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"Les Jumeaux" or The Twins is a new large-scale public urban intervention by French artist and designer Camille Walala in White City, West London. The project encompasses two pedestrian crossings and seven striking murals, created with geometric patterns and primary colors, Walala’s signature style. Moreover, Camille Walala also unveiled this month her East London intervention, a giant work of art aiming to breathe new life into the street and boost the local economy, entitled "Walala Parade".

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Nieto Sobejano Arquitectos have unveiled the new design for Cité du Théâtre, a large cultural center promoted by the French government in Paris. They will be working with French office Marin+Trottin Architectes, and the project will be located in the Ateliers Berthier. The winning project is based on the creation of a large elevated garden that establishes a visual continuity with Martin Luther King Park.

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This article was originally published on Common Edge.

The most arresting image, among many, in the documentary Laurel Canyon: A Place in Time, directed by Alison Ellwood, is a black-and-white photograph of Eric Clapton visiting Los Angeles for the first time on tour with Cream. He sits a few feet from Joni Mitchell, who is playing guitar, with a visibly stoned David Crosby in the background on the backyard lawn of Cass Elliot’s house. Clapton observes Mitchell with such a smoldering intensity you think he’s going to blow an amp. He is transfixed by Mitchell not because she was striking—and she was—but because of her musicianship.

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