Foster + Partners, working in collaboration with Petrolina Group, has revealed the design of a new master plan to transform the seafront of Larnaca, Cyprus, into a sustainable and enjoyable area for the city residents, future generations, and new visitors. The resort town of Larnaca aims to redesign one of its main arteries, the Larnaca-Dhekelia Road, to become more pedestrian-friendly, along with its seafront. Foster’s proposal aims to enhance the land’s ecological value and to double the length of the waterfront accessible to the public.
Exposed pipes highlighted in architecture are not a novelty. Classics like Centre Pompidou and Sesc Pompeia already adopted infrastructure elements as objects that helped compose the building's aesthetics. Solutions inspired by the industrial architecture of the 50s, urging to remodel industrial sheds for other uses, made their facilities apparent to make the work more cost-effective and less complex. After a few decades, we find this idea at different scales.
Boston City Hall. Image Courtesy of Reed Hilderbrand
It’s true that all trends are circular, and what was once seen as old and outdated becomes new and modern again- in fashion, music, art, and especially architecture. From the mid 20th century, brutalist architecture rose in popularity before reaching its peak in the mid-1970s, when it was disregarded for being too stylistic and non-conforming to the needs of clients who wanted their buildings to feel timeless. But the love for these concrete beasts is facing a resurgence, and a renewed appreciation for this architectural style is on the rise.
Prefabricated wooden houses date back to the 19th century, when so-called "kit houses" became popular in North America. Sold by companies like Sears, they offered affordable and convenient housing options, especially for people living in rural areas where labor was scarce and expensive. Customers could choose from a few designs and dimensions, and the kits usually included all the materials needed to build the house, including numbered and precut lumber, nails, shingles, and other necessary components. For some time, however, prefabricated houses were seen as constructions of lesser quality and prestige, and coupled with the lack of flexibility of these solutions, they went into decline.
Nowadays, thanks to the technologies available in the market, modular and prefabricated constructions have emerged as clean, sustainable, and energy-efficient construction solutions. In addition, innovations in engineered wood have emphasized its many uses, with the added benefit of aesthetic and structural possibilities. It was in this context that the office UNA BV developed the Modular 5.5 project, whose goal was to create flexible modular constructions that could be assembled in different arrangements, allowing the construction of houses with a variety of dimensions and needs in different terrains. We spoke with Fernanda Barbara and Fábio Valentim about this project:
Pearl Gallery Renders. Image Courtesy of CHYBIK + KRISTOF
CHYBIK + KRISTOF architecture studio has been announced as the competition winners for a new cultural landmark that will transform and re-activate public space in Ústí nad Orlicí, Czech Republic. This former textile factory will be converted into a multifunctional cultural hub available to the public. The newly revitalized building will contribute to the existing cultural infrastructure, located near the main square of the city.
Not all projects seek a constant connection with the outside, at least not in their front façade. Despite not being a usual appearance, there are several reasons for creating an opaque façade: privacy, security, reduced energy consumption, and protection against inclement weather. More common in government, cultural or religious buildings, this solution is also found in some residential cases.
Natural light is one of the most critical elements in architecture. Although unbuilt and difficult to control, it plays a crucial part in defining how space is perceived in terms of scale, textures, materiality, and overall atmosphere. Natural light also impacts the emotions people feel in a space, whether lack of light makes us feel fear and anxiety or ample light makes us feel safe and ethereal. As much as light impacts architecture, architecture also impacts light. Through framing vistas, creating 3D massings that cast sculptural shadows, and carving voids from solids that create unique light projections, many architects have mastered design techniques that utilize light in a way that seamlessly integrates it within a building- and perhaps one of the best to do this was the Venetian architect, Carlo Scarpa.
In 2018, the Bureau International des Expositions (BIE) announced that the Japanese city of Osaka won the bid to host the 2025 World Expo, an event expected to draw millions of visitors. The event will open on April 13, 2025, and close on October 13, 2025. This will be Japan’s second time hosting the event, as another World Expo was held in Osaka in 1970. The official theme for this edition is “Designing Future Society for Our Lives.” Architect Sou Fujimoto has been chosen as the Expo Site Design Producer of the event, becoming responsible for designing the master plan and directing the designers of the participating countries. As of March 24, 2023, 153 countries and regions and 8 international organizations have officially confirmed their participation in Expo 2025 Osaka, Kansai, Japan.
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Jenny Holzer, installation at Guggenheim New York. Image: fluido & franz, CC BY-NC-SA 2.0 via Flickr
Light has been present in art for centuries. To think of the Baroque or Gothic without this element would be impossible. However, in the 20th century, artists began to explore light qualities and transformed them into a means of materializing art. Sculptures, immersive installations, and ways of shaping the environment through light, its colors and intensities brought new spatial perceptions by establishing a unique relationship with architecture.
"Biodomes" in the mountains of the United Arab Emirates seek to promote ecotourism. Courtesy of Baharash Architecture
Buckminster Fuller's obsession with geodesic shapes placed them in architectural history. The spherical appearance and the complex structural framework gained different appropriations and scales over the years, one of the most iconic works being the Montreal Biosphere, the US pavilion for the 1967 World Expo, designed by him. These structures emerged from his interests in material efficiency, structural integrity and modularity. Back in the 60s, he understood these features as essential for a sustainable and easily replicable intervention
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina discuss 5 questions owner’s should ask their architect before hiring them: 1. The architect’s professional experience, not just their project experience 2. What physical parts of the project will be in the architect’s scope 3. A description of the overall project process and what the architect does during each phase 4. What deliverables the architect will provide throughout the project. E.g. The types of drawings, samples, and documentation 5. An explanation of the architect’s contract.
https://www.archdaily.com/997699/the-second-studio-podcast-5-questions-to-ask-architectsThe Second Studio Podcast
The remodeling and expansion of the Anahuacalli Museum in Mexico City by Taller | Mauricio Rocha is the 2023 recipient of the Mies Crown Hall Americas Prize (MCHAP), the biennial prize that recognizes a built work in the Americas that best embodies architectural excellence. The winner announcement was made by MCHAP Director Dirk Denison and Jury Chair Sandra Barclay at the MCHAP Symposium and Gala Awards Benefit Dinner that took place in Chicago at S. R. Crown Hall on the Illinois Institute of Technology’s historic Mies campus this Friday, March 24, 2023.
Luis Barragán’s legacy lies in the way he uses light and color. Tadao Ando's sensitive approach to natural light established his own architectural language. James Turrell's dramatic interior transformations explore a unique perception of visual experiences where "light is not a tool to enable vision but rather something to look at itself". Olafur Eliasson's immersive installations play with the psychology of viewers using just light, water, and air. These architects and designers, among others, have reimagined how light is perceived, inspiring generations of architects to follow suit with the way they understand and employ light.
Although the circular economy involves other principles such as the regeneration of natural systems, the reuse or recycling of materials plays an important role in contributing to the reduction of waste generation by giving a second useful life to elements that could be considered waste. Wood, metal sheets, bricks, and stones, among others, can be reused, bringing sustainability and efficiency criteria to the projects, helping to consolidate this concept that still has a long way to go.
Within the Latin American territory, many architecture professionals have proposed to apply in their design and construction processes the implementation of strategies that collaborate with the use of resources, either by reusing, recycling, or restoring different materials and elements in search of satisfying the needs and concerns of those who inhabit the spaces.
A rising number of studies suggest that well-considered lighting affects and boosts consumer behavior. Add to that the new Instagramability and promotional requirements, and the role of lighting becomes pivotal to achieving a filtered and commercially appealing visual. The latter has encouraged the implementation of new technology lighting panels and fixtures that offer a range of colors and dimmability, modifying the mood and even the overall color palette of a space. The results are some fun, sometimes almost cartoonish, settings that suggest the best backdrops and inviting venues.
Arquitectonica has refuted Koolhaas’ accusation that “Modern architecture had never achieved the promised alchemy of quantity and quality,” and Alistair Gordon’s enormous compendium of the firm’s work certainly disproves it.
But what of Rossi’s backhanded praise: “In America … quantity is quality!”? Although absolutely deserving of praise, the quantity of the work is not the basis for Arquitectonica’s achievement—even when associated with the virtuosity of design. The importance of Arquitectonica derives from certain specific contributions to modern architecture in the United States.
The simple activity of taking a walk in the evening can easily turn from a relaxing leisurely activity to a dangerous endeavor by removing just one element from the streetscape: public lighting. While not often recognized as defining aspect of urban environments, artificial illumination has played an essential role in defining the character of modern cities. Crime control, the appeal of nightlife, the rise of the shop window, revolutionary movements, utopias, and ideals of social equity are all concepts whose development is tightly linked to the history of public lighting. Technological advancements over the past centuries have continuously shaped the appearance and symbolism of streetlamps. Still, the this element has remains a constant throughout its history.
