Staged stories on community and identity, ephemeral architecture showed that in 2022 it doesn't have to be permanent to be powerful. A direct and popped-up public installation can shift from preparation to action, reclaiming and defining what makes a community unique. Highlighting installations to acknowledge linguistic diversity in NYC, a giant table to celebrate culinary in Barcelona, and a large-scale net in Dubai to represent the local culture, among others, these initiatives seek to understand ways in which local and regional expressions can help cities to be more equal and diverse.
Globalization has connected the world boundaryless. While it has also made information more accessible, it has led to homogeneity and identity crisis at melding unique societies and cultural expressions. Cultural differences are undeniable as globalization grows. Hence, as architecture produces common living standards, it can also highlight singularities. Festivals, installations, and pavilions, 2022 was the year to express local memories to be recognized and celebrated, setting Community and identity as central topics in ephemeral architecture throughout the year.
“Seneca Village was an important community. It was 40 acres, two-thirds African American, and had a church and school,” explained Sara Zewde, ASLA, founder of Studio Zewde and assistant professor at the Harvard Graduate School of Design, during a session at the ASLA 2022 Conference on Landscape Architecture in San Francisco.
The 225 residents of Seneca Village were displaced by the New York City government in the mid 1800s to make way for Central Park, which is considered one of the masterpieces of landscape architect Frederick Law Olmsted and architect Calvert Vaux.
Home to architectural styles spanning almost three hundred years, the is no city like New Orleans. The meld of French, Spanish, and Caribbean architectural influences, in conjunction with the demands of the hot and humid climate, has impacted the urban fabric as much as the culture itself. Located along the Mississippi River and close to the Gulf of Mexico coast, the construction of ports, NOLA’s trading history, and forceful natural phenomena like Hurricane Katrina in 2005 illustrate how water has shaped the city.
Following Hurricane Katrina, Orleans adapted its values to respond to the changing needs of its recovering community. Although reconstruction is not only architectural responsibility, New Orleanspublic architecture has contributed to revitalizing and reinhabiting the city after the disaster. Museums, parks, and churches, each of these places connects people to each other in ways that define and support community.
Community development proposals in Disney World come from back days. One of Walt Disney's last visionary projects was the Experimental Prototype Community of Tomorrow (EPCOT), a center for American enterprise and urban living. Disney advocated that the problems of cities were the most critical issues facing society and planned a city that could develop in a controlled manner, contrary to the urban expansion in the USA during the first half of the last century. After Disney died in 1966, the "EPCOT" concept was abandoned as the company was uncertain about the feasibility of operating a city. Fifty- five years later, after a thorough search, Walt Disney World chose The Michaels Organization for its experience in building and managing attainable housing communities.
The queer crowd has always been present, finding ways to exist, gather, and celebrate. Although their visibility hasn't always been highlighted throughout history due to the consciousness of having to submit to heteronormative and strict mass normality in the past, doesn't mean they previously didn't have their own spaces to call their own. Queer spaces, past and present, have been categorized as strong, vibrant, vigorous, and worthy of occupying their own place in history, filling in as safe places for identifying individuals, places of social gathering, entertainment, and even offering community housing; therefore, there will always be a need for queer spaces.
Co-living is a residential community living model, referring to a modern form of group housing that has significantly transformed London life and the UK as a whole. The notion of co-living has even more so been popularized by the rise of housing startups, with many offering affordable housing in homes and apartments alike shared by a handful of adult housemates.
Participatory design is a democratic process that aims to offer equal input for all stakeholders, with a particular focus on the users, not usually involved directly in the traditional method of spatial creation. The idea is based on the argument that engaging the user in the process of designing spaces can have a positive impact on the reception of those spaces. It eases the process of appropriation, helps create representative and valuable spaces, and thus creates resiliency within the urban and rural environment.
Disney, the multinational entertainment and media conglomerate announced its new addition to its Signature Experiences Program. Titled "Cotino", part of its new Storyliving by Disneyventure, the master plan is Disney's first master-planned community project, and will feature distinctly-designed housing units and neighborhoods, along with commercial and civic amenities and man-made beaches in the heart of Rancho Mirage, California's Coachella Valley.
Following decades of ongoing socio-cultural and economic crises across the globe, the design community has realized that it is time to “design like they give a damn”. And with that, they embraced a movement that saw architects and designers use their acquired skills to develop design-based solutions to humanitarian crises, ranging from building modular housing and mapping landscapes, to developing mobile applications and documentaries, all from an altruistic standpoint. But since pro bono work is not yet ingrained in the ethos of architecture, how have architects broken out of the traditional model of “corporate” architecture and established a way to ensure ethical responsibility for human welfare?
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Brainport Smart District Master Plan. Image Courtesy of UNSense
UNStudio has recently published a report exploring the broader scope of community building and placemaking in the post-pandemic urban environment. Through examples from their practice, UNStudio highlights various design strategies currently incorporated in architecture and urban planning that cater to the universal and crucial need to connect socially. In addition, the practice stresses the importance of “ third spaces” and human-scale connectivity, as well as the blending of digital and physical spaces of interaction.
When designing community spaces, the architectural concept can easily clash with the user's experience. Therefore, engaging the community and future users in the project development and design process is a way of adding different perspectives to the architect's vision towards a more intelligent architecture.
A project of relevant scale is rarely a single Man’s work. From the village barn raising events done in the 18th and 19th century to the standard taskforce that a project developer engages nowadays, a build structure requires many hands on-board, bringing forth different inputs and expertise to shape and execute it.
Johns Hopkins University has selected BIG to design its new Student Center, regenerating the heart of its campus and reviving the social experience, from a shortlisted list of 4 offices, after a months-long international competition. Entitled “The Village”, the proposal is an “open, modern, and welcoming facility envisioned as a social engagement hub for all members of the Hopkins community”.
It’s no secret that tiny homes have become exceedingly popular in recent years – a signifier of minimalist bohemian living in response to the excesses of the current day. From reoutfitted RV’s to prefabricated Muji homes to futuristic Nestron pods, the world of architecture has seen a variety of tiny houses gain viral attention in the past decade alone. As this typology grows more widespread around the world, communities of these tiny homes have proliferated as well, popping up in North America, New Zealand, East Asia, and more. These communities combine the quaint lifestyle of minimalist living with collective spaces for social interaction, bringing together like-minded families and individuals into fashionable tiny neighborhoods. We will examine several such communities below.
https://www.archdaily.com/947194/minimal-homes-and-a-central-collective-space-tiny-house-communities-around-the-worldLilly Cao
During the next decade or so, our cities will expand at an inconceivable speed. According to the UN’s 2019 World Population Prospects, our planet by 2030 is expected to have 43 megacities —classified as those with more than 10 million inhabitants. Most megacities will be in developing countries. And by mid-century, almost 70 percent of the world’s population will be urbanised, with today’s rate at just over half. Moreover, 90 percent of the urban population growth is expected to happen in Africa and Asia.
Denise Scott Brown once said: “Architecture can’t force people to connect; it can only plan the crossing points, remove barriers, and make the meeting places useful and attractive.” Although it cannot control the outcome, architecture holds the potential to set the stage for chance encounters and social interactions, thus nurturing community building and influencing the fabric of our social culture. The following explores how architecture can improve the social capital of its surroundings through design strategies and thoughtful programming, creating the fertile ground for social interaction among different groups of people.
.jpg?1654436110 "Sanjaynagar Slum Redevelopment Project - Technical team holding a meeting with members of the Slum Committee. Image Courtesy of Community Design Agency")
_Hedrich_Blessing_015.jpg?1596657514 "Arcus Center for Social Justice Leadership. Image © Steve Hall")
