Zaha Hadid Architects' design for a digitally fabricated marine habitat in the North Lantau Marine Park conservation zone in Hong Kong was recently presented at the World Design Congress exhibition in London. The event took place at the Barbican Centre between September 9 and 10, one of the world's most recognized examples of Brutalist architecture. Its theme, "Design for Planet," called on designers and commissioners of design to take on their most critical brief to date: to design a regenerative future in the face of climate change and to examine design's role as a tool for environmental action. In this context, Zaha Hadid Architects presented Nereid, a digitally fabricated habitat developed with advanced 3D printing technologies by D-Shape, aimed at supporting the natural regeneration of marine ecosystems.
The Royal Institute of British Architects (RIBA) has announced the 20 winners of the 2025 RIBA National Awards, recognising the most significant contributions to architecture across the UK. Presented annually since 1966, the awards celebrate design excellence and provide a valuable snapshot of evolving architectural, cultural, and social trends. This year's winning projects span the length and breadth of the country, from the Isle of Wight to Scotland and Northern Ireland, and represent a wide range of typologies and scales, from major institutional buildings to small-scale residential and community-focused interventions.
The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.
By the late 20th century, however, the widespread standardization of gas stations led them to be perceived as "non-places", a concept defined by anthropologist Marc Augé to describe transient spaces that lack social or cultural significance. With uniform designs and a focus on efficiency, gas stations became interchangeable, reinforcing their role as purely functional infrastructure rather than meaningful architectural interventions. This standardization also departed from the era when fuel stations served as recognizable landmarks, contributing to a homogenized landscape devoid of local identity.
Shortly before the First World War, Harry Brearley (1871-1948), who had been working as a metalworker since he was 12 years old, developed the first stainless steel. Seeking to solve the problem of wear on the inner walls of British army weapons, he ended up obtaining a corrosion resistant metal alloy, and added chrome to the cast iron. The invention found applications in almost all industrial sectors including for the production of cutlery, health equipment, kitchens, automotive parts, and more, replacing traditional materials such as carbon steel, copper, and even aluminum. In civil construction, this was no different, and stainless steel was soon incorporated into buildings.
The Royal Institute of British Architects (RIBA) has announced the 29 winners of the 2022 RIBA National Awards for architecture. Ranging from net-zero carbon office buildings to family homes, schools and education facilities, urban developments and cultural buildings, this year’s projects provide an insight into the key trends that shape UK’s architectural and economic environment. Many projects focused on uniting communities, by creating spaces as a result of a collaboration between the local residents and the architects, or by offering unique venues for musical or cultural events. The future of housing was also addressed, with projects illustrating a vision for modern rural living or creating new city blocks centered around community gardens. Another area of interest was the restoration and adaptation of existing buildings, be it a 900-year-old former dining hall of the Cathedral or an iconic 1950s Modernist house.
Royal Botanic Gardens, Kew, and the Museum of Architecture (MoA) have launched a competition to find three exceptional designs to create three treehouses across RBG Kew's UNESCO World Heritage Site as part of a larger ‘Treehouses at Kew’ Exhibition.
‘Treehouses at Kew’ will be Kew’s main exhibition running from April to October 2023, and provide one of the most unmissable visitor experiences of the 2023 London cultural calendar.
Just as the colors of an abstract painting or photograph can produce a certain mood, so can the colors of a building or room profoundly influence how the people using it feel. Physiologically, study after study has shown that blue light slows the production of melatonin, keeping people more alert or awake even at night. Psychologically, people associate certain colors with certain feelings due to cultural symbols and lived experiences – for example, they might perceive the color red as menacing or frightening because of its connection to blood.
Altogether, the way a room is colored can have complex effects on how its users feel, while a façade can be perceived in dramatically different ways depending on how it is colored. Below, we summarize the emotional associations of every color, assessing their differing effects as each is used in architectural space.
https://www.archdaily.com/930266/how-color-affects-architectureLilly Cao
Every year, ArchDaily's curatorial team publishes thousands of new architectural projects. From this experience, we know that no one builds alone and that these projects would not have been possible without the collaboration of many other professionals that are as much involved as the architects and designers themselves.
Communal living is nothing new. Throughout history, housing has long been tied to both shared needs and a concentration of resources. Today, between population growth and an increase in urban density and real estate prices, architects and urban planners have been pursuing alternatives for shared living. These new models explore a range of spatial and formal configurations with a shared vision for the future.
Pantone has revealed its Color of the Year for 2022; 17-3938 Very Peri, a brand new color "whose courageous presence encourages personal inventiveness and creativity". The shade falls under the blue color family but with violet red undertones, illustrating the fusion of our modern times and how the digital world has morphed with our physical one. In architecture, shades of periwinkle blue and lavender have long been used in installations, commercial spaces, and lighting, instilling an overall calming, optimistic, and positive effect on the human mind.
The climate crisis has become a staple of the architecture discourse, with the field slowly acknowledging its contribution to environmental issues and seeking to reframe its values and approaches. However, there is an evident lack of commitment and consistency in addressing the matter and an absence of systemic change. Emerging practices, organizations and startups are carving a new architecture practice, slowly unfolding a paradigm shift beyond "green" add-ons and technical equipment. Addressing environmental issues on multiple levels, from policy and design strategies to materials and construction processes, the following are some of the actors reframing the profession's relationship with sustainability.
Sustainable architecture begins with designing for longer lifecycles and reuse. Looking to create more inclusive and viable futures, architects are exploring adaptive reuse as one of the best strategies to address the climate crisis and promote social justice. Reuse keeps the culture of an area alive, bridging between old and new as projects push the boundaries of circular and adaptive design.
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced in equal measure for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
