Craft in contemporary interiors is increasingly valuable in the way materials are joined and brought into relation with one another. As the appetite for fast, inexpensive, and profitable retrofitting grows, there is also a parallel desire for interiors that feel thoughtfully resolved: spaces where details are integrated, material assemblies are considered, textures transition with intention, and hardware is treated as part of the architectural language rather than an afterthought. In many contemporary Chinese interiors, craft operates quietly through the treatment of surfaces and structures: timber that retains its irregularity, terrazzo that records aggregate and handwork, or finishes that reveal the care of their making.

This is especially important in an era when digital images increasingly reward smoothness. Rendered interiors often appear seamless, frictionless, and complete before construction has even begun. Craft complicates this image. It introduces tolerance, texture, material resistance, and the sense that a surface has passed through human hands before becoming architecture. Imperfection is not necessarily a failure of precision. To the eye that knows how to read it, it can become evidence of process.

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Against the backdrop of a global culture steeped in consumerism, every aspect of our lives is being consumed. As the physical medium of consumer behavior, commercial architecture is undeniably a vital link in this consumer society. "Insta-worthy" spaces—embodying trends, spectacle, and the culture of the gaze—are a direct manifestation of this influence. Yet, looking back at architectural history, we must also acknowledge that the rise of consumerism has largely driven architectural development. The influx of capital and the keen interest of real estate developers have, in some ways, granted architects more opportunities to realize their creative ideals within commercial projects.

Whether in cities or rural areas, "consumer architecture" functioning as public space often serves as the most prominent gathering point. To explore how to create comfortable, inviting commercial spaces, this article presents a curated collection of the best "consumer architecture" of 2021, offering design inspiration for your next project.

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China's unique social development has provided a distinctive breeding ground for contemporary Chinese architecture. As one of the country's primary design hubs, Shanghai can be seen as an ideal entry point to understanding this landscape. Shanghai-based architect Liu Yuyang, who was born in Taiwan and raised in the United States, has forged a unique architectural trajectory shaped by his rich life experiences and multicultural background. Through an extensive portfolio of built work, he has established a distinct voice within the broader professional landscape. In the following excerpt from an interview with author Zhang Yifan (YF), Liu discusses his design approach, the origins of his philosophy, and his professional ethos.

Founded in Shanghai in 2016, atelier tao+c’s practice spans diverse scopes and scales—from a single pendant light to an entire neighborhood, from urban micro-residential interiors to rural house renovations, and from street-front retail to youth communities. Alongside their practical work, they focus on research topics such as building adaptive reuse and the domestic settlement of objects in living spaces. Free from the constraints of typology and scale, the studio approaches every design with a focus on scale, construction, proximity and intimacy, and the reconciliation of the past with the immediate present. By reconstructing the exploration and understanding of typology, they seek to reveal the latent possibilities of each site.

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With the rise of social media, we have entered an era of a multimedia "society of the spectacle," where the influence of images on the public grows year by year. Visually-driven media platforms are increasingly dominating the market, serving as an alternative form of travel that allows people to experience breathtaking scenes from around the world without leaving home. Dedicated to bringing design inspiration to the public, ArchDaily established its presence on Instagram years ago. In 2022, we expanded onto China’s Xiaohongshu (RED), hoping to share exceptional projects with a broader audience. As expected, the influence of star architects remains strong, while playfulness, aesthetics, and relevance emerge as key terms guiding reader interest. Here, we present the top 20 most-liked architectural projects of 2022 on ArchDaily’s official Xiaohongshu and Instagram accounts. Read on to discover the public's architectural preferences.

The 16th International Architecture Biennale China Pavilion will be on display in Venice, Italy, from May 26 to November 25, 2018. On April 27, a press conference for the China Pavilion was successfully held in Beijing, officially announcing this year's theme: "Building a Future Countryside." The curator, Professor Li Xiangning, outlined the curatorial concept and structural framework of the exhibition. He noted that the Chinese countryside has become an open field brimming with diverse possibilities and opportunities, making the theme "Building a Future Countryside" a direct response to this year's Biennale theme, "Freespace." The exhibition features six sections—"Production," "Tourism," "Community," "Culture," "Dwelling," and "Future"—showcasing recent rural projects by Chinese architects. It aims to return to the birthplace of Chinese culture to recover forgotten values and overlooked possibilities, offering a vision for the future of our countryside.

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Videos

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Videos

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On the first Monday of October, World Architecture Day offers an opportunity to reflect on the role that architecture plays in shaping our world and our communities. Established by the International Union of Architects (UIA) in 1986, this day was designated as a basis for the ongoing discussions on innovations in architectural practice, new approaches to the ever-changing role of architects and designers, and the varied responses to emerging concerns.

As in previous editions, UIA sets a central yearly theme to guide these conversations. This year, the theme of World Architecture Day 2024, "Empowering the Next Generation to Participate in Urban Design," opens up multiple interpretations, contemplating the impact of urban design on the next generation, as well as highlighting the impact and contributions of young architects in shaping the cities of tomorrow. This year's event aims to address crucial challenges faced by the urban environments and their impact on the next generations. The focus is on creating cities that are not only greener and more environmentally friendly but also inclusive, catering to the diverse needs of various groups in society.

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In recent years, continuous material finishes enveloping interior spaces have become increasingly prominent, particularly in branding-focused retail environments. A continuous interior refers to using what are typically liquid-applied materials that are cured to create seamless, uninterrupted surfaces, eliminating the appearance of joints and seams—at least during the initial application. A growing range of products now offer various color options, textures, and practical properties, making these finishes more versatile. Interestingly, the aesthetic effect of such interiors is uncanny to the rise of 3D rendering software, where the seamless, fluid look mirrors the smooth, idealized spaces typical of digital renderings. This effect also contributes to a sense of scalelessness, as the absence of visible seams or joints makes it harder to discern the actual size of a space, often giving the illusion that the interior is larger than it is.

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When addressing accessibility in architecture, codes set the baseline, while design defines the ceiling. Although numerous guidelines exist, creating spaces for everyone goes beyond mere adherence to standards. It requires a deep understanding of the environment and a broad perspective, recognizing that what we design will be used by people with diverse bodies, abilities, and conditions far beyond those traditionally considered typical users.

Furthermore, designing environments poses the challenge of inclusivity, ensuring that individuals who do not fit the standard profile—such as people with disabilities, pregnant women, those using assistive devices, and individuals of varying ages, body types, etc—are not excluded. The principles of Universal Design, established in 1997 by the NC State University College of Design and led by Ronald L. Mace, offer a transformative perspective in this context. This approach influences various design fields, including the built environment, products, and communications. When applied to architecture, it fosters the creation of spaces that work for everyone, minimizing the need for adaptations or specialized design.

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