For the 17th international architecture exhibition – la biennale di Venezia 2021, Denmark is creating a water cyclic system that connects people with each other and with nature. The national pavilion, titled “Con-nect-ed-ness”, is curated by Marianne Krogh and Lundgaard & Tranberg Architects, and will be on display from May 22nd to November 21st, 2021.
Australian research lab Finding Infinity has collaborated with architects, councils and investors to create a strategy that would turn Melbourne into a self-sufficient city by 2030. Building on exemplary case studies and scientific research, the initiative proposes a 10 step plan for the city’s transition from a consumer of resources to a zero-carbon urban environment.
Ever since the tramline’s closure, the 800-meter-long strip in the center of Corso Gabetti and Ponte Regina Margherita in Turin, has been abandoned. To make use of the dead area and give residents an extra space outdoors following Italy's severe pandemic repercussions, non-profit cultural association Torino Stratosferica has transformed the tree-lined strip into Precollinear Park, a temporary public space fit for socially-distanced leisure.
Although deploying four months later than normal (due to an obvious, unforeseen roadblock), the Metropolitan Museum of Art has revealed its 2020 Roof Garden commission, tapping Mexican artist Héctor Zamora to drop a timely intervention across the New York City institution’s outdoor terrace.
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I recently viewed a public art commission at Dubai's foremost cultural district - Alserkal Avenue: it was an installation by an artist collective - METASITU, who had transformed a warehouse on the Avenue previously known as Nadi Al Quoz, into a 21st-century ruin. The work titled: 'we were building sand castles_but the wind blew them away', was inspired by the perennial demolitions that have become an integral part of contemporary placemaking around the world. Through this piece of work, METASITU reflects on the extractive city-building processes, while contextualising them within different human and ecological timelines. The long-term vision of the artists was to deconstruct the building and return its constituent materials to their ‘original state’. Later this year, they plan to further deconstruct the installation into a public landscaped environment.
Entitled Becoming Xerophile, Cooking Sections and AKT II have developed a zero-water desert garden, part of the first Sharjah Architecture Triennial in UAE, curated by Adrian Lahoud. The installation explores the introduction of desert landscapes in the urban fabric of the city and everyday life.
The Haszkovó housing estate in the city of Veszprém, Hungary has been seen as a failed urban development: "grey, sad, and soulless". However, this cold structure managed to shelter 20,000 inhabitants within its walls, standing as a "real city" within the area.
On the occasion of Veszprém Design Week, a collaborative project by five renowned architects and architecture studios: Edward Crooks, Point Supreme, Supervoid, MAIO, and Paradigma Ariadné, invited the visitors to change the perception and current state of Haszkovó, by creating five vibrant, portable, and durable urban artifacts.
OMA revealed the KUBE, an installation located in front of the main entrance of K11 MUSEA, on Hong Kong’s waterfront. The multi-functional installation creates an urban landmark, amidst the dense skyline of the city, through very simple yet engaging geometry.
Since 2017, the Cyprus School of Architecture (CYSOA) holds a series of architectural competitions of installations and design implementations on the public beach of Geroskipou, Greece.
2018’s winning proposal by Russian firm KATARSIS Architects presented a beach cinema project titled Sky Cinema, a translucent structure that serves as both a canopy and screen.
Every holiday season, architects, designers, and urban planners set up vibrant installations in cities around the world, to serve as beacons of joy and interactive points of attraction. On the 18th of November, Hou de Sousa will install Ziggy in New York City to celebrate the upcoming holiday season with vibrant hues and playful gateways.
Building / Prototype II is an experimental architectural pavilion designed by architect Marc Leschelier for the Feÿ Arts Festival in Burgundy, France. Created in the middle of the forest, in the park of the Château du Feÿ, the permanent installation is the first of an acquired collection to be always displayed on site.
Commissioned by the Nobel Peace Center in Oslo, Norway, and designed by Snøhetta, the installation entitled The Best Weapon, was first unveiled to the public at the United Nations Headquarters’ Plaza in New York City. This urban peace bench aims to honor “the past Nobel Peace Prize laureates and their efforts to bring people together to find effective solutions for peace”.
The 6th edition of Passages Insolites or Unusual Passages, has kick-started from the 20th of June till the 14th of October 2019, in Québec city. The public exhibition is a 4km walkable art path in the historic Petit Champlain and Saint-Roch districts, showcasing 14 artworks produced by 40 local and international artists and architecture collectives.
Architects and designers, just like all citizens, have a responsibility to participate in global conversations regarding the environment. Their power, however, lies in the fact that they are able to make an impact through the conscious decisions they make with their projects, such as sustainable building materials or expressive artworks.
To shed light on the current climate crisis, artist Alicja Biala and architect Iwo Borkowicz have created Totemy, a series of 9-meter-tall sculptures that translate the state of the environment into an immersive architectural experience.
The London Festival of Architecture, the world’s largest annual festival of its kind, took place across the city this June. The month-long festival welcomed thousands of people to explore architecture installations and creations, and take part in the activities and discussions, which included an event put together by SKNYPL.
The theme for the year 2019 was ‘Boundaries’ in all its forms: zones, walls, city limits… And for their first international show, SKNYPL presented “PHOBOS”, a film-installation about Moscow and the fearful impact of having physical and metaphysical boundaries. The studio created a special online version of the film especially for ArchDaily readers.
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