Bathroom: The Latest Architecture and News

Water is the foundation of life. It shapes landscapes, regulates climates, and sustains every living organism. Yet on the only known inhabited planet, this essential resource faces a growing crisis: although 70% of Earth's surface is covered by water, less than 1% is actually available for human use. Most of it is consumed by agriculture and industry, while in households, activities like bathing and flushing use vast amounts of drinking water for non-essential purposes. The bathroom, therefore, has become a key space for innovation, where technology and design can help redefine how we use and reuse this vital element.

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In the pursuit of cleaner, safer public restrooms, hand dryers have long faced a unique challenge: how to effectively kill germs in fast-moving air. Traditional germicidal technologies—like UV lights and ionizers— struggle to deliver meaningful impact because they only have milliseconds to interact with airborne microbes. Cold plasma technology is emerging as a new contender that could redefine hygiene standards.

Communicating an idea using only the essentials is a far greater challenge than it often appears. From Japanese haikus to the refined sculptures of Constantin Brâncuși, many artistic expressions have sought to condense the maximum meaning with the minimum of elements. This economy of form is not a sign of scarcity, but of intensity: every stroke, every word, every silence gains weight. There is something intrinsically appealing in what presents itself as simple and well-resolved, whether it is a text that wastes no words, a tennis player who moves with purposeful gestures, or a melody that is both direct yet unexpectedly profound.

That same principle, which transcends various artistic languages, resonates deeply in contemporary design. When reduced to the essential, furniture or everyday objects reveal a form of beauty that arises from precision and transcends their function. This is exemplified by HUM, the new collection of taps developed by designer Philippe Malouin for QuadroDesign, in which a simple gesture is transformed into a complete language.

In an era of digital precision, AI automation, and mass reproducibility, the value of the human craftmanship is being reimagined rather than lost. It's in this intersection between machine logic and material intuition that Dornbracht, the German manufacturer renowned for sculptural fittings, launches The Rock, the debut piece of its new Atelier Editions.

Inspired by the primal force of natural stone, The Rock is a faucet handle that is a tactile, expressive object that restores individuality and sensuality to the contemporary bathroom and kitchen landscape. Revisiting the iconic MEM series, the design introduces a bold, organically shaped handle, milled from solid metal with artisanal hand-finishing. Each piece becomes a singular creation, where industrial precision meets the intimacy of craft.

Innovation is at the core of architecture, expressed through new approaches to design, material experimentation, and, of course, ways of living. As a result, the conception of buildings and indoor spaces is constantly evolving. This evolution is especially evident in regions with a rich cultural heritage, such as Spain, where innovation reinterprets traditional ways of relating to space. This attentiveness to memory and daily life extends into interiors, where each intervention has the potential to actively reshape how people experience a space and open new possibilities for living and interaction.

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In recent decades, a quiet revolution has reshaped how we interact with the objects and systems in our daily lives. What once required cranks or rotary mechanisms, and later the press of a button, is now giving way to experiences that are increasingly fluid, intuitive, and touchless. This shift is evident in public restrooms, where minimizing physical contact promotes better hygiene and reduces the spread of pathogens. It also reflects a broader change in paradigms of comfort, accessibility, and efficiency. Touchless devices, once restricted to isolated applications in hospitals, airports, or corporate buildings, have become standard in projects that prioritize user experience and sustainability.

At the heart of design lies the intersection of technique and creativity—a space where ideas take shape and environments are reimagined. In a world prevalent with mass-produced objects, the focus is shifting toward something more deliberate, where every decision opens up new possibilities and allows design to break free from the conventional. Think of the LC1 armchair by Le Corbusier or Mies van der Rohe's Barcelona chair—not simply furniture, but outcomes that illustrate a studio-driven freedom where ideas, materials, and finishes are allowed to converse, not conform. These pieces don't just fill a room; they reimagine it. This spirit of innovation now extends to every detail, from kitchen to bathroom fittings, where the range of choices—materials, form, and function—becomes an opportunity to craft something truly unique.

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Water is a catalyst for sensory experiences: it manifests through direct contact when touched, through its presence when heard or seen reflected, and through its transformations—whether by temperature, from cold to heat, or by state, from liquid to vapor. It is a key element in designing for the senses, capable of evoking physically and emotionally perceived atmospheres. As Juhani Pallasmaa suggests, architecture does not address the eye alone but involves the whole body and sensory memory. The bathroom, in particular, concentrates much of the physical and emotional experience associated with water, opening up possibilities for creating environments that intensify that sensory connection. Consequently, the question arises: what elements or concepts should shape this space so that the shower experience escapes the ordinary?

Following a broader trend across architectural spaces, bathrooms have evolved from strictly utilitarian functions into environments integrated with intelligent systems, where physical, cognitive, and sensory parameters are considered in the development of spatial solutions. But, it is always important to remind that cutting-edge technology doesn't always guarantee a better experience. While high-end automation and digital controls offer impressive capabilities, it's often the subtle, user-friendly features—the ones that feel intuitive rather than intrusive—that leave a lasting impression. These are the quiet innovations that elevate daily routines without overcomplicating them. The adoption of user-centered ergonomics—a design approach that takes human needs and limitations as its starting point—has guided the creation of components that respond adaptively to the presence, behavior, and preferences of users. Technologies such as toilets with automated features, proximity-activated faucets, concealed cisterns, and intuitive temperature controls not only enhance comfort and accessibility but also contribute to more efficient management of water and energy resources.

Every detail in the construction of an environment has a significant impact. The layout, composition, furniture, color range, and materials work together to create a cohesive and immersive experience in the perception of space. In bathroom design, this integration extends beyond aesthetics, aiming to ensure that every choice— from materiality to the form of furniture— contributes to economically viable, functional spaces with an aesthetic that doesn't rely on exclusivity. Architects and designers can shape diverse settings without sacrificing quality or visual coherence by focusing on cost-effectiveness and well-resolved solutions. In this sense, a democratic approach to design becomes a tool for creating environments where quality, functionality, and affordability are core principles.

Not all people share the same routines, habits, or customs, yet we all have the same fundamental needs, regardless of age, social class, gender, culture, or religion. Designing bathroom spaces involves considering parameters of accessibility, technology, cleanliness, comfort, and durability, while offering efficient and sustainable solutions that ensure optimal performance. But what does functionality in architecture really mean? How do usage patterns evolve over time? Geberit products showcase various design proposals through their Mix and Match approach that blend furniture, sinks, and other bathroom accessories, all conceived to meet the diverse requirements of their users.

Producing sustainable materials and products demands constant analysis of how we conserve resources and manage waste effectively. This unfolds within a scenario where the environmental impacts of global warming and the climate crisis are becoming increasingly evident. In that context, sustaining the dialogue on waste disposal is fundamental to positively impacting our environment and maximizing circular economy opportunities.

Embracing this perspective and demonstrating a commitment to sustainability through waste reduction and resource conservation, VitrA has created an entire washbasin with 100%* recycled waste materials, including discarded ceramics from its production process. This innovative product has been designed to have a minimal environmental impact and reduce the global warming potential of its production by 30% per product, transforming materials once considered waste into valuable resources.

Salone del Mobile.Milano has announced the opening dates and events program, expanding the trade fair event to encompass more narratives and projects relevant to the design community. The 62nd edition will take place at Rho Fiera Ilano from April 16 to 21, 2024. It is expected to include over 1900 exhibitors from around the world, with contributions from emerging designers and several design schools under the recurring SaloneSatellite, now in its 25th-anniversary edition. The cultural program also includes immersive installations, like David Lynch’s “Thinking Rooms.”

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The influence of design on our physical and mental health has been largely explored in various contexts, ranging from spatial configuration to furniture. The topic has gained notoriety due to the growing awareness of human well-being, especially in recent times. An example of this bond between design and health is the emergence of concepts such as Neuroarchitecture, which seeks to understand the built environment’s potential in our brain. Another case that illustrates this approach, this time in furniture design, is the Paimio Sanatorium, where Alvar Aalto designed the tuberculosis sanatorium and all its furnishings. The chair created for the patient’s lounge —the Paimio Chair— facilitated their breathing due to its shape and the inclination of the backrest.

These approaches are examples of how design can be applied in a specific way to enhance people's well-being through gestures like spatial organization, color and shapes, thereby promoting architecture that contributes to health, care, and recovery, In this context, and as a result of explorations in this field, HEWI has developed ICONIC, infusing emotionally appealing color concepts for its design icon, the 477/801 barrier-free sanitary range. An essential element of this range's design was the concept of "healing architecture" within healthcare and daycare buildings and its influence on not just the physical and mental well-being of patients but also the welfare of other users, such as relatives and staff.

In addition to contributing to the functionality of the space, bathroom fittings underlie the overall aesthetics of a chosen design style. Within their technical features –as well as the possible materials, finishes, and styles–, fittings play a role in both the visual appeal of a space, while also focusing on comfort and user experience. This is part of Dornbracht's continuous re-imagination of bathrooms as living spaces, in which the brand seeks to create innovative solutions based on proportion, precision, progressiveness, performance, and personality.

Among Dornbracht’s series, the MEM collection includes a complete selection of minimalist bathroom fittings for washstands, showers, and tubs. In collaboration with ethical design brand Nature Squared and Italian craft manufacturer Glass Design, the collection’s original design has been enriched with versatile new features for customizing bathrooms. These features are created through the combination of high-quality materials with sustainable craftsmanship and the incorporation of futuristic artistic crystal glass.

Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia” by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.

Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.