Architecture: The Latest Architecture and News

Architecture this week reflects on how buildings and cities adapt to changing cultural, social, and environmental conditions. From the expansion of established institutions and the preservation of architectural archives to new approaches to housing and the use of domestic space, several stories consider how architecture negotiates between existing contexts and future needs. These questions extend beyond individual buildings, touching on the role of public space, infrastructure, energy, and collective memory in shaping the built environment. At the same time, new projects and cultural programs across different contexts demonstrate how architecture can respond to local histories, urban transformation, and resource constraints while establishing new relationships between buildings, landscapes, and the communities that use them.

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The origins of the Copenhagen Architecture Biennial trace back to the establishment of the CAFx yearly festival in 2014, which was renamed Copenhagen Architecture Forum in 2024 to lead new projects focused on architecture and urbanism, such as the shift from festival to biennial, with a first edition in 2025. Today, the details of the second edition are being announced: it will take place from September 9 to October 15, 2027, under the theme "Elements." After the Biennial's inaugural call to Slow Down, the event is turning its attention to the planetary elemental forces that architecture has sought to master and prepare to inhabit, questioning one of modernity's most persistent promises: control over the environment. Activities will be dedicated to and organized around each of the four elements: fire, earth, air, and water, including an open call for pavilions, exhibitions, and a symposium.

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Architectural ornamentation has been a recurrent subject of debate across the industry for decades. A practice that was largely abandoned during the Modernist movement could now be standing on a platform that might, again, allow its resurgence, due to the current convergence of robotics, artificial intelligence (AI), and digital fabrication. Technology has seemingly removed the primary obstacle to decorative detail: the high cost of skilled manual labor. However, this new technical capacity demands a critical examination: What does ornamentation truly represent, and what do we gain or lose by resurrecting it through algorithmic design?

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The landscape and scattered settlements of Ireland carry a reputation for wildness. Rugged cliffs meet the Atlantic, green fields roll across the interior, and rain and wind change the scene by the hour. A closer look reveals a worked terrain as historic stone walls divide agricultural fields, roads and paths connect towns to the coast, and castle ruins alongside cottages record centuries of occupation. Change is the expected condition of the island, shaped as much by human hands as by geology and weather, and the practice of treating the existing context as material to adapt and modify runs deep.

Ireland has a large inherited building stock, from vernacular cottages and farm compounds to Georgian and Victorian urban terraces, while a growing share of it sits vacant or derelict as housing remains scarce and expensive. Planning and heritage protections shape what can be altered, while growing attention to embodied carbon makes demolition increasingly difficult to justify. Under these pressures, design strategies for renovation are one of the most inventive areas of contemporary Irish design. Architects cut into old structures to admit light, set new materials against aged ones, and redesign buildings for contemporary lives and routines.

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A jury of arts and architecture professionals recently announced the selected curatorial proposal for the Luxembourg Pavilion at the Biennale Architettura 2027. The exhibition will be curated by housing expert Céline Zimmer and architects Bùi Quý Sơn and Paul-Antoine Lucas, co-founders of the critical spatial practice Exutoire, one of the winning practices of the ArchDaily 2026 Next Practices Awards. The proposal is titled "Excess! On the Overconsumption of Living Space" and addresses the inequitable distribution of living space as a reflection of "broader habits of excess that contribute to the current housing and ecological crises." The issue will be illustrated through a dialogue between the realities of Luxembourg and Vietnam to reflect on spatial consumption. The Luxembourg Pavilion is located on the first floor of the Sale d'Armi in the Arsenale, which will open to the public for the Biennale on May 8, 2027.

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For the past twenty years, Albania has been one of the most active construction territories in Europe. Dozens of international architects have been working there on projects that promise to alter the drawing, the structure, and the cities of a country still recovering from the regimes of the last century. To acknowledge that growth, and those changes in the landscape, is also to acknowledge that behind every form there is a story, and that there are files that tell us more than architecture itself.

Edited by Anneke Abhelakh and published by Lars Müller Publishers, with a foreword by Prime Minister Edi Rama, The Albanian Files has compiled two decades of work of sixty international architecture offices working in Albania into a dense publication whose format, color, and sheer presence amount to a statement in the reading of the country's recent history. The publication works as an extended document, a cartography of what these processes left behind. Much of what takes shape across its pages describes structures of power, patterns of commissioning, and positions whose consequences have proved controversial. Revealing is a sign of transparency, but it is also a sign that some things should never have been hidden in the first place. Albania, more than ever, with its aspirations to open a territory and its growing wish to engage with the world (through tourism and the prospect of EU membership), needs this clarity.

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Volcanic landscapes make geological change unusually visible. Lava hardens into new ground, and plants slowly take hold across it. Ash can remain in the landscape for years. Around active volcanoes, these processes are still underway, affecting where and how people build.

Yet these landscapes continue to attract houses and places of retreat. Their isolation and unusual terrain are often part of the appeal. Building there means bringing everyday life into a landscape that can still change.

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Farshid Moussavi has been awarded the 2026 Soane Medal for her contributions to architectural practice, history, and theory. The Iranian-born architect and educator, who founded Farshid Moussavi Architecture (FMA) in 2011, will receive the medal at the Royal Academy in London on November 24, 2026, where she will also deliver a public lecture. The annual award, established by Sir John Soane's Museum in 2017, recognizes individuals whose work has contributed to a broader understanding of architecture and its role in society.

For the second year running, Copenhagen was named the world's most livable city in the 2026 Economist Intelligence Unit's Global Liveability Index. According to the Danish Architecture Center, part of this progress in urban quality of life is due to the work of Danish architect and urban planner Jan Gehl, who celebrates his 90th birthday this year. Jan Gehl has dedicated his professional career to the field of city life and people-centered urban development, founding Gehl Architects (now Gehl Studio) in 2000 and publishing extensively on urban design methodologies to create lively, healthy, and human-centric urban environments. In honor of his birthday, the Danish Architecture Center is presenting an exhibition and a series of activities centered on the role he has played in urban development worldwide.

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Liberation does not always begin with a monument. It may begin in a garden, a yard, a clearing, a field; in the occupation of land and the possibility of gathering there. Across histories shaped by colonialism and dispossession, space has been more than the setting in which liberation takes place. It has been one of its practices: cultivated, occupied, hidden within, moved through and collectively remade.

Wolff Architects' research Liberation Gardens offers the garden as one way of reading these spatial practices, not simply as planted ground, but as a space through which survival, nourishment and emancipatory imagination can be sustained. The garden in this sense is not defined by landscape design so much as by relationships between people and land, cultivation and knowledge, occupation and autonomy. It can hold cultural production alongside subsistence, and forms of collective life that emerge under conditions of violence and dispossession. Liberation, understood spatially, becomes as much about the possibility of inhabiting differently as it is about arriving at a final condition of freedom.

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In many Asian cities, the summer climate can increasingly be experienced from a distance. In Hong Kong, it is possible to move from an apartment tower through a podium mall, enter the Mass-Transit-Railway system (MTR), arrive beneath another commercial complex, and continue through enclosed footbridges or underground passages while encountering remarkably little of the atmosphere outside. Heat, humidity, rain, and seasonal variation remain present, but they can be largely bypassed through a continuous network of conditioned interiors.

Over several decades, air-conditioning has expanded from a technology for cooling individual rooms into an infrastructure capable of producing an alternative urban environment. This has been particularly visible in parts of East Asia and South East Asia, where transit-oriented development frequently combines railway stations, shopping centres, housing, offices, and other everyday services within interconnected complexes. The Railway plus Property model has helped institutionalize this relationship between transport and development, creating districts where movement through the city is often inseparable from movement through privately managed interiors.

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Videos

The Sharjah Architecture Triennial (SAT) has released the full documentary films from A Journey into Architecture Archives: Baghdad, Damascus, Tunis online. Curated by George Arbid, the project is part of SAT's long-term research program focused on documenting and safeguarding architectural archives across the Arab world. The three films, filmed on location in Baghdad, Damascus, and Tunis, combine archival research with fieldwork and oral histories, examining how architectural histories are constructed, preserved, and revisited over time.

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A campaign led by Red Lima Milenaria is seeking UNESCO recognition for pre-colonial sites in the Peruvian capital. Today, more than 600 archaeological sites remain in Lima, a metropolis of 11 million people. The citizens' campaign seeks to improve conservation conditions and public awareness of the sites that resisted European colonization by promoting the nomination of a selection of structures for inscription on UNESCO's World Heritage List. The public campaign was recently launched to gather citizen support and establish partnerships with organizations working in heritage and related fields, in order to prepare the framework for a formal nomination to be submitted by the Peruvian state. The initiative coincides with reconstruction movements in the continent responding to socioeconomic inequality and structural historical injustices, raising questions about the very definition of heritage.

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This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.

There are two unique things about being human that made us survive the early years and spread over the whole planet: sweating and storytelling. Sweating helps cool down the body when running long distances. Stories help us collaborate in big numbers and share knowledge across groups and generations. As architects, we still rely on the same tools to make visions become reality.

As professor of stories Angus Fletcher points out in his book Primal Intelligence, there is a common misconception about the role of stories: when our "rational" brain has developed an idea that we fail to explain to a wider group, we pack it into a story, and suddenly everybody understands. Fletcher argues that it actually works the other way around: ideas come from stories, our brain works in stories, and stories form reality. Architects have a derogatory term for turning that process the wrong side up: "post-rationalisation", for example when diagrams are made to explain a design that is already decided.

There is no shortage of ways to imagine what the world will look like after a climate catastrophe. Genres of movies and novels have been built around the question of what happens when contemporary safeguards fail, from dystopian fiction and post-apocalyptic literature to disaster films, graphic novels, and video games. Burning forests, submerged cities, abandoned infrastructure, resource scarcity, and mass displacement are a familiar visual and narrative vocabulary. We have become remarkably fluent in imagining the consequences of a world that fails to respond to climate change.

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Office for Future is converting a former school in Stavyshche, Ukraine, into housing for 42 families displaced by the war. Developed for the Charity Foundation Housing for IDP, the project, titled "Dvir – The Shared Courtyard," reuses the approximately 1,900-square-meter building to create 42 apartments and 200 square meters of shared indoor spaces. The intervention combines the existing structure with new timber elements, an energy retrofit, and the transformation of the former asphalt courtyard into a permeable green space.

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Amid the celebrations marking the 25th anniversary of the Buenos Aires Museum of Latin American Art (MALBA), the institution confirmed the museum's expansion beneath Plaza Perú, which will double its exhibition space. The architects selected for the project are New York- and Mexico City-based Taller Frida Escobedo, who presented the project at the anniversary gala. The studio has previous experience with cultural architecture and is also currently developing the Centre Pompidou renovation project led by Moreau Kusunoki, as well as a new wing of the Met Museum in New York. The MALBA expansion includes new temporary exhibition halls, a new auditorium, multipurpose spaces, an outdoor plaza-courtyard, workshops, storage areas, and offices, and is scheduled to open in late 2029 or early 2030.

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Some urban experiences are etched into our memory through a shift in pace. The postmodern city has often been described as an experience lived at the rhythm of motorized mobility, in contrast to the stroll, the promenade, or even the processions that preceded it. In a fast-paced urban culture, walkability is championed in urban planning not only as a factor of safety and social cohesion, but also as a path to a more sensory way of life. This selection of unbuilt projects submitted by ArchDaily readers showcases design examples that prioritize the experience of the environment through a pedestrian pace. Beyond respecting walking as a mobility choice, these conceptual proposals link the act of walking with contemplation of one's surroundings, respect for what already exists, and connection with other people.

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