RFR and Foster + Partners have released new images of One Hundred East 53rd Street, a 63-story luxury residential tower in New York next to Mies van der Rohe's famed Seagram Building. The skyscraper, which was announced last year, will contain 94 residences, a swimming pool, wellness facility, spa, library and sitting rooms, and its trademark Foster minimalism is intended to "provide a counterpoint to the Seagram’s bronze edifice," according to the developers RFR.
Despite being separated by only a few miles, Manhattan and Jersey City seem much further apart; the Hudson River forces commuters to take long, roundabout routes or rely on the over-worked PATH system. Inspired by a need for connectivity between the two cities, Kevin Shane began conceptualizing a new pedestrian bridge, dubbed Liberty Bridge, which would connect Jersey City to Battery Park. Read more about this conceptual proposal after the break.
Images of Moshe Safdie's first New York project has been released. Planned to rise on a Manhattan site at West 30th Street, between Broadway and 5th Avenue, the 64-story mixed-use tower will feature a limestone base that compliments and serves its historic neighbor: the Marble Collegiate Church, one of the Collegiate Churches’ five ministries.
The building "will be distinguished by its vertical massing, which breaks down the scale of the tower into a series of three-story-high, offset projections," says Safdie Architects. "The offset projections also provide energy efficiency by self-shading the tower’s facade, further enhanced by additional sun shading at the south facade."
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this introduction to the August 2015 issue, AR editor Christine Murray takes on the disheartening architectural scene in North American cities from New York to Toronto, arguing that "NYC is not where we found a new American architecture" and asking: "Why not give the young guns a tower or a Whitney, let them stretch their legs?"
The latest New York towers are more billboard than building. Like celebrity-endorsed perfume - fancy box, smelly water - the architecture matters less than the artist and his (yes, they are all men) pen’s effluent black-ink concept scrawl.
This is the nation that gave birth to the skyscraper, yet tycoons are commissioning foreign architects for its next generation of towers. New York’s recent acquisitions include a Siza and an Ando, to display alongside a collection of Nouvel, Viñoly and Gehry. Michael Sorkin takes on the towers in this edition, accusing starchitects of putting lipstick on pigs.
British architect David Adjaye is set to submit plans for new Studio Museum in Harlem. Designed to replace the 47-year-old museum's existing facility on Manhattan's West 125th Street, the new $122 million proposal will more than double the museum's space, allowing it to become a premier center for contemporary artists of African descent.
According to the New York Times, Adjaye was chosen to design the museum due to his sensitivity regarding the artists and surrounding neighborhood, which in turn inspired the project; the project's main space will feature a four-story, multi-use core marked by an "inverted stoop" that will act as an inviting "living room" and host for public programs.
“I wanted to honor this idea of public rooms, which are soaring, celebratory and edifying — uplifting,” he told the New York Times. “Between the residential and the civic, we learned the lessons of public realms and tried to bring those two together.”
Join the CTBUH New York City Chapter for a discussion on the VIA 57 West building. Guest speakers Bjarke Ingels (BIG), Aine Brazil (Thornton Tomasetti), and Jeff Crompton (Hunter Roberts) will discuss the architecture, engineering and the construction process behind this unique structure. VIA stands tall at 467 feet and is one of the most architecturally distinctive buildings constructed in New York City. The building provides a dramatic visual gateway to Manhattan’s skyline along the Hudson River. VIA is a hybrid between the European perimeter block and a traditional Manhattan high-rise development. The building’s unique shape combines the advantages of both: the compactness and efficiency of a courtyard building providing density, a sense of intimacy, and expansive views. The form of the building shifts depending on the viewer’s vantage point. While appearing like a pyramid from the West Side Highway, it turns into a dramatic glass spire when seen from West 58th Street.
New York-based studio Dror has unveiled design concepts for three new residential buildings in New York City. The imagined buildings, spread throughout lower Manhattan, are based on the studio’s idea to “disrupt conventional building design by rethinking structure, where beauty and efficiency result from an imaginative, clever framework.”
Learn more about each of the plans, after the break.
Last week, after a month of speculation, BIG unveiled their plans for New York's Two World Trade Center, replacing Foster + Partners' design which although started on site, was stalled due to the financial crash of 2008. With the building's high profile, in just one week BIG's design has been the subject of intense scrutiny. In this interview, originally published by New York YIMBY as "Interview: Bjarke Ingels On New Design For 200 Greenwich Street, Aka Two World Trade Center," Nikolai Fedak talks to Bjarke Ingels about the design of the tower and why it was necessary to replace the scheme by Foster + Partners.
YIMBY sat down with Bjarke Ingels to talk about his firm’s design for 200 Greenwich Street, aka Two World Trade Center. Despite public outcry following the change from the Norman Foster version of the tower, BIG’s innovative and forward-thinking building will truly respond to the human needs of its tenants, while also punctuating the Downtown skyline with a 1,340-foot take on a classic ziggurat. We’ve also obtained a few additional renderings of the soon-to-be icon’s impact on the cityscape.
"A living space should be a sanctuary. It has to be a place where you can reflect on your life." - Tadao Ando
NOWNESS has released a new video, this time interviewing the legendary Japanese architect Tadao Ando about his first New York building: Ichigoni 152. Planned to replace a parking garage on the corner of Kenmare and Elizabeth Street in Manhattan’s Nolita, the seven-story, seven-residence building aims to embody the energy of living in New York, while maintaining its role a "quite" and "sensitive" place of refuge for its inhabitants. "I would like to create something that only a Japanese person could do," says Ando. "It's about sensitivity."
Back in 2012, we found "Empire State of Pen," an amazing video of London-based artist and animator Patrick Vale’s drawing of Manhattan from the perspective of the Empire State Building. Now, Vale has taken a different perspective of the city, this time traveling a bit farther uptown to the Rockefeller Center area. Vale’s new drawing looks south, with the Empire State Building in the center, and the Freedom Tower in the background. To the east you can see the Chrysler Building, and to the west lies the Bank of America Tower in the Times Square area.
Vale started the drawing in December of 2014, when he spent an afternoon in -15 degree weather sketching and taking pictures, which he then took back to his studio to create the piece. The whole process took over a month to complete. Watch Vale's drawing come to life in the time-lapse video above, and view images of his illustration after the break.
Herzog & de Meuron's 56 Leonard is taking shape in New York. Due to top out this summer, the 60-story condominium has become known as the “Jenga tower” for its cantilevered glass facade. Upon its completion in 2016, the 821 foot-tall (250 meter) Tribeca building will be comprised of 145 residences and will feature a Anish Kapoor sculpture at its base. Check out the Rob Cleary time-lapse above to view the building's progress over the last year.
According to the New York Post, Renzo Piano has been commissioned by Michael Shvo and Bizzi & Partners to design his first US residential tower. Planned to rise in the southern Manhattan district of Soho at 100 Varick Street, the Piano-designed tower will include up to 280,000 square-feet of housing and reach nearly 300 feet. Featured amenities include a "gated private driveway" and "automated parking." Stay tuned for more details.
Bjarke Ingels has built a reputation for formulating new urban hybrids. From merging power plants with ski slopes to reintroducing nature to the workspace, Ingels' well-respected practice BIG is missioned to realize the fictitious world we all dream to inhabit by redefining conventional building typologies. An example of this is the Danish practice's New York "courtscraper" - W57, a clever union of the courtyard building and skyscraper that guarantees sunlight to all its inhabitants. Watch the video above to learn more.
When the One World Trade Center opens its observatory elevators in May, visitors will embark on an unusual journey back in time with animated timelapse that recreates the evolution of Manhattan's skyline starting from the 1500s. In just 47 seconds, visitors will relive the city's architectural history, including the devastation of 9/11, while being lifted up 102 floors. Watch the video above, courtesy of The New York Times!
One of the six winners of the Rebuild by Design competition, Bjarke Ingels Group’s (BIG) “Dry Line” project aims to protect Manhattan from future storms like Hurricane Sandy by creating a protective barrier around lower Manhattan. The barrier will be formed by transforming underused waterfront areas into public parks and amenities. Now, you can learn more about the vision behind the project and how it was developed in a webinar led by Jeremy Alain Siegel, the director of the BIG Rebuild by Design team and head of the subsequent East Side Coastal Resiliency Project. The webinar will take place on Friday, June 12. Learn more and sign-up on Performance.Network.
Uncovered by New York YIMBY, five new images have been revealed showing SHoP Architects' supertall and super-slender tower at 111 West 57th Street in Manhattan, just south of Central Park on what has become known as "Billionaire's Row" (on account of the slew of new residential skyscrapers with some unit prices approaching $100 million).
Manhattan based real-estate company HFZ Capital Group has announced "The Bryant," David Chipperfield Architects' first residential condominium project in New York City, located at 16 West 40th Street. The proposal for the 32-story building features a hotel on the lower levels, with 57 apartments ranging from one- to four-bedrooms, including two duplex penthouses, on floors 15 through 32 - offering residents "the rare opportunity to live in a new construction, residential development on the fully-restored Bryant Park," according to the developers.
Ever since its unprecedented skyward growth in the late 19th and early 20th centuries, Manhattan has been an icon of construction all over the world, with recent estimates concluding that the island contains some 47,000 buildings. However, as with all construction, completed projects are just the tip of the architectural iceberg; Manhattan is also the home of many thousands of unloved, incomplete, and downright impossible proposals that never made it big in the Big Apple.
Of course, the challenges of New York are indiscriminate, and even world-renowned architects often have difficulties building in the city. After the break, we take a look at just three of these proposals, by Antoni Gaudí, Frank Lloyd Wright and Frank Gehry, courtesy of 6sqft.
