials is equal to the planet's biomass, and it should double by 2040. But not necessarily everything we build should have a negative impact. "The Tidal Stool" project is an example of this - part of a comprehensive revitalization project in Kuk Po Village in Shau Tau Kok in Hong Kong, which brings together two different ecologies, the anthropocentric and natural environment.
What role do forests play in our daily lives? In what ways can they be converted into living spaces? What strategies can be implemented to reduce the environmental impact of our buildings? On the International Day of Forests, which is celebrated every 21st of March, this year we propose to raise awareness of the links between forests and our daily lives. Even though deforestation continues to advance, forests represent a source of great economic, social and ecological benefits.
