Cultural: The Latest Architecture and News

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A scheme by Kazuyo Sejima + Ryue Nishizawa / SANAA has been unanimously selected as winner of an invited competition to design a new building for Sydney's Art Gallery of New South Wales. The Pritzker Prize-winning Japanese practice was chosen over 11 others for its "subtle" series of pavilions that are designed to "sit lightly on the land" in order to respect the "extraordinary beauty" of the culturally renowned site.

“The subtle profile of the pavilions complements and preserves the history of the existing Gallery building creating spaces that bring people together and foster a sense of community, imagination and openness,” said Art Gallery of New South Wales Director Dr Michael Brand. “The concept is futurist in its thinking about art museums and the visitor experience and will be transformative for the Gallery and for Sydney."

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Perhaps the most surprising thing about bamboo - besides being an entirely natural, sustainable material with the tensile strength of steel that can grow up to 900 millimeters (3 feet) in just 24 hours - is that it's not more widely recognized as a fantastic construction material. Like many traditional building materials, bamboo no longer has the architectural currency that it once did across Asia and the pacific, but the efforts of Elora Hardy may help put it back into the vernacular. Heading up Ibuku, a design firm that uses bamboo almost exclusively, Hardy's recent TED Talk is an excellent run through of bamboo's graces and virtues in construction, showing off sinuous private homes and handbuilt school buildings.

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Construction has commenced on Steven Holl Architects' Hunters Point Community Library in Queens, New York. Rising along the shoreline on the city's East River near a cluster of newly built high-rise condominiums, the 22,000 square-foot (6,705 meter) library aims to provide a community-centric public space and park to the increasingly privatized Long Island City waterfront.

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Despite being one of the seminal works of modern Scandinavian architecture, Alvar Aalto’s Viipuri Library languished in relative obscurity for three-quarters of a century until its media breakthrough in late 2014. Its receipt of the World Monuments Fund/Knoll Modernism Prize for a recent renovation was covered by news outlets around the world, bringing the 1935 building previously unseen levels of attention and scrutiny.

This renaissance is nothing less than extraordinary. Abandoned for over a decade and allowed to fall into complete disrepair, the building was once so forgotten that many believed it had actually been demolished. [1] For decades, architects studied Aalto’s project only in drawings and prewar black-and-white photographs, not knowing whether the original was still standing, and if it was, how it was being used. Its transformation from modern icon to deserted relic to architectural classic is a tale of political intrigue, warfare, and the perseverance of a dedicated few who saved the building from ruin.

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