
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

In May this year, The Centre Pompidou in Paris will debut the largest retrospective of Norman Foster's work from the past six decades. The exhibition spans nearly 2,200 square meters, exploring the various phases of the renowned architect’s career. Essential works including the Hong Kong and Shanghai Baking Corporation's headquarters (Hong Kong, 1979–1986), the Carré d'Art (Nîmes, 1984–1993), the Hong Kong International Airport (1992–1998), and the Apple Park (Cupertino, United States, 2009-2017) will be on display.
Foster + Partners, the Norman Foster Foundation, and Norman Foster are working to develop and execute the full retrospective. Through the lenses of the seven chosen themes: Nature and Urbanity, Skin and Bones, Vertical City, History and Tradition, Planning and Location, Networks and Mobility, and Future, the exhibition is set to become a full compilation of the architect’s work.

The use of translucent materials in Brazilian architecture has been a growing trend in recent years. Translucent laminated glass, polycarbonate and acrylic are just a few of them. They have different advantages and disadvantages regarding cost, impact resistance, and thermal and acoustic insulation. What outlines the common benefit between them is the constant dialogue they provide between interior and exterior.

Residential swimming pools are nothing new, but they have become an unique component of modern living. Increasingly popularized, pools became a status symbol and a residential recreation element. Today, private swimming pools can be found across the world, and in many different climates. As more pools were built, so too were structures that could house equipment and pool amenities, as well as guest rooms or living quarters. These “poolhouses” were designed as spaces for accommodation, storage, and maintenance.

This article was originally published on Common Edge.
Today we know R. Buckminster Fuller primarily through his oeuvre of iconic objects and ideas created over the arc of a nearly 90-year life. Born in the last decade of the 19th century, Fuller lived long enough to hang out with Steve Jobs. He’s variously described as a “systems thinker,” perhaps the first “futurist,” a visionary, engineer, geometer, and architect (he won the AIA Gold Medal in 1970). But “inventor” is probably the most accurate description. Historian and writer Alec Nevala-Lee’s 2022 biography, aptly titled Inventor of the Future: The Visionary Life of Buckminster Fuller (Dey St. Books), tells a nuanced story of the man known for geodesic domes; space frames; “Spaceship Earth”; the Dymaxion map, house, and car; and concepts such as tensegrity, synergy, and “ephemeralization” (“doing everything with nothing at all,” as he described it).

In any city, cultural centers can play a significant role in preserving and celebrating the community’s heritage and history, officing space for a vast array of activities and initiatives to encourage social interaction and the sharing of ideas and memories. They are also institutions that promote education and learning, often offering classes, workshops, and lectures on various topics related to culture, history, and the arts. By fulfilling these crucial roles within a given community, they can also become attractive centers for tourists eager to learn about local identities, cultures, and traditions.
This week’s curated selection of Best Unbuilt Architecture highlights designs submitted by the ArchDaily community dedicated to cultural institutions. From a multifunctional cultural center in Buenos Aires to a cultural storage facility in South Korea or a timber-clad library in Vietnam, this selection features projects that aim to encourage communities to come together to celebrate their shared cultures and histories. The article includes projects from offices such as LOOP Architects, Eddea, Salon Alper Derinboğaz, and Boozhgan Architecture Studio.

Appropriate fittings are as crucial to interior design as any other prominent feature, enhancing aesthetic appeal and providing the finishing touches to a space. Considered spaces where some of our most basic needs are met, kitchens are ideally designed to suit the lifestyles of its inhabitants, and can include customized fittings with diverse faucet systems, functions and finishes. Seeking style and functionality, we showcase a round-up of Dornbracht’s latest series of kitchen faucets, which seamlessly integrate cutting-edge refinements with timeless design to create versatile living spaces.

The Estonian Centre for Architecture has chosen the exhibition “Home Stage,” curated by Aet Ader, Arvi Anderson, Mari Möldre of b210 Architects, to represent the Pavilion of Estonia at the 18th International Architecture Exhibition of La Biennale di Venezia. Hosted in a rental apartment close to the rear exit of the Arsenale complex, the exhibition explores the contradiction between the living place as a home and as an exchange value. Various Estonian performers will each spend a month in the Venetian rental apartment, which will become both a home and a stage. The exhibition will be open from May 20 to November 26, 2023.

Brutalism is a deeply dividing architectural style - a subcategory of the Modernist movement that featured bare concrete finishes, unusual shapes, and an undoubtedly unique aesthetic. Whilst emerging into prominence in 1950s Great Britain, the most iconic examples of this architectural style are arguably found in Eastern Europe - particularly in the territory formerly known as Yugoslavia.

Whenever light falls on a surface there will be a shadow, no matter how insignificant its focus is. The outline will hardly be visible, but other shapes will come to the fore in this play of light and dark. In the case of being projected by solar dance, a latent dynamic is added to the shadows that can be used to intensify everyday phenomena, breaking the monotony of space. Orthogonal openings in a long corridor or woven pieces in a courtyard are examples of constructive elements that create patches of light and shadow, bringing in addition to aesthetic delight and thermal comfort to its users. In this way, it becomes evident that these intangible elements are essential parts of an environment that, long before Louis Kahn declared the power of shadows, was already being manipulated.

goa is one of China's leading architectural design firms. Over 25 years of practice, goa has consistently represented the benchmark of quality in the Chinese architectural industry, serving as a pioneer and creator of human environments and lifestyles in Asia. With an elite multidisciplinary team and an integrated, interdisciplinary approach, the firm holds a leading position in high-end residential, resort hotels, corporate headquarters, urban renewal, and cultural tourism and rural reconstruction. As of the end of 2022, more than 200 of goa's projects have won over 400 architectural design awards from authoritative domestic and international industry organizations and media, including the World Architecture Festival (WAF), MIPIM, the Council on Tall Buildings and Urban Habitat (CTBUH), the Leading European Architects Forum (LEAF) Awards, the European Centre for Architecture Art Design and Urban Studies, The Architectural Review (AR), Architizer A+, the China Exploration and Design Association, and the Architectural Society of Shanghai. Driven by its mission to "shape vibrant human habitats," goa continues to create unique spatial experiences for future cities and communities through high-quality design services.
A rigorous, objective, diverse, and open corporate culture forms the brand DNA of goa. The firm offers professionals an attractive working environment and rewarding career development, supporting the autonomous growth of outstanding talents while fostering an innovative atmosphere of interdisciplinary collaboration. With its unique vitality, goa is committed to providing every employee with a stage to realize their professional aspirations.

As trivial as the act of flipping a switch and lighting up a room may seem, we've had to come a long way to have safe and reliable light sources. It is estimated that the first lamps were invented 70,000 years ago, consisting of hollowed out stones or shells filled with an absorbent material soaked with animal fat that could be ignited. The Egyptians, on the other hand, used decorated ceramic vessels filled with oil, which provided a constant flame. Candles were popularized during the Middle Ages, made of tallow (animal fat) or beeswax, and could be burned in simple candlesticks and chandeliers. It was in the late 19th century that Thomas Edison and his team invented an incandescent light bulb that could be mass manufactured and was economically viable, soon becoming the dominant form of lighting for much of the 20th century. Although it was a revolutionary invention at the time, we are now aware that these lightbulbs are not very efficient, and they were eventually replaced by fluorescent and, more recently, LED bulbs. But if we have already advanced so much in such a short time, what can we expect for the future of lighting, and more specifically, how will our interiors be lit in a few years or decades?

David Chipperfield, laureate of the 2023 Pritzker Prize, has designed over a dozen museums throughout his career, with some still under construction. As a typology that has significant urban and social impact, Chipperfield and his team have skillfully leveraged each commission to transform neighborhoods and cities while still honoring the essence of the place and what was there before. His museums make powerful statements without being obtrusive, and this is reflected in the choice of materials and the construction solutions used.
Like an oversized minimalism, Chipperfield gives the materials space to unfold and be understood. In his galleries and museums, the materials appear exposed, clean, and highlighted through contrast. They give character to the space while giving prominence to the art on display, generating suitable atmospheres for its proper appreciation. Regularity, continuity, and repetition help shape this background, while the filtered light finishes building the right scene.

Higher noise emissions, higher wind loads and a desire for greater energy efficiency – the structural requirements for façades in multi-storey residential buildings and skyscrapers are becoming increasingly demanding, for both new builds and renovations. This is the result of the urban densification that is taking place in response to the acute lack of available housing and the more extreme weather conditions brought about by climate change.

The Naomi Milgrom Foundation announced Tadao Ando as the winner of the commission to design the MPavilion 10 in Queen Victoria Gardens in Melbourne. This will be Ando’s first project in Australia, as he will be taking part in the country’s foremost annual architecture commission and design festival. Now in its 10th edition, the MPavilion gives complete freedom to the designers to create their concepts and realize their vision, hoping to encourage new and unique design languages to further develop this vital site in the cultural and community life of Melbourne. Details of Tadao Ando’s design will be revealed in May, and the pavilion is scheduled to open to the public on November 16, 2023.

The Developer Red Sea Global has partnered with the wellness brand Clinique La Prairie to develop a high-end health resort in Amaala, located on the northwest coastline of Saudi Arabia. The resort will host 13 villas and 52 houses and suites. It will also feature a diagnostics lab, a museum, a beach club, workshops, training rooms, private dining spaces, and a cooking school, activities that ensure that the visitors embark on a journey of rejuvenation and self-discovery.

The finalists for the Opera of the Future competition have been announced. This urban planning competition, commissioned by the state capital of Düseldorf, was created to select a location for the new cultural institution. After an extensive examination of potential site locations, the two options for the competition proposals were: Heinrich-Heiene-Allee, where the current opera house is, and Am Wehrhahn.
Throughout the brief, firms were encouraged to figure out how this future project could become a lively and public space open to the entire city, offering a wide range of services. As a result, submissions were received for both prospective buildings, and the finalists for each location were announced.

Sunshine has been an integral part of life ever since the sun and the earth began their merry dance. The feel-good ambiance provided by natural light is a recurring theme in human culture, from popular music, fashion, and photography, to our most luxurious environments.
But our bodies’ craving for sunlight is more than just a feeling. Scientific research has proven it helps our bodies to produce more melatonin which aids sleep and reduces stress, vitamin D which improves immunity and strengthens bones, and serotonin which fights depression. As well as helping us to live healthier and happier lives, research suggests the sun also helps us to live longer, too.

What’s more important, work or wellbeing? Should we have to choose? A ‘good work ethic’ –as in placing work before all else– used to be a badge of honour, certainly among generation X-ers who grew up with post-war parents and a recession to wrestle with just as they were getting going on working life in the 1990s. Today’s economic situation might present similar wrangles in securing a wage among their off-spring, so-called generation Z, but it is nevertheless this emerging set of workers that are teaching the rest of us that work at any cost –particularly that of our mental and physical wellbeing– should not be a life ambition.

This article by Joshua Domínguez Ruelas was originally published in the 17th issue of revista rita under the title "Public Realm Between Online and Offline Space." Following the Chilean social uprising and COVID-19 restrictions, San Borja Park fell into disuse. In response, a community recreated the park in Minecraft, crafting their own version: BorjaCraft. Consequently, two parks coexist within one environment—separate, yet part of the same place. By entering or leaving the space, turning the digital on or off, the public experience unfolds between the online and the offline. If the characteristics of online and offline spaces were linked, how would the public realm of a place expand? This challenges our understanding of the public, which typically depends on the space or medium in which we dwell.

The UIA World Congress of Architects 2023 is an invitation for architects from all around the world to meet in Copenhagen to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). The Science Track of the UIA World Congress has been tasked with the development of the agenda, Sustainable Futures – Leave No One Behind. For more than two years, its international Scientific Committee has been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six themes: climate adaptation, rethinking resources, resilient communities, health, inclusivity, and partnerships for change. ArchDaily is collaborating with UIA to share articles pertaining to the six themes to prepare for the opening of the Congress on July 2, 2023.

Contrary to what we might believe, hearing loss is not always congenital, but could sooner or later happen to any of us. According to the WHO, almost a third of people over 65 suffer from debilitating hearing loss. Yet from a certain perspective, hearing loss could be considered more of a 'difference' than a 'disability'. Although the spatial demands of people with hearing disabilities are not as noticeable as spaces for the blind or for those who experience reduced mobility, the reduction of hearing capacity does entail a particular way of experiencing the environment. Is it possible to enhance this experience through interior design?

A home’s entry is often its first impression, and modern architects are using large scale glass to create impressions that are dramatic, surprising, and uniquely welcoming. See how six architects designed unique entries for homes, regardless of size and location.

This year, we celebrate the fifteenth edition of our Obra del Año (Building of the Year) award: the highest recognition in the Spanish-speaking architectural world, with winners selected by public vote. Starting today, Thursday, March 9, you and all of our readers will be responsible for choosing the projects built during 2022 that inspired us and now faithfully represent the identity of our local contexts.
When the Quzhou Sports Park project was completed in China, it became the largest earth-sheltered complex ever built. In his conversation with ArchDaily, Ma Yansong explained that MAD Architects was not only focused on completing the stadium proposal, but also on creating an architecture that disappears. Unique fields become architectural spaces where anyone can do anything at any moment.
"We need a space for people to relax, to have a moment to dive into another dimension of space and time. They can have their spiritual world. I want this space to be engaging and inviting, encouraging interaction with the public, not just for races or sports," said Ma Yansong.