The 305-meter-high, bud-like scheme, named after its nature-inspired form, will offer an education facility operated by building owners J. Safra Group. The program, with 20,000 free places per year for London’s state school children, will feature “unparalleled vantage point to view London from a height of around 300 meters.”
London is one of the world’s most iconic and beloved cities, with a diverse blend of architectural styles spanning the centuries. Every year, 20 million tourists flock to the city in search of iconic landmarks such as Big Ben, the Palace of Westminster, the London Eye, and Trafalgar Square.
But London could have been so different. Through time, a host of ambitious, crazy, and revolutionary plans were drawn up around the city, only to be consigned to an unbuilt history. To demonstrate this, Barratt Homes has unearthed plans for “some of the capital’s most ambitious construction projects that never saw the light of day.”
https://www.archdaily.com/905680/a-series-of-rejected-plans-that-would-have-transformed-londonNiall Patrick Walsh
Wilkinson Eyre has revealed new images showing a plan to create a glass elevator in Battersea Power Station. The lift will travel 109 meters to the top of one of the building's iconic chimneys. On opening, it will offer visitors views of the capital's skyline from one of the most unique viewing platforms in London. The Chimney Lift is one of three new and exciting event/attraction spaces on offer inside the iconic Power Station. The station is working closely with a wide collection of heritage and emerging retail brands from the UK and across the globe to complement its vision for the 1930s and 1950s turbine halls.
Courtesy of carriage trade, photo: Nicholas Knight.
An exhibition has opened at New York’s Carriage Trade Gallery celebrating the photography of Denise Scott Brown, highlighting the significance of pop art in the American vernacular. The project was initiated by Scott Brown, and first exhibited in Venice in 2016, with the latest events in London and New York initiated by PLANE-SITE.
The exhibition, titled “Photographs 1956-1966” is co-curated by Andres Ramirez, with 10 photographs selected, curated, and featured for limited sale. As well as being on display at the Carriage Trade Gallery, a concurrent exhibition is taking place in the Window Galleries at Central Saint Martins, University of the Arts, London.
Fish Island, a district in London’s East End, has experienced a period of redevelopment. Once an industrial area, the area is now known for its vibrant art community. In recent years, Fish Island has continued to evolve and transform, with a particular emphasis on integrating the existing creative spaces with residential and commercial.
The latest chapter in this transformation has been the work of pH+ architects, with a mixed-use scheme that layers domestic spaces within a larger complex that also includes maker and retail spaces. "Iceland Wharf" will deliver 120 homes and 40,000sq ft of commercial space in "flexible tethered living and working environments."
V&A East Museum. Image Courtesy of O'Donnell + Tuomey
London's V&A has revealed new images and information about V&A East, a museum by O'Donnell + Tuomey and research center by Diller Scofidio + Renfro. Sited within London's Queen Elizabeth Olympic Park, the projects will be built at the Here East complex and Stratford Waterfront. The V&A have stated that the museum will include two galleries to showcase the collections, while the research center aims to be a new model for collection storage and public display.
Heatherwick Studio’s Coal Drops Yard in London’s King's Cross was unveiled today ahead of the new shopping districts public opening on Friday, October 26. The studio reinvented two heritage rail buildings from the 1850s as a new shopping district while opening up the site to the public for the first time. The design extends the inner gabled roofs of Victorian coal drops to link the two viaducts together around shopping and public space.
No 1 Poultry, the iconic Grade II* listed landmark in London designed by James Stirling, has opened its doors as WeWork’s 28th London location. The Postmodern masterpiece now serves as a WeWork space for 2300 members, as well as shops, a roof garden, and a restaurant.
Allford Hall Monaghan Morris Architects have released plans for a mixed-use shopping and office block to replace 1-2 Broadgate on the City of London campus. The multi-colored block design will include 74,000 square meters of commercial space as part of the revitalization of the iconic 1980s office complex. Linked to Liverpool Street station, the new development would include retail and leisure as part of the new shopping center.
Waugh Thistleton Architects’ ten-story Dalston Works project stands proudly as the world’s largest Cross Laminated Timber building in Hackney, London, having been completed in 2017. The 121-unit development made entirely of CLT from external to core walls, the scheme weighs one-fifth of an equivalent concrete building.
In addition to tackling London’s need for dense, high-quality housing, the scheme offers a methodology for implementing timber technology with a significantly reduced carbon footprint, such as an 80% reduction in the number of deliveries during construction.
José Esparza Chong Cuy has been appointed as the new Executive Director and Chief Curator at Storefront for Art and Architecture. Following the departure of former director Eva Franch i Gilabert to London as the new Director of the Architectural Association, the extensive international search to fill her shoes began. An architect, curator, and writer, originally from Mexico, Esparza Chong Cuy was named and will assume the position starting November 1st.
Storefront, a non-profit organization based in New York City, engages in the advancement of design and architecture with interdisciplinary dialogue through exhibitions and projects that aim to transcend geographic and ideological boundaries. Charles Renfro, President of Storefront's Board of Directors, remarks, "We are thrilled to welcome José to the helm of Storefront, the very institution where he began his curatorial career over a decade ago."
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