The spaces where artists create their work reveal a great deal about their creative journey—their techniques, themes, and inspirations. These places hold memories, intimacy, and emotional connections. For some artists, the studio is a secluded space, free from distractions. For others, it is a place for openness and freedom. Often, the studio becomes the home—or the home becomes the studio—blending function, desire, and necessity. Positioned at the crossroads of living and creating, leisure and work, these spaces fascinate art lovers. Many are later recreated in galleries or transformed into museums. Regardless of the artist’s fame, these spaces offer a unique look into the creative process, the artwork, and the artist's identity.
SO-IL (Solid Objectives – Idenburg Liu) is an architectural design firm based in Brooklyn, New York, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project 450 Warren in Brooklyn was selected as ArchDaily's Building of the Year by the audience in the housing category.
In their latest book, In Depth: Urban Domesticities Today, SO-IL explores the evolving concept of home in contemporary urban contexts, transforming it "from a source of vulnerability into a tool for empowerment." The book redefines domesticity as an active and shared experience and examines how architects can address pressing urban challenges such as affordability, density, and sustainability. SO-IL's work advocates for flexible, resilient housing that fosters community while integrating ecological and social dimensions. ArchDaily spoke with the architects about the innovative solutions and ideas presented in the book, delving into how their projects challenge conventional systems and envision a future where architecture is a tool for empowerment.
The domestic space reflects individuals' activities, behaviors, and actions, where various dynamics and processes coexist as part of daily life. Although each home has its distribution logic according to the time of its design, the needs of its inhabitants, the technologies of the era, and other factors, residential interior renovations often express an interest in recovering old structures and façades, recycling unused furniture, restoring high-quality elements present in coverings and flooring, or directly integrating new features to achieve greater spatial fluidity, lighting, and optimization of surfaces.
Porches in New Orleans. Image via William A. Morgan / Shutterstock
Positioned between the streetscape of a neighborhood and the privacy of the interior of a house lies the porch. Taking on the role of an entrance, a window to ponder out of, a gathering spot, and a stage, the porch has come to represent community and identity for many neighborhoods in the United States. Made of various stylistic elements of different sizes and shapes, these tie together neighborhoods by creating an interstitial space between the home and the street, weaving together the family life inside the house and the public life outside it, and creating a space between the private and public for both serendipitous encounters and for pausing. The porch has often been displayed in film and literature as the stage of profound and life-changing conversations, representing a comfortable threshold between the domestic and public realm in which to linger.
Spring Rain, portico, wall and staircase for the Qianhai Harbour School, Shenzhen, 2022. In collaboration with Tu'an Architecture Design Company (Guangzhou). Image Courtesy of studio ACF
IKEA’s research and design lab SPACE10 has published The Healthy Home report, the second release in its Future Home report series. The report explores three main themes concerning domestic environments: how our homes protect us from harm, restore our bodies and minds, and enable us to grow through life’s stages. The research aims to evaluate the ways in which homes can positively contribute to and support the rhythms and flows of life. It was developed in collaboration with Morph to develop the visuals supporting the findings.
The maid's quarters are "with their days numbered", although they still find a place in the new luxury apartments. The information is from a report published in Folha de S. Paulo in March of this year, which says that in 2018 less than 1% of domestic workers, mostly black women, lived on the premises of their employers - a low number when compared to the 12% of 1995. With the decrease in the number of professionals residing in the employers' homes, the "maid's room" would gradually be no longer part of the architectural plans of Brazilian housing buildings.
In this film, presented in collaboration with +KOTE, theAfter Belonging Agency—Carlos Minguez Carrasco, Ignacio Galán, Alejandra Navarrese Llopis, Lluís Alexandre Casanovas Blanco, and Marina Otero Verzier—narrate a walkthrough of In Residence, one of the two core exhibitions at this year's Oslo Architecture Triennale: After Belonging – A Triennale In Residence, On Residence, and the Ways We Stay in Transit.
As part of a new exhibition at the National Building Museum in Washington D.C., twelve dollhouses tracing the history of British domesticity have been lent by London's Victoria & Albert Museum of Childhood. The show—Small Stories: At Home in a Dollhouse—spans 300 years and presents a miniature-sized, up-close-and-personal view of developments in architecture and design – from lavish country mansions, to an urban high-rise.
