Situated on Ticino's rocky peaks are the historic Medieval Castles of Bellinzona: Montebello, Sasso Corbaro, and Castelgrande. And while all three castles and their fortifications have become part of UNESCO's World Heritage Sites, it is not only the ancient walls that leave visitors enchanted, but the gateways that leads to them.
Architectural photographer Simone Bossi decided to solely capture the castle's entrance, displaying how a dialogue between the organic forms of nature and refined man-made walls can be as majestic as a historic fortress.
In recent years, we have published many articles about wood. Addressing trends of use, possibilities for log wood, panels, curves, and finishes, innovations in tall building structures, and wood's behavior towards fire, these articles have explicated a wide variety of the material's applications and characteristics. A specific type of wood, Cross Laminated Timber (CLT), has emerged as highly structurally efficient with thermal, seismic, and even sensory benefits, described by specialists as the concrete of the future. But when we post these articles on social media, we frequently encounter comments from our readers concerned about the impact of deforestation. Although we may see wood as a great building material of the future, we must ask ourselves: is it possible to continue cutting down trees and using their wood while still calling it sustainable?
When we talk about natural or man-made spaces, the void immediately comes into play. This is understood as that matter that is untouched and that allows living the experience of inhabiting.
The photography of the artist Simone Bossi narrates the qualities of the space creating atmospheres that allow a new reading on the emptiness.
https://www.archdaily.com/946757/compose-the-void-simone-bossiMartita Vial Della Maggiora
A monochrome environment is a space in which most architectural elements are of a single color. Although it is common for architects to design black or white monochromatic spaces due to its neutrality, it is possible to use almost any color to design a space, taking advantage of their infinite tones, undertones, and shades.