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Albania’s capital city, Tirana, is slated to receive the country’s first Vertical Forest in a scheme designed by Milanese architecture firm, Stefano Boeri Architetti. Originating as part of the city’s new development master plan completed by the firm 3 years ago, the building will greatly increase the amount of greenery within and around the metropolitan area. Tirana’s Vertical Forest will contain 21 floors above ground with 4 more below and will be populated by 105 apartment units above a primarily commercial ground floor.

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Videos

Architects' general ignorance about the needs and requirements of people with special needs is worrisome. Beyond complying with mandatory regulations (different in each country), the quality of life for different-abled people depends on specific and daily factors that go beyond a railing or a ramp, and are often left in the hands of professionals who have never dealt with such issues.

This Ables, a project developed by IKEA and the non-profit organizations Milbat and Access Israel, provides an excellent resource for how to create an equitable design in the smallest and simplest of details. From door handles that are can be opened with a forearm to a couch lift that enables users to sit down and get up easily, these 13 products are available to the general public on ThisAbles.com. Some products can even be 3D-printed independently.

See the video below for more details of the project.

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With its flashbulb neighbor to the south taking much of the spotlight, few know the extent of Canada's involvement in the film industry. The recently announced Canadian Pavilion for the 2020 Venice Biennale, curated by Montreal based practice T B A and McGill academic David Theodore, aims to change that.

Cambridge-based design practice WOJR has designed House of the Woodland, a pyramidal house grounded in framing and symmetry. Designed around rituals of respite, the project utilizes a nine-square grid structuring four plywood trusses resting atop eight cinder block walls. Sited in the Berkshires, the design makes its grid organization visible through the roof's large-scale coffers. The project explores a series of dichotomies through materials, space and form.

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