Moscow-based designer Alex Shtanuk has launched an Indiegogo campaign for his 107,000-square-foot (10,000-square-meter) blanket woven from over 3000 NASA Space blankets, to feature at this year’s Burning Man festival at Black Rock City, Nevada.
“The Blanket” seeks to “bring the waves of the ancient Lake Lahontan back to Playa,” influenced by wind conditions to mirror surreal forms such as waves, mountains, or giant sculptures. With an exterior metallic coating, the blanket will reflect 97% of radiated heat, creating a cool, refreshing environment underneath for those seeking shelter from the hot Playa sun.
For many architects writing is an integral part of the design process, one that clarifies or pushes ideas into places sketches can't always reach. But for many, the origins of the words we use to explain and classify our work are a mystery. A look at their origins and derivations offers insight - occasionally surprising - into the evolution of architectural language.
The Architects' Journal’s 2018 student survey has revealed troublesome, though perhaps not surprising, trends within the profession. The results of the survey, drawn from nearly 500 students in the UK, suggest that the economically fortunate are more likely to succeed within a culture that promotes unsociable and unhealthy working hours.
The numbers paint a bleak picture of the architecture student lifestyle in the UK, where, including tuition fees, students are now forking out an average of £24,000 per year. 44% of respondents identified this as the largest problem for them and their peers.
So as the traditional route into the profession becomes “increasingly out of reach for many,” is it time for schools and offices to reevaluate their methods in order to maintain a diverse, accessible architecture?
Hungarian architects Paradigma Ariadné push the concepts of progression and growth to a literal spatial extreme in their proposal for a new sport complex for the MTK Football Academy. Drawing inspiration from the diagram of traditional European peasant houses, the design stretches into a kind of visual infinity, stacking all the rooms in the building along a single horizontal axis.
Minutes ago in Detroit, Director Dirk Denison and 2018 MCHAP Jury Chair Ricky Burdett announced the six finalists of the 2018 edition of the Mies Crown Hall America Prize. Selected from a longer list of 31 projects announced earlier this summer in Venice, these outstanding works of architecture will compete for the top honor, the MCHAP Award, which will be announced in October. The authors of the winning award will take home $50,000 to fund research and a publication and will be recognized as the MCHAP Chair in IIT’s College of Architecture.
The six finalist buildings were completed between January 2016 and December 2017. The descriptive texts, provided by the MCHAP jury, celebrate the merits of each individual project.
https://www.archdaily.com/899111/6-projects-in-brazil-mexico-peru-and-usa-selected-as-finalists-for-the-2018-mies-crown-hall-americas-prizeAD Editorial Team
Chinese cities have been on a stride for decades, and are expected to become the world’s leading economy within the next few years. With all the ongoing architectural developments, nature remained key in most architects’ design developments, honoring the Chinese landscape and integrating it within their projects. The Zhangjiang New District is one of China’s new ongoing developments, housing numerous structures and architectural installations. Architecture firm UM has been selected to design the “City Gate,” a new iconic landmark in the New District, which will act as a transition between the extensive urbanism of Gan Zhou and its surrounding nature.
One of the main purposes of the project was to create an environment that caters to both the residential and commercial needs of the region, making the best of the project’s prominent location. The project, which was inspired by Ximeng Wang’s “Thousand Miles of Mountains and Rivers,” a timeless piece of Chinese art, reconnects the occupants with nature and allows them to experience its offerings with all their senses.
Vatican City participated in the Venice Architecture Biennale for the first time this year, inviting the public to explore a sequence of unique chapels designed by renowned architects including Norman Foster and Eduardo Souto de Moura. Located in the woods that cover the island of San Giorgio Maggiore, the chapels offer interpretations of Gunnar Asplund’s 1920 chapel at Woodland Cemetery in Stockholm, a seminal example of modernist memorial architecture set in a similarly natural wooded context.
A new video produced by Spirit of Space offers a brief virtual tour of the structures that make up the Holy See’s pavilion, lingering on each just long enough to show different views and angles. As members of the public circulate through the chapels in each shot, the scenes give an impression of how each chapel guides circulation.
